Tag Archives: THE WORLD

zeppelin tube

The stage is set for Toothpick and Elberta’s “Beech vacation”, a test run. Mr. Z and Mrs. M won’t like it but the wedding has been slightly postponed. Trouble is, Toothpick (and Elberta) aren’t even sure now, when checking, that Munday is actually a day: seems to be a mash-up of real days Sunday and Monday, borrowing letters from each. If so, that would mean there are actually 7 Happy Days already instead of 6, which throws everything off, and also explains, it seems, why olive colored alien Carrcassonnee can’t become fully alive at the Temple of TILE. Because the non-olive eye is the 7th (prim), Tin and Gold both. Self. POLK. “I need my voice!” she says inside. 6 + 1.

—–

“Budweiser casserole’s ready, dear.” Toothpick didn’t budge. He wasn’t even sure which was which. He was both on the couch and announcing that dinner is served. He had on coveralls but he also didn’t. This wasn’t working. 7 had been reduced to 6 and the 1 was missing. And that 1 was him. Zeroed out. Time for Newtonia Cashcow, aka Tracy Austin, to step in, 88s accompanying her as usual.

I, as the Man About Time, decide to meet her at Axis’ coffee shop in the heart of the city as we’d done before but find it closed. Newtonia then invites him, me, over to her apt. for coffee. He watches tv while she changes upstairs into something more comfortable — “less period,” she puts it — but I know this doesn’t involve romantic advances because we’re related. Brother and sister as well?

Hmm. He’s (I’ve) seen this video before. But where? Fuzziness consumes again. I decide to get rid of the I. He’s been asleep for an indefinite time when she arrives back downstairs, offers him some hot Sumatra. “Rats!” she exclaims. Forgot the sugar. She goes upstairs again. She’s trying to be funny. It’s working! After putting lumps in my java she calls me Willard and asks how my gang is doing and if we’re still working on all those map things. I jump back in the picture and say, “yes,” because she just alluded to them. She asks about the mouth of hell and the cave between two synchs and the hole in the cave and why it leads to the center of the Earth where gravity becomes comedy. We talk about a lot of things and I know what she says because we sort of speak a common language. I realize, at the heart of things, she’s just as much in on this communication as Toothpick/Filbert. I needed to talk to the female half for a while, for a post or two or close enough. Grahams. I ask about the Grahams and she produces two, one cracker each. She puts on some Crosby, Adler, Fraud and Young. Spoken book, each taking turns explaining their theories of psychoanalysis with the first and last also involving music. “That is one river of words,” she says when they finished, wiping off the extra sugar from her lap in preparation for the next act. “Like the Mississippi and Amazon. 12 tiles each.” She moves atop her chair and starts to scratch herself like a Monkee for all to observe. I decided to put an end to it for tonight. More soon.

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Temple tales 01

Harry stares outside the picture at the Earth and sees it is good. What an oddball.

On the same floor, Baker Bloch bangs out the entire organ version of Tchaikovsky’s “1812 Overture” before raising his hands from the keyboard and realizing he can’t play. That was vampire alter ego Pitch Darkly’s talent, who hasn’t been seen in a number of photo-novels. I lose count. 18 — that’s it. Or was it 12?

Ahh, *there* he is. It was Pitch all along — should’ve know. Just had to turn the camera the other way. The lack of a reflection in the organ’s strangely placed mirror should have tipped me off. Along with, of course, the deft keyboard fingering.

“Play that other Russian ‘sky’ composer I love so much,” listening wife Mary Tyler requests. She wanted Moore. And Pitch complies by belting forth “The Rite of Spring” to her great pleasure, although early on she was knocked off her perch on the organ by the heavy vibrations. Good vibrations, though, and Mary still grooved to them while laying on the floor.

She took the opportunity to also stare at the static filled tv placed nearby she was edging closer to with each crashing chord — temple must have been tilted a bit in that direction — and fell into a trance, dreaming about a trip to the Beach. Except it was The Beech. Here we come!

Upstairs:

“Iiiiii… Iiiiiii…”

“Almost got it,” Carrcassonnee adjusting MAT (Man About Time) declares hopefully but perhaps also futilely. We’ll see soon enough.

Excuse me. I have to contact someone.

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Piera

Table Meeting 02

“So what is ‘Billfork’ you might be asking?” then said Baker Bloch. “Well, on the audio side it’s primarily ‘Boom Dot Bust’ by Firesign Theatre. On the video side it’s the movie ‘Northfork’ by the Polish twins, Michael and Mark. As Tin S. Man alluded to, both feature towns that have to be moved in order to be saved. The town of Northfork is being flooded by a new lake. Billville is threatened by tornadoes, and also, strangely and syncily, a flood at the end, where the mayor has to turn into a fish and ‘swim, swim, swim’ to stay alive.”

Baker Bloch positioned 8 oranges around The Table instead of handing them to people in chairs like before. He was about to fill in the spaces between the oranges with lemons and limes as prescribed by the Billfork Core Diagram when chef-inspector Keat Owens stopped him. “Stand back and look what you have,” he rather commanded. “But –” Baker protested, “I haven’t finis–.” Owens interrupts him by reciting all the numbers that count: “1 – 4 – 7 – 10 – 13 – 16 – 19 – 22. And who is 22?” Baker counted clockwise as well from his south-southwest position, all the clockwork oranges, just to double check. He stared at Owens. He points at him with one of his now orange free hands.

“Correct. Here’s what we’re going to actually do next. Sit down beside me at ‘1’ and we’ll start.” With this, he had light bulb headed Curled Paper go in back and bring out the game that everyone was raving about lately over in The City.

—-

“Do I still need my orange?”

“No.”

“‘Cause I’m hungry.”

“Go ahead. You can have mine too.”

“Bravo. So what’s this game called again?”

They then built The River from certain pieces inside the box and named it Amazon.

(to be continued)

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