Category Archives: Heterocera

zzz again

He finally figured out how to remove the giant acorn of a head. He was relieved to find his own head still within, or perhaps it just grew there, like a seed in a pod, ready to hatch forth at the right moment. He pulled and pulled and pulled and finally it was there. Fully formed, seemingly. But the bikini top and especially bottom with attached tail remained. That was part of the new body apparently, part of the assimilation. 2 Sandy’s in one now. One Piece Sandy again. He had (seemingly?) woken up, but not in a good way.

And to top it all off now,  he had big hands, like the greeter at the door of Bar FF. Odd name; he couldn’t think of what the initials could stand for. Probably something Japanese related, he realized. He couldn’t see the writing on the wall while staring down at monstrous appendages.

Sandy wasn’t alone at the bar. “I believe you know my father,” the 1/2 snow 1/2 sponge being spoke over.

—–

Snowbob’s *mother* Snowmanster exits the closet again, looks around. “Well *this* is different. Underwater, eh. And apparently I can breathe underwater, lucky me. Now to find Old Grey once… oh. There you are!”

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“Baker Mason”

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you got it: maps again

“A message to all my fans out there. Some like their Pink hot.”

—–

“This will never work, Elberta,” Toothpick states at another low point. “You’re so beautiful and I’m so… ugly. Never mind the whole brother-sister…”

“I’m going to stop you there, potential husband of mind. No, better, I’m going to *absorb* you. I want to see what happens.”

Toothpick/Filbert was at a low point, as stated. He had nothing to lose. “Take me.”

—-

“He must never find you, Ross C. He’ll destroy our little square world if he does and make everyone in it miserable.”

“Happy (*zip*) unhappy,” she sputtered.

There’s only one way out. *Become* the world, see. See me in him and him in me.”

Robot from the future Ross C. saw the truth in it.

—–

Hotgirl was freed from Misery Cabin but was unable to speak about her experience there for a while.

Old reality was flickering on and off.

She eventually made her way back to GASTON.

—–

“What we *need* to do,” old companion Domino told Hotgirl Hitgirl Hitgerl Hitgurl Hitgal while they watched piled up house band Firesign Theatre play for the 4th time tonight at the Rhino, “is to similarly change *Misery*… to *Mystery*. That’s what [delete name] indicates.”

“Shuts your trap.” But the seed had been planted.

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zeppelin tube

The stage is set for Toothpick and Elberta’s “Beech vacation”, a test run. Mr. Z and Mrs. M won’t like it but the wedding has been slightly postponed. Trouble is, Toothpick (and Elberta) aren’t even sure now, when checking, that Munday is actually a day: seems to be a mash-up of real days Sunday and Monday, borrowing letters from each. If so, that would mean there are actually 7 Happy Days already instead of 6, which throws everything off, and also explains, it seems, why olive colored alien Carrcassonnee can’t become fully alive at the Temple of TILE. Because the non-olive eye is the 7th (prim), Tin and Gold both. Self. POLK. “I need my voice!” she says inside. 6 + 1.

—–

“Budweiser casserole’s ready, dear.” Toothpick didn’t budge. He wasn’t even sure which was which. He was both on the couch and announcing that dinner is served. He had on coveralls but he also didn’t. This wasn’t working. 7 had been reduced to 6 and the 1 was missing. And that 1 was him. Zeroed out. Time for Newtonia Cashcow, aka Tracy Austin, to step in, 88s accompanying her as usual.

I, as the Man About Time, decide to meet her at Axis’ coffee shop in the heart of the city as we’d done before but find it closed. Newtonia then invites him, me, over to her apt. for coffee. He watches tv while she changes upstairs into something more comfortable — “less period,” she puts it — but I know this doesn’t involve romantic advances because we’re related. Brother and sister as well?

Hmm. He’s (I’ve) seen this video before. But where? Fuzziness consumes again. I decide to get rid of the I. He’s been asleep for an indefinite time when she arrives back downstairs, offers him some hot Sumatra. “Rats!” she exclaims. Forgot the sugar. She goes upstairs again. She’s trying to be funny. It’s working! After putting lumps in my java she calls me Willard and asks how my gang is doing and if we’re still working on all those map things. I jump back in the picture and say, “yes,” because she just alluded to them. She asks about the mouth of hell and the cave between two synchs and the hole in the cave and why it leads to the center of the Earth where gravity becomes comedy. We talk about a lot of things and I know what she says because we sort of speak a common language. I realize, at the heart of things, she’s just as much in on this communication as Toothpick/Filbert. I needed to talk to the female half for a while, for a post or two or close enough. Grahams. I ask about the Grahams and she produces two, one cracker each. She puts on some Crosby, Adler, Fraud and Young. Spoken book, each taking turns explaining their theories of psychoanalysis with the first and last also involving music. “That is one river of words,” she says when they finished, wiping off the extra sugar from her lap in preparation for the next act. “Like the Mississippi and Amazon. 12 tiles each.” She moves atop her chair and starts to scratch herself like a Monkee for all to observe. I decided to put an end to it for tonight. More soon.

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Filed under **VIRTUAL SL, 0022, 0402, Black Ice, Heterocera, Iris^^==, NWES Island^

1/2 and 1/2

“I refuse to die this time Jerome T. Newton. I’m going beyond the end of Newton — you — into Oblong.”

“It’s that girl that’s helping you,” Newton declared between clenched teeth. “From the *fu-ture*.”

“Maybe.”

Chef-detective Keat Petty Owens had already moved on from his stalking ghost to a different gallery. He was staring at the beginning of the second 1/2 of the 10×10. 51. “It’s All Here.”

He even gave his petrified hands back to Newton as a parting gift. Goodbye demo(n) alien. Forever. Maybe.

To Montana. And beyond…

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eyes

“Where’d you get that *hair*, brother of mine.”

Toothpick pats the top of his now thickly padded skull. “Neptune hair. It’s all the rage in the central parts of The City. Just a demo for now — trying it out. You like?” He moves his piece of straw around in his mouth in rhythm with Elberta’s. Both notice. Both turn a little red (?).

“Ahem, yes I suppose.” She couldn’t say much since she was testing out a demo as well. Silence for the moment, then: “Do you think he’ll still show up tonight?”

“Who?”

“You know. Spongebub. The reason we’re here. We need to tell him that his wife is still alive and well in Urqhart or thereabouts, selling rental units for the Illuminati. That’s the organization she was working for all along. It was the drink–”

“Sponge*bob*?” Toothpick was backing up, unable to understand the line of thought pointing to the single eyed ones, The Residents and Firesign Theatre (or Theater) both.

“*Bub*,” reinforced the sister. “We’ll call him bub in this lower, more paradoxical dimension.” She reconsidered the word. What was the adjective form of parody? She didn’t know. She remained quiet, waiting for him to talk again.

“You mean the little yellow fellow, the square one?”

“Yes. Sponge*bub*,” she pronounced again.

“You mean like the little yellow, square fellow on the floor beside me right now?”

“Um. What?”

“He’s right here. Beside me. He’s been here for a while. I thought you knew.”

Elberta stands up, peers over the edge of The Table and sees the top of Spongebub’s square head with its big goofy peepers ogling (?) back. “Oh. Okay.” She keeps staring, looking for signs of life. “Why isn’t he *doing* anything — saying anything?”

“Go ahead, little fellow,” encouraged Toothpick by his side.

“Bahahahaha!” suddenly came the activated sound upon this request. “She has a square just like *me*!” He reads above her head in his high pitched and oh so nasal voice. “Gone… mo… ing.” Spongebub puts a yellow finger to his now down-turned line of a mouth, a thinking gesture complete with bulging eyes rolled upward. “Err.” He stares forward again. “What’s a mo-ing?”

They correct him as one, synchronized once more.

Back to the canal for the both of ’em.

—–

Buster gave Duncan what he thought might be good news. “They decided to get married after all, the brother and the sister. Disturbing I know. But par for the course in the Deep–”

Duncan hung up. He was already mentally prepared to move to the Sunklands to stay with Elberta and Toothpick. It was as if a cushy rug had been rudely jerked out from under his feet, leaving him to fall to a rock hard floor he understood all too well. It was his cell.

(to be continued)

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Phils

Two realities were superimposing themselves on top of each other, inadvertently (perhaps) creating chaos and confusion. He simply didn’t know; he simply couldn’t understand. In the moment.

I’ve created the bare bones of a consignment store on my Rubi property not seen since the very beginning of this here photo-novel, number 22 in a series of 20. The first thing I decide on to fill out the 4 square emptiness is a Volvo station wagon, which definitely does *not* have two handles on its back door nosiree.

Let’s just prop it up outside for now against the building’s unfinished, plywood exterior.

Then I add another image inside that has become meaningful to me today: the collage characters I call Source (Male) and Lake (Female) — perhaps another version of Adam and Eve and the whole Apples story — *hiding* something. Like we are seeing through a wall into another dimension.


red dress

And since the Tacoma consignment store the impossible station wagon is driving by on N Proctor Ave in that first picture above is named Megs and Mo, I suppose Cassandra City’s Moes Bar is related somehow. The transparent Source and Lake image comes from M & M as well — very important there. More soon.

“Phil had the richest, most complicated sense of humor of the four of us,” said his Firesign Theatre partner David Ossman. “He loved what he called ‘the stupid’ and he could twist it into surreal pieces of head-beating comedy. His High School Lunch Menus, the Irish guy who taught how to paint like the insane, the Funny Names Club of America. He had the whole range. Bergman and Austin were really the Lennon and McCartney of the group.”

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Filed under **VIRTUAL SL, 0022, 0301, Heterocera, Rubi^, Washington

set

“She h’ain’t coming!” So shrill and trilling for a chicken, who usually wax eloquently when they have that talking device inserted down their throats. But Toothpick knew what happened; voice matches emotions of the moment. He figured Elberta ran off with that [delete name] boy Jimmy John Jones who she’s been going on about for months now. She’s bucking tradition in more ways that one. So she sent her messenger chick. The coward. He’d understand. He didn’t want to see her that way neither. This was his sister for God durn sake. His *twin*. He begins to think of running away himself. Maybe he’ll just follow her and Jimmy to wherever they went. That’ll teach ’em. He would have understood. He h’ain’t no looker like Jimmy. Everything will be safe and above board. He always liked Jimmy anyway. Despite the, um, well…

—–

“We’ll have to order you a new part from Black Ice. I think it’s down in the belt section.”

“No.”

“You’ll get use…”

Duncan Avocado kept shaking his head. He wasn’t going to budge on this. Pot-D can do whatever they like to him in return. Send him back to Dixie for all he cares. Then the memories flood back, the Slave-up vending machine, etc. Two months is a long *long* time down there (in Hell). He doesn’t want to relive that pain, even from a safe distance. He forces himself to come back to the present. He fondles his skeleton heart necklace, the one Buster gave him almost two years ago now. He reconsiders.

Buster Damm senses the change of heart and sweetens the package. “Elberta is a *looker*. You’ll get use to the hick ways. And they’re not really from the Deep South anyway, Mississippi and all. They’re from the very southern part of Black Ice where we use to have the Boos and Bogota…”

Duncan was nodding his head now. He’d given in. To whatever they had in mind. Mention of The River sealed it.

“No three word name. One, or, at best, two.” He spits in his hand. Buster spits in his. They shake.

Reality changes.

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lighten up 02

“Let’s go with *this* picture instead, Hindsight, er, Golden.”

“Yes, call me Golden. For now.”

“O-*kay*, Golden (*tee hee*).”

“More light, I agree.” Hindsight/Golden knew the squeaky voiced sponge being was always right. He was worshiped in many galaxies.

Those who didn’t worship him were often left in the dark. Pitchfork territory.

He has a son. I’ll deal with him next. Hindsight/Golden turns here toward the CB Dylan dresser. “And the wife.”

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Chef-de…

“You are the station master, sir. You must know something.”

“I am… The Devil.”

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