Category Archives: *REALITY

March 10, 2016 · 7:03 am

Grassy

Greenway

Bentmore-Future Home line passes directly over Greenway here where it intersects path leading to Prime/First Stream area via Grassy. In this location, Grassy and Greenway act like concentric circles. Future Home = center?

Grassy (all):

http://aqua-teen-hunger-force.wikia.com/wiki/The_Plutonians

The Plutonians are two jagged-shaped aliens from the planet Pluto or beyond Pluto.
Contents[show]
CharactersEdit

Oglethorpe (voice of Andy Merrill), the leader, is the obese, orange-colored one who usually comes up with their “plans” for World Domination. Emory (voice of Mike Schatz), his tall green sidekick, who was explained to be partners since college, hooked up by a computer, is the tag-along of Oglethorpe, and usually the one to know when things have gone sour. In “The Last One,” Oglethorpe mentions that he went to high school with Ignignokt, mentioning some kind of incident on the bus. Despite this, the Mooninites think that “Plutonians are teh suck”, which started Spacecataz. The Plutonians’ ship is also, incidentally, Uglor’s ship from Space Ghost Coast to Coast. They can be seen in Master Shake’s pinball machine in Eggball.

TriviaEdit

They are named after the two universities in Atlanta, where Williams Street created Adult Swim.

https://en.wikipedia.org/wiki/Mount_Oglethorpe

Mount Oglethorpe, the southernmost peak in the Blue Ridge Mountains,[2] is located in Pickens County, Georgia and was the southern terminus of the Appalachian Trail from when the trail was completed in 1937 until 1958. In 1958, as a result of over development around Mount Oglethorpe, the southern terminus of the Appalachian Trail was moved about 20 miles (32 km) to the northeast to Springer Mountain. Mount Oglethorpe is considered by some to be a more dramatic mountain than Springer Mountain, but the construction of a gravel logging road on the mountain and the development of a number of pungent chicken farms along the route, contributed to the move.

Until 1930, Mount Oglethorpe was called Grassy Knob, but the peak was renamed Mount Oglethorpe in honor of James Oglethorpe, the founder of Georgia.

https://en.wikipedia.org/wiki/Pluto

Pluto was discovered by Clyde Tombaugh in 1930, and was originally considered the ninth planet from the Sun. After 1992, its status as a planet fell into question following the discovery of several objects of similar size in the Kuiper belt. In 2005, Eris, which is 27% more massive than Pluto, was discovered, which led the International Astronomical Union (IAU) to define the term “planet” formally for the first time the following year.[14] This definition excluded Pluto and reclassified it as a member of the new “dwarf planet” category.[15]

Bottom line: Both the (southern) terminus of the Appalachian Trail and our planetary Solar System were shortened by the exclusion of Mt. Oglethorpe and Pluto respectively. Mt. Oglethorpe changed its named from Grassy in 1930. Pluto was discovered in 1930. (Aqua Teen Hunger Force’s) Oglethorpe is a Plutonian. He’s recently been seen in Collagesity starting here, and directly replacing a grassy colored Karoz at the bottom of Confluence Pool who may realize the same here (?).

Arab:

Arab is a way to focus Grassy. Means “Foreign One” or perhaps “Alien”, like a Plutonian.

Grassy > Oglethorpe in 1930; Birth of Secondary Triad beyond [Prime/Primary]

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Filed under Alabama, Georgia, MAPS, Middletown, Missouri

March 8, 2016 · 11:34 pm

Blue Mtn.>Middletown (Again)

Development is occurring on the Middletown mythos again. This is the place we’ll most likely be spending our retirement time starting in 7-10 years. Probably more like 7, actually. I had several nice Middletown hikes both this past Saturday (morning) and then again on Monday.

1st set of shots come from locations along a railroad about 1 1/2 miles south of Future Home. I do not yet have a mythological name for this area, but it’s probably coming. Along the rr I found a more heavily graffitied wall, naturally picturesque.

This kind of sums up the life of a graffiti artist, don’t you think?

Thick green strokes for this unintelligible scrawl.

Hobo graffiti ghost? Teaching smaller ghosts about the ethereal art of spray painting?

I see a number of “B-TEAM’ and “MOMS” on the wall.

Another, lower wall along the rr. The creek running through here may be named Hemp, but not totally 100 percent sure of that yet.

Interesting underpass beneath Superhighway 30 which parallels the rr along this stretch.

Stairs just beyond. This is an official trail along the Greenway. I should back up here and say that Greenway, Superhighway 30 and the Nowhere River conjunct at this place. LINK

Underpass pipe with scrawl that’s suppose to be intelligible but still appears cryptic. Not graffiti, obviously, but sharing certain features.

—–

We now switch to a location considerably closer to Future Home, or what I’m calling First Stream or perhaps Prime Stream (Pream?). Actually there are two streams in the area that combine to form one stream at Upper Mossman Road. So maybe one is First and the other is Prime. So my thinking is that the closest to Future Home is First, and then the twin stream, more protected and hidden in the woods, is Prime.

The Greenway is also very close to First/Prime. A path connects latter to former, running by these more interesting and larger rocks.

Mysterious bridges span Prime and First at many places. I’ll certainly create a map asap.

There’s junk in the area. A considerable amount.

Head o’ Prime.

Another Prime bridge. Guarded by thorny bushes. Obviously not been used in a while.

Bricks in Prime.

Circle of green along Prime. Violet, green, orange actually. More on First/Prime soon!

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Filed under Frank Park, Middletown, Whitehead Crossing

January 5, 2016 · 2:28 pm

New Monkey City/New Sharon 02

In an alternate reality, the renegade or rebel space travelers from Sharon province of Wazob of Mythos planet *did* make it into the heart of Whitehead Crossing and established their base at Edward’s Stone. All kinds of evidence for this, a predominant example being the Green Turtle formation (Green Turtle was a city in the Edwardston metro area of Mythos). And of course Grey Seal, or Grey Rock + Seal Stone, is also directly predicted in Mythos’ Edwardston’s related names through the nearby city of Sealston, not a part of Edwardston metro but in the same province. Sealston stands for Seal Stone, although, again, that’s not the origin of the name. Later I associated it with a Blue Mtn. artist named Seal that the wife also knew, I believe. I saw one of her works hanging in an office I visited about a year or two back while on official business at my job. The travelers mentioned are rebels because they identify with the concept of “yellow down” over “Greenup” championed by the Wazob unification supporters. Unification of Wazob (green) suppresses or absorbs Sharon (yellow), just like Eob did before with Wurme (lower octave).

Monkey City’s Pope Project is another symbol of destruction for Sharon. Nearby Edwardboro’s POPE (Wurme) is the regrowth of same in a newer, stronger form. The POPE is represented by a beanstalk, as it is shaped similarly. In an alternate US where US Grant was hidden away in a back pocket, the South and its rebels won the Civil War.

Rock Meadows in Gene Fade’s “Fade to Moss” sought out his creator Sinclair (The Maker). But when finding his grave, realized he no longer dwelt on this plane. He instead became Blue Skies Mr. way up in the clouds, with Whitehead or white hair. The concept of Whitehead Crossing is bourne. Whitehead is X-ed out because he is dead. When your hair turns white, you are edging towards death, the great beyond. Life not death is the great adventure? Anyway, Sinclair as Blue Skies Mr. became a deity to worship from beyond the grave. This is Jesus and God in one. The colors were set up: Green(head), Red (Head), Blue (Skies Mr.), and White(head X-ing). The colors were planted in [Washington Co.] Florida, along with Noru(m), a central device. An association between Florida and Maine is implied. A gateway to Monhegan Island also opened up near Edward’s Stone and the Green Turtle. Their woodland fairies entered Whitehead Crossing and interbred with the natives (there is record previously in this blog of at least one fairy entering The Crossing from the Maine island). The offspring could easily move between the 2 dimensions. A Monhegan Island artist found the portal and corrupted it. Whitehead Crossing natives learned a valuable lesson about the damage artists and their publicly fueled egos could inflict. They distanced themselves from other artists. They are still getting over this. One of their kind said: “I want to be an artist”. And they turned him away from it.

Rock’s Meadow on the eastern edge of Whitehead X-ing was sort of balanced by Mall Meadows to the west. Famous for its 5 sided mall and 5 shot lattes. 4 Sticks downtown area of 5 Bottles was in easy view. But Mall Meadows was not to be a place for human artists and their ego, no. The rebel native would not be allowed to help the human who desired such, no. You have to see the toys and their consequence. They come from the same place and that’s the dumps. They reinforce this to the youngster who desires to be like the human. You will sink into the pits, they said. No, you will not go down that path.

Mall Meadows was a great gathering place. Those from Red Head came from the east. Those from Greenhead to the north. Those from Whitehead were both there and in the west. The Blue people from above, a place beyond the tomb and the womb (The Eternals?). What formed from this overlap? 5 sided, we know.

Orange Hill (Florida) is yet another color to blend into The Crossing mix. Home, perhaps of Mr. and Mrs. Dundee and Castle Dundee, later turned into an art gallery (same as the Fal Mouth Moon gallery apparently).

Link between Whitehead X-ing and Monhegan Island comes through Little Whitehead, a rock formation in Maine and a small creek in my area. A former fairy bridge linking the two realms was seen spanning the creek several years back, but is now gone. I have photos, however, and the bridge (and its subsequent absence) is featured in the first Whitehead Crossing related collage of the Falmouth series (speaking of Fal Mouth Moon), collage 45 I believe.

Whitehead Crossing closed the portal between Collagesity and Nautilus City, and allowed the former to remain independent and not be absorbed by the latter.

Grey Seal is the *original* one thing on top of another thing. Could it also be surrounded by film?

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Filed under Frank Park, Mythopolis, Wazob, Whitehead Crossing

January 1, 2016 · 3:13 pm

Whitehead Crossing, 12/31/15 01

The first shot comes not from Whitehead Crossing but Ashville, where I hiked around about 2 weeks ago. I won’t say exactly where — oh yes, I do have a fake name for the hill I trekked up and down. It’s called Hemp Hill, a potential center for an Ashville mythology. I’ll have more on this knob soon enough; just didn’t want to lose track of the particular photo of it below in the meantime. More on Ashville in this blog here. And I haven’t written about it in so long I forgot *its* true fake name, which is Middletown. Maybe a talk with Carrcassonnee about Middletown is in order. I seemed to have summarized my interactions with it through the Embarras collage series of Jan/Feb *last* year (can’t believe it’s 2016 already!), which contains many images from that city.

Back to Whitehead Crossing, which I visited both Thursday (12/31) and Friday (1/1) for several hours apiece. And I might even return today and Sun. Of course, this particular area is heavily documented in both the present blog and the old Baker Blinker Blog, starting back in 2010 when I first explored it in general. There is little in the present pictures that hasn’t been documented before in terms of just photographing objects. But it seems when I go back I see things from a different angle, or, better, things *change*, almost of their own volition.

The first photo comes from the Korean Channel just south of Whitehead Crossing proper, depicting some bulbous weeds I thought interesting.

Then we move to the two giant, dead hemlock trees that mark a sort of gateway into the area, acting like Boaz and Jachin pillars in their dark and light coloring respectively, and positioned on opposite sides of The Crossing’s central Green Stream. This would be in the middle of about a 100 foot straight run of the stream I call, simply enough, The Straightway, which traditionally begins and ends with two islands (Rocky I. and Cresent I.). I say “traditionally” here because the composition, shape, and even locations of the islands can change over time.

The depression below Crocodile Rock is filled with water. It’s rained quite heavily in Blue Mountain at times during the past week. But often when I visit Whitehead Crossing, it’s dry around this rock.

Another shot of the dark and light hemlock trees surrounding Green Stream.

The Welcome Matt stone, which acts as a set with Crocodile Rock, along with another stone bordering Green Stream called Eagle Rock (I think). All 3 are about equal in terms of surface size, and also lie on the same general line approximately equidistant from each other. I’ll have to remember to take a measuring tape out there sometime to find exact distances.

We step up from Welcome Matt, and what’s called Matland in general at the top of the Korean Channel, to revisit Whitehead Crossing’s stick teepee next, something built by the hands of unknown others just this past June. I don’t think the structure been used for much of anything since it was constructed, and certainly it was never weatherproofed. I initially feared that someone, perhaps a student at the local collage, would simply move in the teepee for the summer and perhaps longer. But it never happened, and now we just have a useless shell of a thing. I’ve even contemplated knocking the teepee down, but that might bring some kind of bad karma. You have to be careful about altering the nature of the area. The *builders* of the teepee might have “sinned”, but I didn’t want to compound their errors by making judgements of my own.

Second Life’s Spongeberg Resident, crazily enough, claims to have lived in this teepee for a period of time as well. In fact, I think he might still believe he stays there. Is it true? Again I’ll have to ask Carrcassonnee the next time we speak, perhaps later on tonight. She’s back from her trip to Nautilus City, as I understand.

If Spongeberg in fact lives there, this would be his view across Matland from just outside the teepee. The 3 rocks mentioned before are basically in line with each other in this view, with Welcome Matt at the bottom of the photo, Crocodile Rock beneath the small, dead hemlock near the picture’s center, and Eagle Rock unseen beneath a stream bank in the background. I suppose this could be called Three Rock Line or The Line of Three Rocks, then.

Stepping up from Matland and Welcome Matt into the teepee and Whitehead Crossing proper would symbolically be very similar to Elton John stepping up into the yellow brick road on the cover of his Goodbye Yellow Brick Road album.

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Filed under 0001, Frank Park, Middletown, Whitehead Crossing

Tagged as Spongeberg Resident^*+@%

December 29, 2015 · 7:38 pm

Polly Beach

Rat Island, SC near ~~Folly Molly~~ Polly Beach and Charleston. Present centerpoint of budding, new mythology, bourne in the midst of unprecedented winter heat. This is where I hiked Sunday. This is where I doddled. Sand dunes.

Pirate ~~Bluebeard~~ Bluebird involved. ~~Blackbird Rook~~ Crow involved. We will see.

Other Rat Islands…

New York:

https://en.wikipedia.org/wiki/Rat_Island,_New_York

Alaska:

https://en.wikipedia.org/wiki/Hawadax_Island

I was just reading about the latter the same morning I found the name Rat I., SC, through researching earthquakes in connection with fracking. Rat. I., Alaska is site of one of the largest earthquakes in US history. Charleston, SC is the location of the largest US earthquake east of the Mississippi River in the last 200 years.

Triangle, thus:

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Filed under Alaska, Charleston, South Carolina

November 3, 2015 · 8:03 am

11/1-2/15 Photos 01

The first pic in this post comes from Supersity over in Frank Park. There were a number of posts about this imaginary city-fort composed early on in the Frank and Herman Einstein blog, all from November and December 2012 as I’m now checking. Curious it hasn’t been mentioned here again since then. But anyway, now the 2 sets of rocks have a house polluting their top: no more possible Supersity re-creations or revelations. Compare with this earlier photo here. All we have are the legends of the place. The Sacred Hoop art work once adorning the top was a special site indeed.

We now move back to the general Bigfoot area with shots coming from a ridge separating Bigfoot from Rediscovery. Today I found an easier way to the top from the main path into Bigfoot. Excellent! It’s a short but still tough climb of about 150 feet. I found this baseball on the ridge. Due to its height, I believe the only way it could have gotten up here is if someone brought it. Although there’s an old baseball field below, one would have to had been a Herman Munster to knock it this far. So there’s clear evidence of human involvement with the ridge in the past. But I’m not sure anyone comes up here any longer.

Lots of nice rocks on the other side of the ridge from the old high school…

…with 2 of the biggest, if not the biggest, being one I call Razor’s Edge which we see the sharp namesake top of below…

… and another I call Flattop, which, in contrast to Razor’s Edge, has a nice flat top where one can sit and enjoy the view of the surrounding woods. Flattop is probably the most dramatic looking rock in the region, and is especially impressive coming up to it from below.

Flattop’s flat top in autumn leaves.

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Filed under BIGFOOT, Blue Mountain, Gene Fade's Mtn., Sacred Hoops

September 24, 2015 · 8:13 am

Notes

I’m glad that Hucka D. is starting to attend meetings with Carrcassonnee. Or should I refer to him as Hucka Doobie now? hehe. We’ll see how long it lasts. Short attention span that man-insect has! But I get the gist. Carrcassonnee’s diner is symbol of Hand Lake, as the larger TILE Temple that she originally inhabited in the newest version of Collagesity is Drink Lake. We know now that the two, in real life, are directly north and south of each other — as the temple and diner were (as well) in fake or virtual life. That’s another link or resonance. Further, both Hand and Drink are drinking lakes, and have a water plant nearby that also have a direct north-south relationship. Directly. Hucka D. has stated that a Fringe event has happened in the center of Hand Lake in past/present/future, and *caused* The Finger. Interesting theory. Carrcassonnee seems to back it up but unsure still. The rock in the Collagesity diner is supposedly owned by Peter SoSo, who may be the same as Fringe’s Peter. Carrcassonnee might even double for Olivia, as we’ve talked about before. LINK

—–

If there’s something to all this, Reiden Lake must figure into the mix, a place linking the two realities of Earth depicted in Fringe….

I’m getting hints that Hucka D. doesn’t want me to talk about that much yet. So let’s go here instead: the image of a lake as a hand that basically seals up the whole Falmouth collage series, acting as an Omega element…

(The actual lake in the extended collage) is Tarn at Leaves near Stonetwaite. TaL is filled with algae, as I know Hand Lake is now when visiting midday this past weekend. Mr. Bean has become one with the lake or tarn; seems to be laying down on its shore and drinking from it or perhaps even drowning in it — becoming one with it either way. Same basic color. Then extending from *his* body is an upright map version of Lake Horton in Nauvoo, Illinois, a place famous for the death of Joseph Smith, prophet and founder of Mormonism. The lake contains a single island which is called Gilligan’s Island. And the lake is shaped like a hand of sorts.

Gilligan’s Island is another Omega Point.

bent thumb

(to be continued)

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Filed under **VIRTUAL SL, Blue Mountain, Drink Lake, Herman Park, Heterocera, Illinois, Lake District, MAPS, Rubi, United Kingdom

June 1, 2015 · 9:19 am

Collage 11 Interpretation 02 > Collage 12

(continued from)

“Rainbow Men” excerpt: beer drinking Jackalope

This central image from Collage 11 is obviously akin to 12 Oz Mouse from the first collage of the tetraptych, or “Animation Nation”. Both are multiple beer drinking animals of “X Brand” variety…

“Animation Nation” excerpt: beer guzzling 12 Oz Mouse

12 Oz Mouse is also found in the 3rd collage of the tetraptych (“Holey”), leaning over to stare at a hole. He leans the opposite way there from a drinking position. Is he sobering up instead? Seeing the hole that is his life as an alcoholic rodent?

Anyway, another thing to remark about is that the left part of the jackalope image above is cut off on the *center line* of Collage 11. Likewise 12 Oz Mouse’s hole is cut in 2 by the left edge of Collage 10 before this. The effect helps further unite the 2 characters.

The jackalope, or at least his head (her head?), has made one other appearance in my collages that I recall, and we’ve already reviewed it a bit in the last post here: Sam Parr 09. I’ll throw up the picture again. Or insert it in this post again, I mean.

And Karoz again appears in a collage with this animal. The jackalope wears the body in Collage 11, as it were, of Sam Parr Model (SPaM). The blue robot of the red-blue-7 Stones pairing perches on her shoulder. The antlers make a shape similar to that of Sam Parr Lake, whose outline appears in the center of Collage 10 (blue, coral like growth sprouting from wall vegetation). So the jackalope represents Sam Parr in multiple forms. The Falmouth Rabbit appears in the landscape below it, the central figure of Collage 11 and the focus. A smaller Karoz’s head indicates it by pointing and mirroring. In drafts of Collage 11, I had this little Karoz appearing on the foot of the drinking jackalope. Now the larger image of Karoz is all that’s left, but in both parts of the animation and in two different positions. He appears to fall from the wall, originally held by the cartoon homeless man from Aqua Teen, but somehow also turning around in the fall to “land” on his head, which is the same as the head of Scatman Cruthers at the foot of the wall. A surreal impossibility in other words — collage liberties. Much like a giant and small Karoz appear together in that Sam Parr collage: perspective distortion there.

The orange bottle and also the orange squares on the back of the truck behind him reinforce the association of 12 Oz Mouse in “Animation Nation” with the central orange jackalope in Collage 11. The orange is also reinforced in the multiple Meatwads in the same collage, but, moreover, the orange m&m to his above right, the one watching the Fall of Dorothy from the White House. Another resonance with the Meatwads is accidental: Part of his antler was cut off when I edited the overall animation — this would be in part 2. I left the mistake in because it seems to mirror Meatwad’s “hand” *extending* from his body in part 2 and touching Shake, simultaneously turning him into a Rainbow Man himself.

“Are we done with this one Hucka D.?”

—–

Since Hucka doesn’t seem to be around this morning let’s assume we are and move into Collage 12, which is the last one of the Stonethrow series and called “Triumph of the Toys”. The Red Fox appears again, just like she did in Sam Parr 10 (coming after Sam Parr 09 just discussed above). This is probably a Peter Gabriel image again, balancing his appearance in the first collage of the tetraptych perhaps: Lamb Lies Down on Broadway’s character Rael, as opposed to Foxtrot’s anthropomorphized fox here. This fox represents an endpoint. The music from the album Foxtrot is used in a more recent synch I’ve named Carrcass-6. This carrcass also features video excerpt from 12 Oz Mouse, some of which is dubbed by the Foxtrot music.

Here we have part 1 of the two part animation that is “Triumph of the Toys”… there’s the red fox I’m speaking about against a rock wall in the mid-ground. Almost beside her is a green mossman with scepter in left hand. Above him is a giant Robert Plant of Led Zeppelin fame, head against the sky. He’s staring at another sky head, golden in color but about to turn red and erupt, as it were. A row of toy blocks is arranged in the foreground, spelling TOYS itself. Master Shake again looks on from the right, but he appears to be asleep in part 1.

In part 2 he appears to be jolted awake by Mossman, who has continued to move forward and is now standing on the toy blocks. His *right* arm has become transparent and extending, holding a multi-chromatic ball *triumphantly*. This is the triumph of the toys (whatever that really means). Hucka D. is still not here to help me. I’m going to make some guesses.

We’ve mentioned that the red fox of the present collage is also found in the last collage of the Sam Parr series also found in The Red Umbrella gallery: Sam Parr 10. Last collage reflects last collage in this way. And I’m also thinking there’s another resonance: I believe the fact that the 4 colors of TILE are found in that pile of objects that Mossman passes to his right on his way to the toy blocks — red, green, blue, yellow — also allows us to tie this into Sam Parr 10 in the similar 4 colors of TILE making up the stage to the left.

Sam Parr 11: “The Stage” (part 2 of 2 part animation)

In particular, I believe the wooden shelves or whatever they are, covered in plastic in “Triumph” can be paralleled with the tiny studio appearing on this TILE surrounded stage in the Sam Parr collage. Does the passing Mossman then equal The Master’s charismatic religious figure Lancaster Dobb (source image for Sam Parr 11)? And does he champion TILE instead of The Cause, if so? The ball he triumphantly holds high in the air contains all the TILE colors in one, chromatic whole. His scepter has been switched from right to left hand in the process. The eyes in the formerly golden head of the far background, high on the mountains apparently, have erupted redness like a volcano. What is the triumph? Obviously this has something to do with the story of Mossman Gene Fade of Frank and Herman Parks. I don’t think Mossman appears in any of the other collages in the Red Umbrella, although he is found in other Collagesity gallery works.

Where does this Mossman get the ball? Did the fox pass it on to him? Or does it represent the TILE colored pile of objects he also passes by in moving from mid-ground to foreground? We have more questions than answers here. Why am I not surprised. We’ll have to wait until Hucka D. wakes up much later on to further our investigation, if needed.

(continued in?)

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Filed under ***collages 2d, Lake District, Mossmen, Toy Avatars, United Kingdom

June 1, 2015 · 8:13 am

Collage 11 Interpretation 01

(continued from)

The large orange m&m watches in alarm as Dorothy falls from the roof of the White House, as we’re calling it. But Dorothy is on the left side of Collage 10 (“Holey”) and the orange m&m watches her from the left side of Collage 11, the last in the tetraptych. He is associated with the Aqua Teen Hunger Force character Meatwad within, not once but twice. That is, we have 2 images of Meatwad in this last collage that are clearly associated with this m&m. For one, each of the 3 — Meatwads and the similarly colored orange m&m — appear beside Frylock, another Aqua Teen character.

Collage 11: “Rainbow Men (Part 1)”

As stated previously I call this one “Rainbow Men”. And again we have several images of African-Americans, each different from ones that came before in the tetraptych (IT Crowd’s Moss, and Sanford and Son’s Fred Sanford). And each are attached to their own Meatwad, actually. Let’s create separate pictures of the 2 in question, and examine the similar elements and then the more subtle differences.

The Shining’s Scatman Cruthers & Aqua Teen Hunger Force friends

Celina Ohio Quilt Rock’s African-American professor with the same cast of Aqua Teen Hunger Force friends

Collage 11: “Rainbow Men (Part 2)”

Hucka D.:

These are in fact the Rainbow Men of the title. Each are away from the White House, perhaps even homeless. But neither are in their real existences. The black man leaning against the Quilt Rock is a professor. The black man in the grass seeming to lean against the fence is Scatman Cruthers laying in his bed in warm beautiful Florida, on a winter break from the Overlook Hotel of The Shining, clearly having fun away from that heavily cursed hotel. He should know better than anyone, given that he has a powerful gift of shining. But what are these transposed men, these Rainbow Men, doing here outside the White House? Each are accompanied by the same 3 Aqua Teen characters: Frylock, Meatwad, and Master Shake. Frylock appears closest to each, then Meatwad and lastly Shake. He is very white, gleaming shiny white almost. He represents a bigot, a racist, or just racism in general. He is the opposite of the rainbow, or the inversion. In his role here, he may thinking himself separate and superior to these Rainbow Men near him. The Shake near Scatman Cruthers remains pure and white in both parts of the animation. However, the Shake connected with the Quilt Rock African-American undergoes a change from part 1 to part 2. He turns into a rainbow himself. He becomes enlightened. This is post-Civil War thinking, where the loser flag is established.

Cruther’s untransformed Shake beside Quilt Man’s transformed, “rainbowed” Shake in part 2

Quilt Man’s Meatwad touches Shake in part 2, seeming to transform him into a rainbow form. Rainbow colored m&m’s tag along with the orange m&m on the left side of the collage, and then fall in part 2 just as Dorothy falls off the roof in Collage 10 coming before this. Both are *Rainbow Falls*.

The Contraption from a number of other collages in the last several years appears beside the rainbow spectrum extending from shake [below Meatwad]. This is again the rainbow. Who, then, lives in the house, the White House?

bb:

A past self, Hucka D. Me before the Civil War.

Hucka D.:

A good guess, and correct in its own way. Yet you changed. Book 3. The former rocket launcher was found to be sentient. Pope is born. The Beanstalk. And now Second Life has one of its own. And your Mythos has one of its own. You called it [delete name]. It became the center of your alternate US. It was a rainbow extension of something like Shake, a former unenlightened self. You latched onto it, it latched onto you. This is true freedom. Philadelphia.

bb:

Thanks for that information, Hucka D. (looks at Collage 11) And then we have an *actual* homeless man, a caucasian or white man this time, behind the fence that Cruthers seems to lean against. In part 1 he holds an image of Karoz, or perhaps holds Karoz himself. Although this is the name of a Second Life character, a brother and an alt to Baker Bloch, the name is a reverse form of Zorak, yet another Space Ghost related character. And his “outfit” still contains some elements of Zorak, just as Baker Bloch’s outfit retains even less subtle elements of Space Ghost. And Karoz appears in the Sam Parr series. Let’s take a look, Hucka D.:

Sam Parr 09

Hucka D.:

You forgot to mention that the homeless man peering over top of the fence is another Aqua Teen character, a more minor one this time. But he is clearly homeless, unlike Cruthers, unlike the Quilt Rock man. They just give the *appearance* of perhaps being homeless in this collage. Why?

bb:

Stereotyping.

Hucka D.:

Yeah.

bb:

There’s a very interesting article about Cruthers’ role in The Shining, Hucka D., that I’ll give a link to here LINK. I don’t believe Kubrick was a racist, but he had a racist character say the “n” word in the movie, and in direct reference to Cruthers’ character (Chef Dick Hallorann of the Overlook Hotel). Because of this, Cruthers’ character becomes “My Nigerian Friend”.

Hucka D.:

Yup.

bb:

The Fall is the fall of the old South, like seen in “Gone With The Wind”. Like the fall of the old Japan in “The Wind Rises”. But more the former.

Hucka D.:

Getting back to [Sam Parr 09], Karoz’s head is highlighted again. In the new collage his head, when he seems to be dropped from the top of the fence by Aqua Teen’s homeless guy, merges with the head of Cruthers below. [This is probably a symbol of stereotyping again.] In [Sam Parr 09], a green stream emerges from his head to his right. This is the stream that runs from Falmouth to Sam Parr. Karoz’s head contains wisdom. After all, he started up Sam Parr State College or at least agreed to become its first and only president. And he personally recruited Redd Foxx as one of the students. He desired a diverse student body.

(continued in)

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May 30, 2015 · 1:56 pm

Collage 10 Interpretation 03

(continued from)

“The yellow racist McCoy shows up with Patrick Star and Spongebob Squarepants in that picture we just looked at, Hucka D., but he shows up better in the Gilatona-Lis collage immediately before, taking place, er, in Devizes on the left side of the main crop circle territory, and southwest of Morgan Hill.”

—–

Hucka D.:

We better get back to Collage 10. In Collage 01 of the Stonethwaite series — er, *Stonethrow* series — [the dog] Spider shows up again. Or previous. He appears on the bank before the Whitehead X-ing teepee, about at the spot you saw a snake this spring, harking back to the “I don’t like spiders and snakes song”.

“Spongeberg” (Stonethrow 01)

bb:

That’s one of your favorites, Hucka D.

Hucka D.:

Not really. Why is Spider[ in Collage 10] stuck to the house, like he’s magnetized to it? Since Patrick Star’s rock house is also infested with spiders, can we say this is Patrick Star’s home as well, this White House?

Let’s just say that a racist lives there and be done with it. We can return[ to this collage]. I’d like to talk about the very first collage in the Red Umbrella, way down in the basement near the front. That’s Sam Parr 01 (“2130!”). That’s the house at the beginning of the 4th Way, the mysterious new trail — unofficial — of Frank Park that makes a direct path into Whitehead Crossing, like the other three official ones. And where does it ultimately lead to now? That teepee. The 4th Way was built so that someone could more easily get to the teepee area. The same person or persons must have built both, along with putting those potted plants up in that fallen tree.

“2130!”(Sam Parr 01)

bb:

So you’re wanting to study why the first collage of the Sam Parr series ties into the first collage of the new Stonethrow series through this 4th Way.

Hucka D.:

I’m there on the balcony[ pictured in Sam Parr 01], after all. Spongeberg at the Whitehead X-ing teepee is Story Room and one more, the green one or mossy fellow. He is red, blue, green, yellow, as in the stars appearing on his sky night jumpsuit. Spongeberg is inside the teepee and outside sitting on Welcome Matt (rock) at once. He is in 2 places at once. He is the man who built the 4th Way, the teepee. He may have even built/purchased 2130 at the [other] end of this 4th. We must speak of Spongeberg.

bb:

Spongeberg is the same as Chuck, the yellow one of the Story Room rock group.

Hucka D. (after a pause):

Yes.

bb:

But he is not me.

Hucka D.:

No. You instead live at Red Head. Close but not the same. (another pause) We can knock at the door but no one will answer.

bb:

You’re talking about the White House of Collage 10. The racist who lives inside will not answer. We cannot know who he ~~is truly~~ truly is.

Hucka D.:

He is Wheeler Wilson. Or Wilson Wheeler. Truly.

bb:

The racist appears to be an X-ian. Worshipping a lily white Baby Jesus tugging at his queer yellow beard. At the same time 12 Oz Mouse leans down to examine a suddenly appearing hole that lies exactly between Collage 09 and Collage 10. We in fact only see the half of the hole shown in Collage 10. And we also know that Peanut is within the hole.

Hucka D.:

In an alternate reality collage.

—–

“In Stonethrow 10, Patrick Star looks at the dog who you say is the same as Spider. In Stonethrow 01, Spongeberg looks at the actual image of Spider on a bank below the teepee. He sits on a rounded rock, quite similar in shape if not size to Patrick’s round rock home. He wears a jesters hat and belt to complete his night sky outfit. I think Spongeberg may have anticipated the images of Collage 10, Hucka D., in his own collage coming at the beginning of the same series. White House equals Whitehead X-ing Teepee?”

Hucka D.:

And [Spongeberg] has *stars* all over him (smiles).

bb:

And of course the name Spongeberg comes partially from Spongebob, Patrick’s best buddy. Hmmm.

https://bakerbloch.wordpress.com/2015/03/26/artie-j-spongeberg-tours-fal-mouth-moon/

“Hey that’s my *rock*.”

—–

Peanut died in a hole at the beginning of Carrcass-01, Hucka D., the first time we see him. And this is *right* before 12 Oz Mouse sees that same hole that’s now in Collage 10. The two *must* be related. This is where Peanut dies, this hole. Yellow Down.

http://www.adultswim.com/videos/12-oz-mouse/enter-the-sandmouse/

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