Tag Archives: Baker Bloch^*++@

January 20, 2021 · 8:58 am

red

I figured a major part of my job now was to figure out who 102 actually is. Or was. This Maebaleia or Satori horned demon highlighting DANGER could be a clue. I know Danger also equates with Dead: Dead Cat Soap, etc.

It’s Bart Smipson but it’s not Bart Smipson. Another ragamuffin of the streets.

It was that t-shirt. He was covering up the t-shirt with his arm. He didn’t want the passing camera to see (!). Or he was indicating the shirt to… me; crossing it. Blood on his… shirt. We’re entering ghost territory (again). He disappears behind a telephone pole. A dead end (in Picturetown). We’ve seen enough. ENOUGH. Gates closed. Text begins again as Barry X. Vampire takes over.

We lie in a pool of blood as Bart Smipson towers above us, Giant for a day.

I think I’ll bring Biff Carter back into the picture. He was the one to let it happen — was on his watch. Demoted to private dick he was after that, no better than a Moby Prick consigned to swim the Southern depths of hell below aerial, pie in the sky Heaven. He was in dark toned, ironically named New Eden. Sometimes he was back on the beat thanks to a shortage of personnel in the local police department due to all those pills. But what of Orkley Andy who was probably the same as Oakley Annie the Ohioan gunslinger? Let it pass, let it slide, Cpt. Henry said as history repeats itself. 3 dead is pretty good numbers for that kind of escapade. We got away with something. Let him get away with it too. Say it was his dog hiding under his couch; go with his story. Hunter the dog — a good story, a *true* story. And so Biff Carter wrote that particular slant in his report, not mentioning the bodies (soon carted away by the ever-present zombies) or the red dress smiling on the ground before him (soon carted away by a female zombie or perhaps a male one experimenting with his sexual identity). All evidence gone and taken care of. He heads down to the Red Dress Diner to talk about all of it with Phyllis at the time…

—-

“Wanda, hi. Where’s Phyllis? I thought it was her shift — just spoke to her over the phone.” Where’s your red dress? he thought.

“Axis. We really need to talk now.”

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January 20, 2021 · 8:58 am

00240406

The painting is a split landscape with the top portion being heaven and the bottom portion representing hell. Heaven is illustrated with light blues, vibrant colors, and surrounded by flying angels, while hell is much darker than heaven. This is illustrated through dark tones and demonic creatures to set the distinct difference between the two. The entire space is filled and little absent space is present.

“He’s planning to bring back Robert Drake Johns the lime colored robot,” spoke monitoring Rex Ruddy Red in the control room to the actual head honcho, the big Pie in the Sky. Hucka Doobie? I don’t think so in this case. Someone over even the former bee-person. Or perhaps she (he?) has her wings back now in the White Palace.

The Monitor places an image in the sky. A cave, a room, a… cake, or at least a piece of one. But where there’s piece there’s… No piece without cake, perhaps I should put it. The cake ain’t worth shite, and only tastes good to Robert, because he has no taste. Crying Elvises in his bathroom! That kind of bad taste, but also more. And he doesn’t dream, as we also know. Robots can’t dream. That helps excuse a good portion of the bad taste trait, maybe 3 or 4 pieces instead of just the one now. Pieces of pie, pieces of cake. The cake is a lie, yet…”

“OPEN UP THE PORTAL AGAIN,” suddenly came the decree from Up On High.

Baker stops typing, looks at what he’s written. The weirdest thing on this continent he’s suddenly been redirected to in another tangent is that portal to Earth. Right smack in the middle of it all, between North and South, between East and West, but especially North and South, perhaps. Some call the North Heaven, the ones who proclaim the continent to be Satori. Those from the South, who others call Hell, say the actual name is Maebaleia, after the big whale that use to dominate the southern seas. Moby Prick some deem it, or at least a certain writer. Call him… Millgate? Millville?

So close.

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January 20, 2021 · 8:58 am

butterflies

I remain ensconced in NWES City — more to see and use here.

And I guess Baker Bloch is still the head honcho of my little family of avatars, since I can’t figure out a replacement for him so that he can permanently move to the White Palace which appears to be in the center of Picturetown (who da thunk?). Speaking of which…

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January 19, 2021 · 7:12 am

letters and numbers

Former stripper and teen tennis star Steff Graffiti needed a place to stay. Her yarn shop (Ye11ow) down the street had gone bottom up. Baker Bloch graciously allowed her to move some stuff upstairs at the Rosehaven Yarn Shop and crash on his couch up there; “yarnies” stick or at least clump together that way. “Several weeks,” she insisted about the stay. “I’ll be on my feet by then.” If it came down to stripping and backhanding again like back in the days then so be it. It would not come down to that, because…

… Steff had plans.

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January 17, 2021 · 8:07 am

00240313

watch out! (he or she’s okay)

23 22 (male; 2009)

22 23 (female; 2012)

Maybe this blog will turn into Google Earth oddities and veer away from Second Life© stuff. Finding *so much* in Picturetown (alone!). If only Hucka D. could weigh in.


102 utility box, 2009 (absent)


102 utility box, 2012 (present)

EXACTLY 200 meters between the two, which JUST became a blog tag last night. And in the center? YORK, which eventually turns into MARY. Mary York = Charlene the Punk (= Wheeler = Her Majesty the Bigfoot/Yeti), who just talked to Giant Tiger in Rubi.

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January 16, 2021 · 11:15 am

gentlemen’s preference

“So you see, Hucka D. The 3 cars closest to the portal represent the alchemical witches I just met over at your gym, with the 4th missing, just like the Citrinitas stage is often left out of the alchemical process.”

“That’s *us*,” uttered the witches in unison. “*We’re* the cars,” and then they cackled like a pack of hyenas. Flushing Baker Bloch, a skunk with a rash as far as they were concerned,  had forgotten who he was speaking to. Certainly not Hucka D. “*Hardly*,” as each of them would say in turn, I’m sure.

But what of the 4th? The 4th could save them all. If she could figure a way into the X-ed out square. Picturetown. Those clever, evil witches!

Earlier (2009):

“*Here* Mr. Archer,” she said, seeing one of the witch’s cars at last. “A temporal opening I can finally wedge through. You’ll have to stay behind, pull me out by the rope if needed.”

“Just like Niagara,” Peet said under his breath, looking down at her sweet, wee yellow head.

“I’ll warn you. I’ll be much heavier when I return since it will be 11 years later; you’ll have to hold tight.”

He estimates his 200 meters of 3/16 inch braided nylon beside him should do the trick just fine.

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January 15, 2021 · 12:09 pm

alchemical witches

Baker Bloch approached the clipboard on the white desk against the white wall. Whitewashed it was. He should have done this weeks ago, months: join the gym at Hucka D.’s White Palace in disguise, er, the skies. But where’s the List?

“Baker! Over here!” Fern Stalin calls excitedly from the Links, eager to get to know Hucka D.’s friend better. Former friend? That’s what she wanted to find out, why they set all this up in the first place. The White Palace. Baker found it!

“Who’s that over there?” he returns, peering through the machines and equipment. “Hucka?”

“*Hardly*.”

Wendy Wheeler enters through a portal in the corner. Lichen Roosevelt soon joins them too. The black, white (yellow) and red altogether again. Just like a newspaper, ready to be read. True yellow was not invited, which would have consequences later.

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January 15, 2021 · 12:09 pm

theatre in Canada

“‘102’ appears here, on this utility box, far away from the Regent Theatre.”

“Better not call it that in the blog,” requests [delete name].

“Regal Theatre, then. Like in my own home town.”

“*This* will be your hometown soon, he he.”

“Yes. But this is about a 1/2 mile down York Street (and then some) from the theatre. The Regal, true, was 102 years old on the year after the graffiti was created in that namesake alley of mine beside it, the one where Bart Smipson — I mean, where he traveled between dimensions.”

[Delete name] let me unwind my theories, remaining silent. She stared at me with those dead white eyes. I figured I’d be in a bit of trouble if I didn’t get to the heart of the situation tonight. In front of me was…

“Continue,” she requested, not wanting to rest too much at any one pause. Good idea.

“Anyway,” — I’d lost my train of thought, as they say. Better back up to the cemetery. “102 is dead?” I theorized.

Pause. “102 is death.”


Icebox Diamondbox field seen in same Photo Sphere where red mysteriously switched with orange

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January 9, 2021 · 9:11 am

Giant for a day

An invisible cartoon boy, Martha Lamb thinks, studying Falmouth 36 once more on the 4th floor of the Fal Mouth Moon gallery. Hugged and loved by a visible cartoon girl with red shoes. Perhaps they are future lovers, or perhaps brother and sister. Maybe he has a defect that hides him from view — a malady — but is loved by his sister still. Odd that I think this, she ruminates.

Then over here, further away in a field, the inversion: girl invisible and boy visible. The “E” on the next collage over blinks on and off. This *is* love; mutual exchanging.

“He’s in the Great Black Swamp, Hucka. In the past!”

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January 7, 2021 · 7:30 am

it is chicken it is eggs

Despite appearances, this wasn’t Mars outside. But then again, neither was this Baker Bloch in front of us sitting on the top of the couch, surfaces deceiving again. You can check his black brim hat if you don’t believe me. Slightly iridescent, like a dulled adobe shell. Baker Bloch’s is properly black, like midnight on a sunless moon.

What’s Fake Baker staring at? Is he waiting for someone? Yes, he’s waiting for somone. Because this is actually Tropp again, about to get together with Treelor, Axis be damned (and he is). Tropp is in charge here — always. I don’t know how that happened, honestly, but there it is.

Wendell “Biff” Carter is also Tropp. That is, they have the same core avatar. Wheeler is her own core, Baker Bloch too. Baker Blinker, Karoz Blogger, Hucka Doobie, and several others: the same. We went over all that in photo-novel 13. I know you were paying attention. So we’re dealing with a core issue. And Axis is also the same as Tropp, actually, both forming within 2 posts of each other back in photo-novel 8 (I’m sure you remember).

The actual location: New Eden, certainly a different place in these here photo-novels, a special place perhaps. Unique, but maybe not in a good way. The snake slithers forwards, holding an apple in its mouth. Peter Gabriel from Genesis can’t remove a Gentle Giant “Giant for a day” mask and remains noncommercial, unable to become the pop star he wishes and be free of the weight. So close these bands are, yet so far apart. In hypertime, I suppose, they could be the same. Like Dick and Dickens; like Johnson and Johnson. We’re not really talking reincarnation. We’re talking the same *gestalt* I guess you could put it. Outside of time again — there’s probably a heap of additional clues out there if one wishes to search.

Axis himself has played the role of Peter through Tronaxis, a nod to the audiovisual synchronicity Tronesis, a melding of Genesis (Lamb) and the original Tron movie. This was the weight. Wherever Peter went in his solo career, the Lamb was sure to follow, like a dark companion of sorts. He could either move forward into Peter O’esso and a successful solo career — *commercial* success (like a car) — or slink backwards into pre-Lamb where the red cross dominates. There’s so much more to this…

And in the exact middle we have the Lamb dying with Ram. More gestalts. Fused… somethings.

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