Tag Archives: Baker Bloch^*+++++@

AFTERWARDS…

… Baker Bloch bought Old Mabel and Hucka Doobie dinner at Perch to make up for almost killing them with his Spookmobile several hours earlier. The catch of the day was… perch. All ordered it. All complimented the chef (Keat Owens: back on the job!). Baker Bloch and Hucka Doobie talked of old times in the White Palace. Hucka told Old Mabel some of the story about Greenhead in Real Lyfe, where he was originally from.

“The bees and the humans from down south in Whitehead Crossing originally got on,” he explains, “but then came Uncle Joe and Aunt Zoe, the *bad* humans or human*villains*.

“Nice pun,” adds Baker Bloch.

“Thanks,” replies Hucka Doobie. “We had to seal up the hole. Thus opened up the hole more near Whitehead Crossing, but later on. It was merged with Kentucky’s Mammoth Cave, the biggest hole we could find up there — perhaps you’ve seen the related collage, no?” He turns to Baker Bloch for a possible answer.

“I don’t know.” Baker, in turn, turns to Old Mabel. “How far up have you been in the Fal Mouth Moon?”

Old Mabel realizes she hasn’t ascended past the 2nd or 3rd floor of the 7 story building, the largest in Collagesity. “Not all the way,” she admits.

“The collage Hucka Doobie is referring to is at the very tip top,” he then says.

“Field trip!” yelps Hucka Doobie, noisily plopping his knife and fork down on a plate filled with perch skeletons.

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—–

“There it is Old Mabel,” Baker Bloch says, indicating the Whitehead Crossing hole Hucka Doobie referenced earlier. Old Mabel sits down directly in front of it for further study. Hucka Doobie is looking at an image of an oblong blue “12 Oz Mouse character” partially hidden by a Crossing tree.

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Old Mabel coincidentally stares at the same character positioned in front of the hole, full figure this time. Both mouth the same thought at the same time.

“A peanut?”

—–

“And of course there’s Rhoda, a bartender in our world and that world both,” explains Baker Bloch further along in his “12 Oz Mouse” spiel. “I’m not sure if he’s been up this far in the Fal Mouth Moon either. Have to make a mental note to ask him the next time we’re over at Joker’s Wild.”

“I want to hang in Collagesity more, Baker Bloch,” states Hucka Doobie. “Where’s Baker Blinker tonight?”

“I don’t know. Maybe at her house, the Gloomy Gus?”

“Strange she’s not a part of The Table.”

“She and Wheeler don’t really get along that well.”

“Karoz,” says Hucka Doobie.

“Yup.”

—–

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“So there’s Carrcassonnee as Fitz the Mouse himself staring at Peanut,” says Baker Bloch to Old Mabel, seeing her still interested in that part of the collage. “He’s holding a corndog. That’s reference to Roostre.”

“What did you say?”

“I said, that’s reference to the Roostre character of ’12 Oz Mouse’.”

“Why didn’t you tell me about this *Roostre* before?” she demanded.

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Table Meeting 02

For Table Meeting No. 2, Baker Bloch arrived at the Blue Feather in his self named Spookmobile, almost running over Old Mabel and Hucka Doobie while humming down Old Cannon Road from his attic home in the western part of town. Baker apologized to the two while they were walking up behind him, nerves rattled.

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“You know it’s only about 100 yards from your place to the Blue Feather,” says Hucka Doobie, still dusting herself off from diving behind Major Stone to avoid being hit. “You don’t really need to drive. What is that thing anyway? Where’d you get it?”

Baker Bloch realized Hucka Doobie wasn’t inworld all that much and hadn’t caught up with the news. So he caught her up.

“Fascinating,” says Hucka Doobie afterwards. Anson and Anton. Yet another one. *Must* be the work of Mid Hazel.”

“And we further speculate that Wheeler is trapped on New Island now, unable to escape. I’d take you there to see the broken bridge but the meeting’s starting up in a moment.”

“Without Wheeler?” Hucka Doobie scratches her bee head in confusion.

“I’m taking Wheeler’s place,” Baker declared. “Let’s head inside and get this thing started.”

“Cool, I suppose,” says Hucka Doobie, still a bit in the dark on things. Old Mabel remained silent, not liking where this was, er, heading.

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—–

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“As most of you know,” Baker began, “Wheeler’s wishes were to move forward instead of backwards. Toward ‘Pumpkintwisters’ and the future instead of ‘Billfork’ and its Northfork and Billville in the past. *But*… Wheeler isn’t here.”

Old Mabel suddenly perked up. Could it be? Could it be?

“So we’re going to talk about ‘Billfork’ tonight.”

Old Mabel actually jumped out of her chair a bit in joy. She had been preparing to discuss ‘Billfork’ for weeks now, listening to all the pertinent John Lennon solo efforts and reading up about the Ono debacle and so forth.

“Now I’m sorry Tin S. Man. I know this was your time to shine.”

“‘T’is okay, Baker Bloch. The Ray Davies inside of me can wait. I am sympathetic to the plight of Northfork and Billville both. Both flooded, both moved. A moving tale each.” He smiled.

“Yes,” agreed Baker. “So since we’re backing up from ‘3 Friends of Belleville’ instead of going forward, we can point out that *Belle*ville camed from *Bill*ville — and also visa versa since time really doesn’t exist. This is part of the overarching complexity of the Piera. Old Mabel, do you want to help me out and pull up some pertinent videos on the interwebs? Try ‘Northfork + Polish’.”

“Sure thing, Wilson.” Everyone stared at her. “I mean, Baker Bloch, tee hee. Slip of the tongue.” She went over to the suave chair she had sat in so many times now and did the appropriate search.

“So what is ‘Billfork’ you might be asking?” then said Baker Bloch. “Well, on the audio side it’s primarily ‘Boom Dot Bust’ by Firesign Theatre. On the video side it’s the movie ‘Northfork’ by the Polish twins, Michael and Mark. As Tin S. Man alluded to, both feature towns that have to be moved in order to be saved. The town of Northfork is being flooded by a new lake. Billville is threatened by tornadoes, and also, strangely and syncily, a flood at the end, where the mayor has to turn into a fish and ‘swim, swim, swim’ to stay alive. Tonight, to begin, we’re going to look at a number of clips from ‘Northfork’ which are available on the Youtubes. We’re just going to look at them as they appear in Old Mabel’s hit list here, and I’ll talk about the relationship with ‘Billfork’ afterwards — I don’t think we need to do them in order. So if you would just start at the top of your list, Old Mabel, and work down.”

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“Yes *sir*”.

—–

2 1/2 hours later they had gone through innumerable Youtube videos featuring not only ‘Northfork’, but Firesign Theatre, Pink Floyd, and John Lennon and his Beetles. Even Old Mabel was getting a little tired. But they had learned a lot. They knew ‘Billfork’ contained some kind of code which Baker Bloch simply dubbed the Billfork Code during the meeting, having come up with that name several hours prior. Baker had passed out most of the 8 oranges Old Mabel dreamt about to participants at The Table this night, setting the remainder at empty seats while saying that each represented a whole track from ‘Boom Dot Bust’ used in ‘Billfork’. Old Mabel grasped hers tightly as Baker handed it to her, making sure she didn’t drop it this time (unlike in the dream). “Now I know we’re all tired,” Baker continued, “but we need to also talk about the 9th tonight. The 9th is ‘Doom Bot Dust’, the opposite of ‘Boom Dot Bust’. And that’s where we think the code comes from. A south by southwest direction.” Old Mabel nodded her head in agreement as she looked past Hucka Doobie in that direction.

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VW(X)

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“Yes come in. Quickly, quickly,” another Keat Owens implored from within the fairy house. “There’s mysteries to solve. No doddling dear — there’s been enough of that. Well, come in,” he said again. “Leave the golf club outside, yes.”

Old Mabel goes up the stairs and then leans the iron gently against the house just outside its railing. Taking one last glance over at Keat Owens Joker, she passes through the door she just opened.

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—–

“Yes, well…?” a similarly rushed Baker Bloch asks later at the Joker’s Wild Bar. Furry Karl was still under the weather. Rhoda remained the bartender for now.

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“We stared at the Nautilus City map for a while. The position of Doreena, Yvonne, and, um, this new person or entity we haven’t heard about before named Anton, were marked with red pins. Keat Owens Jack, as we’ll call him…”

“… because his suit is like Jack’s across the way…”

“Right, Baker Bloch. So this Keat Owens Jack then says Doreena has unexpectedly changed her name and appearance, and that this is more work of Mid Hazel the witch. Her “do’n’s” is how he put it. And Spider was in the corner of the small room beside us; forgot to mention that. He’s still spouting out or uttering or speaking those 4 numbers over and over, like you described before when he was with Carrcassonnee.”

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“Slightly before your time here in Collagesity, yes. Interesting. When did you wake up?”

“I was just staring at the pin representing Anton — more at my eye level — and a picture of what you call a Volkswagen Beatle at the bottom of the sea entered my mind. I stared at the completely algae covered car for quite some time. It was sad. Then I was jolted back to reality by the start of ‘Revolution No. 1’ on my player. That’s from the ‘White Album’. The more graceful ‘Long Long Long’ precedes it there. Then afterwards we have ‘Honey Pie’ and the horn laden ‘Savoy Truffle’.”

Old Mabel’s really getting into this Beetles research, Baker then thinks. Too absorbed? Well, she’s preparing for the next Table meeting, which is scheduled for tomorrow night if Wheeler can pry herself away from her new infatuation — her New Island. That seems to be a danger: Wheeler may be imprisoned by this new threat named Mid Hazel forever and ever on that island. Baker then noticed Old Mabel is staring at him.

“Thinking about other things?” she asks.

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Slide ‘n’ Glide

“Dutch has appeared to me several times in reality. None in dreams. That’s kind of odd in itself.”

“Maybe,” returns Baker Bloch. He was nursing a bottle of Honey Brown lager. Old Mabel was trying out the bar’s green tea and finding it acceptable. Rhoda was subbing in for an under-the-weather Furry Karl tonight, which was surprising to Baker. “Rhoda?” he said, drawing the cyan ovoid flattie toward him.

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“Yes sir. What’ll it be?”

“No, I’m fine with my lager still. I’m just wondering.” He paused, thinking about how to put it, and then just blurting the idea out. “I… I though you were dead.”

“No sir. Just working in another town. Bennington… ever heard of it?”

“Through Furry Karl, yeah. But weren’t you kind of, um, merged with the ballerina and Starbucaneer and then killed by that airplane crashing into the latter’s establishment about 3 months back?”

Rhoda thought hard. He did remember dying now. Several times. Many times. “I’ve been shot, stabbed, burned, crushed. Yes, I now recall that part of my existence. It all started back in Bennington with my head being sliced in two by Old Kent. You know, the shark. The thing with the fin on his back. The one who has trouble walking around on land. Has to slide and all.”

“Yes,” replies Baker. “I remember Old Kent. So you’re…” He paused again.

Rhoda helped him out once more. “I’m also peculiar because I’m a true flattie in reality and also here in this Second Lyfe of yours. Unlike, say, your Tin S. Man, your Spongebub or, um, well Furry Karl, although he doesn’t have fur in the real world.” Rhoda thought of a better example. “And like, say, Lisa Simpson.”

Baker thought back to how many other “12 Oz Mouse” characters had appeared in Collagesity, and how they compared to Rhoda’s appearance in same. There’s Old Kent, obviously, although he’s more actual shark-like here. Then Carrcassonee herself claims to be Fitz Mouse, the star of the show. And she says that her Spider is another incarnation of Fitz’s sidekick Skillet, although Spider is a chihuahua and Skillet is a squirrel. He thought. Baker then just posed the question to Rhoda.

“You remember Fitz Mouse, Skillet, and others at the, er, Cardboard City?” Baker took another sip of lager.

“Bennington, yeah,” replied Rhoda, who had begun moving away from Baker and Old Mabel but then returned.

“Well, if you’ll excuse me,” Old Mabel said. “I’ve got to run over to the Bodega market across the way and get some bread before I return home.” In truth, she was getting a little frustrated by Baker’s lack of focus tonight. She had important things to mull over about Dutch before starting to dream tonight, which was inevitable. Could she truly pass through the eastern gates of her home later tonight in dreams and find out what Dutch had been calling a “secret society”?

“Alright Old Mabel,” responded Baker. I’ll walk you home afterwards.” He again noticed the headphones around her neck. “How’s the Beetles listening going?”

Old Mabel was glad to have the attention shift back to her. “Fine, fine. I’m up to ‘Walls and Bridges’ now in my circumnavigation of John Lennon’s solo material. “Then it’ll be back to ‘Plastic Ono Band’ for another pass. Per your recommendation I skipped over the Ono tainted ‘Some Time in New York,’ despite the flattie recently appearing in the Blue Feather having that t-shirt.”

“The New York City t-shirt, yeah,” clarifies Baker. He was there when the Mykall Skall flattie appeared basically out of nowhere, matching the manifestation of Lennon and the rest of the Beetles walking Abbey Road on the wall into the Table Room. “Lennon knows about us.”

“I *know*,” states Old Mabel, getting excited about that idea again.

Rhoda had moved away now. Talk about Bennington and his fellow citizens could wait for another night. Plus: how to even explain it all? “Anything else for you bud?” he asked the back of Curled Paper’s Heineken loving nephew Raymond while passing by. No answer. “Guess not.” Rhoda continued gliding toward the far corner of the bar to start locking up for the night.

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Information

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“Turns out Unch and The Librarian might be one and the same. Keat Owens The Librarian is, underneath it all, what’s called a giant besalisk, a 4 handed version. It’s the involved salamander lineage that doesn’t allow him to be burned, thus the perfect nemesis for firestarter Jerome T. Newton, who we also know now is another version of Wheeler. The ash grey marble hands were a prop.”

“This just gets stranger and stranger,” returns Old Mabel. “The Woods are too peculiar. They could easily drive one mad with their continual twisty-turny ways.”

“Yes,” states Baker, also noticing that Old Mabel didn’t mention anything about moving *away* from said woods. She was engaged for certain.

“I want to know everything about The Diagonal,” she then said.

—–

“Here, let me just clear off some of these beer cans. And: voila.”

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“How long did you say you’ve had this?” asked Baker Bloch.

“It came with the place,” clarified Furry Karl the bartender. “Let’s see, that would be 2005. Old Kringles.” He chuckled, thinking of the good demon he bought the bar from while it was still over in Rubi. “Quite the character. Wore a cow bell around his neck at all times.”

“This must be from the original village. But I thought it was destroyed.”

“Nope,” states Karl plainly. “There it is. You can see it with your dead peepers right in front of you.”

“Could be a copy, a duplicate,” speculated Baker.

“Well, could a copy do *this*?” Karl touches the object and produces a shower of shamrocks.

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“Maybe,” says Baker.

“No, this is the sign. *The* sign. The one turned over and thrown aside during the ’68 robolution. A turning point in our history and time.”

“You said robolution there, Furry Karl. Did you mean revolution?”

“It was what it was.”

—–

Old Mabel dug deeper into the mystery of the belalisk at the town library. Journal 2 contained some information, but she was determined to find more. A particular pattern in another part of the book also caught her attention this night of playing “stay awake as long as possible to avoid dreaming”. The book just fell open at the page while she was trying to push it away from her to lay her head on the table. A yawn quickly turned into a gasp. “The portal in my dreams?”

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But it was too late. Already sound asleep, the monsters arrived quickly.

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Of the Irish

Wanda the Lower Minoan approached perhaps the only one who knew what really happened to the village on March 17th, 1968, the day the trees began to die.

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And he has a familiar face.

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“I like your sandals,” says Wanda in a different dream.

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Entrance

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“For the life of me, Old Mabel, I can’t *see it*.”

“I’m saying: turn around please Baker Bloch. You’re looking the wrong way. Look at where *I’m* looking.”

“I *am* Old Mabel. “Nothing is there. Nothing at all.”

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“Something is appearing inside,” said Old Mabel, peering down.

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—–

“Then I woke up, Baker Bloch. Another dream about the forest. At the tree where Urch disappeared 2 nights before. 125/125.”

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“The big eucalyptus tree, yeah. Big enough to hide a man the size of me inside.”

“That tree is a portal.”

“Maybe they all are,” responds Baker. “The eucalyptus, the brown cypress, the green cypress. All along that line. And then Unch himself (or herself) at 168/168. Still haven’t met Unch, er, face to face?”

“No.”

“How about now?” Baker offers. “It’s nighttime after all.”

“You guys aren’t talking about those woods again, are you?” asks Furry Karl, walking up with another Krings beer for Baker Bloch. “I still don’t like that kind of talk in my bar. I’m up here in SoSo Mall because of it. Just to get a *little* further away from those trees. So they can’t listen in. Careful with that wine glass, baby doll,” he then says to Old Mabel. “It’s been Spillsville around here.”

“I will,” she replies, and then looks at Baker Bloch again. A vision of a double headed Winfield flashes through her mind. Fused. Fire. So much fire.

“I suppose you heard Karoz is back,” says Karl, changing the subject. “Back from space. Still doing the bidding of that demon Wheeler.”

“Shhh,” reprimands Baker. “Don’t say that too loud.”

‘What… *demon*?” speaks Karl defiantly. “She’s over on that island of hers now. She can’t hear us. The *woods* might be able to hear us, but she can’t. I think we have bigger problems if people are starting to dream about that place. It’s 1968 all over again. Treestock.”

“You know so much about local history, Karl,” says Baker.

“I do,” responds Karl quickly.

“Someone should interview you,” completes Baker.

“I’ll do it,” volunteers Old Mabel, raising her hand. Baker wonders if she might be a little drunk tonight. She’s not use to drinking wine, but she purposely spurned her usual lemonade, saying she needed to lay off the sweets to see if it was affecting her dreams. Maybe she’s just trying to numb her brain into a good night’s sleep.

“Well, that’s awfully sweet of you deary.”

“I’m *serious*,” she emphasized. “I want to do it. Let’s set up a date now, while we’re talking about it. If we wait it might be too late.”

Baker thinks he sees Old Mabel sway a bit in her seat. “Maybe we better get you home,” he says, standing up.

Old Mabel shakes her head. “I’m not going back home. I’m not laying down on that couch. I’m not *dreaming* tonight. I don’t want to dream. I want to stay awake. Baker, please stay awake with me. Until sunrise. Then everything will be all right. It’s 2 o’clock now. Sunrise in 3, 4 hours. Stay with me. Hold me.” She falls from her stool and softly sprawls out on the floor. “I’m okay,” she declares, but can’t get up.

“Come on Mabel,” says Baker, offering a hand. “Let’s go home.”

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S x SW

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“A gap in the south-southwest,” Baker thinks while within this circle of 8 rocks in the Slosser sim, only a couple hundred meters south-southwest (!) of Collagesity (as he found out a little later). The parcel is Lost Garden owned by the SL Public Land Preserve, dedicated to, “help keep SL spaces open,” according to the parcel description. Baker Bloch immediately joins the group for L$5.

Clicking the profile link of the rocks’ creator, Garvie Garzo, brings him quickly to a sim called New Moon. Here he uncovers a duplicate set of rocks on an island in a western archipelago. Cool. He now sees each of the 8 stones is penetrated by a individualized sword. Here are the attached names:

Mawrth Mageblade
Silverlight of Wranws
Longsword of Iau
Daear Diamond Sword
Neifion Lightbringer
Sadwrn’s Shadowsteel
Mercher Spellblade
Burning Sabre of Gwener

In their midst is this central lower rock containing sculptures of the sun and the moon with stylized human faces, the great opposition of masculine and feminine energies. And Baker Bloch keeps in mind that this is the New *Moon* sim, named for a monthly phenomenon where the Earth blocks the moon from receiving the sun’s enlightening rays.

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Between the stylized sun and moon lies an object called the Mirror of Darkness, perhaps standing for the Earth itself. Then in front of this is a book with the description of “The Taika Altar”, which doesn’t sound like a title. Baker is checking…

Here it is (!): http://www.madpeagames.com/return-of-the-light-gacha-set/

So this is the “Book of Taika”. Baker has to purchase the set! But before running off to a store location provided by that link above, he looks over the rest of the archipelago. Not a lot there, but a twisting orange and pink “bridge” attempting to span a couple of the islands caught his eye above all else (name: “net bridge fail”).

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“Orange, hmm,” Baker muses. He attempts to teleport to the store but disappointingly finds its location currently blocked. Baker tries to contact Wheeler for advice, but, as usual, she is “away”, perhaps bumming around that new island she’s been on about for a day or so. New Island — New Moon. “Hmm,” again.

Couple more shots from the New Moon archipelago:

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Rubis and Sylver

“We have to lend all our resources to Old Mabel. She’s on to something. A definite trail through the wilderness.”

“Strange that Chesterton the Librarian would skateboard into her and blow her up,” Baker Blinker responded, referring to very disturbing and lucid dream Old Mabel had the previous night.”

“Maybe she was just trying to wake herself up… so she could remember more of the dream’s details. But she was quite rattled. I reinforce: she thought it was real within the dream. She thought she actually died. She felt her soul depart from her body. She floated up up up. Back to Mars. Little was there. He was dead as well.”

“Awful. And your other theory — about Little contacting Old Mabel through Jiff?”

“Well — before he departed through the woods portal with Brenda — you know, the giant female warrior, and, some say, his lover — Jiff insinuated to Old Mabel that he is a probable Little trapped in a different body.”

“Say that again?” Baker Blinker requested.

“I said, Jiff stated to Old Mabel on the day of his departure that he was her brother Little Big trapped in a different body. Not quite reincarnation, he emphasized, but related to it. All that he knew was that he was Little, another warrior but from a different era.”

“He could be delusional,” a realistic Baker Blinker proclaims.

“Possibly. But Old Mabel is leaning toward believing him. Jiff said he would return in several weeks, which would be considerably longer for him and Brenda in their timeline. They too have a battle to fight, but he wouldn’t give specifics. He hinted around that Rubi demons were involved again. And the Sylver Forest.”

“We’ll just have to wait and see.”

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Swinging but not driving…

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A sunset swing helps Old Mabel prepare for another potential rough night of dreaming.

At the appropriate moment, she slides off and looks for Unch. The sun had just disappeared under the horizon.

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“Can’t quite spot him from here if he’s there,” she says to herself in a low voice. “Or her,” she tacks on dutifully. Seven o’clock: time to meet Baker Bloch at the Joker’s Wild. Much to talk about!

—–

“Hmm,” Baker Bloch says, landing just north of the mall while attempting to teleport directly inside. “Old Mabel clearly said this graffiti read: Soos.”

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—–

“You’ve dreamed about Chesterton the Librarian before haven’t you?”

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“On a number of occasions,” answers Old Mabel, She swirls her lemonade around in its glass. “Night before, he was in a corner of my living room loudly munching on some delicious puffed cornmeal product.”

“In the Small House or Big House?”

“I’ve started to call them Old House and Big House. Because one was born 5 minutes after the other.”

“Ahh,” Baker responds, understanding this is a reference to her, Old Mabel, and her slightly younger twin brother Little Big. Nothing to do with the actual history of the houses in all likelihood.

“But it was Old House. That was the dream I talked to Spongebill Triangleslacks, Snowbob’s great uncle. Did you know he called him grunkle instead of great uncle? Another bleedthrough from that show.”

“Which we need to talk about in some detail, Old Mabel,” Baker says from his stool. “Map the comparisons out. But whether you believe me or not, the concept of The Bill predates finding out about the show. I didn’t make the link until early November, I believe, when, um, I retrieved that diary out of the library for Wheeler. Number 3,” he clarified. “The original find.”

“Just like Dipper first found the 3rd diary in, er, his *own* show. Not *inside* a tree, but the mechanism triggering the release of the trap door in the ground is found in the tree. It’s metal in the show. I don’t think Unch is made of metal.”

Baker pondered what Old Mabel had implied. “Unch is the source of the diary — I suppose that could make sense.”

“Maybe all 3 diaries which are actually one conglomerate work,” Old Mabel adds. “Three-in-one.”

—-

Meanwhile, Unch tries to listen in from the the woods but can’t quite spot them.

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