Tag Archives: The Musician^*++

00420304

“Are you disappointed that she didn’t want to sell the castle property back to you, Shelley?”

Sigh. “No, not really. Gave me an excuse to look around the place, see what she’d done. That’s good enough. For a consolation.”

“It’s pretty expensive still,” says Arthur Kill. “Baker only pays about 1 1/2 times that amount for the Aisle of Palms rental as a whole and that’s about, let’s see, 2 1/2 times as much land.”

“Do you still speak to him?” Shelley Johnston Struthers asked eagerly.”

“N-no. I thought *you* spoke to him.”

“No.”

“Hmm.”

“Hmm, indeed.” Both understood that Baker Bloch, owner of the virtual town we as a family rent now, didn’t seem to know the couple’s whereabouts. They were off the radar. And then both also thought about George, aka The Musician. Was it the same with him?

“We should go down into town tonight. Go shopping and dining.”

Shelley looked out the window on their perch atop Yellowmoon Ridge at all the snow falling. Then she looked around the house at all the elephant decoration. Just came with the rental — no planning on their part. “Nah, I’m fine staying here tonight. That special on indie animation is debuting on Youtube at 8. Then they’re replaying a doubleheader of ‘The Pink City’ and ‘The Amazing Digital Circus’ at 9.”

“Love that stuff,” opined hubby Arthur, envisioning other stuff at 10. This 3rd honeymoon (or was it their 4th?) was working out swell. Cheap rental *exactly* on the spot where the old Ant Castle use to exist. Current owner didn’t even know anything about that storied history. Arthur had a hard time believing it — still does. He checks his watch not on his wrist. 7:45. Time to pop open the first bottle of wine? Why not.

They ended up drinking the 1st glass to Biff Carter, which was a strange toast indeed. Have to think about that.

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00400415

Ketchup Tom knew this day would come. End of gig; time to go. But what is time here? It was as if he’d just arrived.

He stared at what he remembered was a sim-skipper outside the window in the harbour. “Should’ve come in on that instead of Marsha’s VW,” he muttered to himself. Marsha was in the shower. *No*: Marsha insisted on renting the place next door instead of staying in the same apartment with Ketchup. She certainly hadn’t given up on Eddie, her Edward, back in Big Sandy — which we’ll be returning to soon.

Ketchup Tom knew he was The Musician. He knew he could come in but, once here, couldn’t leave, unlike so many before him. Because he was different. He and the town were like two cut out pieces of paper stuck together. Like fused leaves of an old waterlogged book found floating in the harbour. “*No*,” he insisted just as vehemently back to Marsha in the rental place next door when he came to tell her. “You have your place and I have mine. Here.”

Yellow House, he knew. He wasn’t going anywhere. Marsha would have leave Gaston by herself.

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time doesn’t exist

His attached mohawk was more pink than red before but obviously the same otherwise. Ketchup Tom = The Musician fer sure.

“I *lived* here.” Yes, Musician. You were Duncan Avocado as well, breaking the cycle of 10 to 13 to 10 to 13 over and over and over. You glimpsed sunnier 18 and you ran with it. All the way down the street to the car and outta here. But now you’re back. “But now I’m back,” the character said in the present to reinforce this idea.

Mokum, he also thinks in the present, reading the writing on the wall. He remembers that too. Red again.

“My mohawk!” he cries, also realizing the small but still significant color shift.

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a punk is born (zooming in on yellow (1st thing in the morning))

Many famous musicians have walked the roads of Gaston, and many famous musicians have left from such roads. Not George, though: he remained glued to the town through his car as it were, white in the daylight here but silver at night, as silver as Maxwell’s Hammer.

And now his soul has returned as the strumming punk known as Ketchup Tom because of his red mohawk if not visa versa, Marsha “Pink” Krakow his new drummer in tow, owner of her own VW Bug and one she perhaps is glued to as well, and even perhaps the *same* bug. Paired silver and gold as we’ve mentioned before — or white and yellow in the daytime. The Portal. Mimosa. Probably dusk and dawn as I’m writing and thinking this out.

George also existed here as Duncan Avocado, a character very important to the blog and attached photo-novels up until and including 31. 3-1 (March 1). His birthday which was also kind of his death day, at least in my eyes. He lay in a blue-yellow tent on the floor of the Collagesity library after that, a virtual structure last seen in Constantynople which has recently been destroyed/derezzed, with a final friend in the library *still* a friend — but simply too busy with a young kid to have much time for anything else, including our promised hikes. Important thing: I don’t hold it against him. And I should probably get over my disappointment with Duncan too. Put it in the rear view window. Thing is, we’re *doppelgangers*.

Red blue yellow houses in a row to begin. Again.

“Ugh, my head. W-where am I? And *who* am I?”

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00400411

“Definitely silver,” he rechecked through the past observing tool locally known as the chronovishmach. “So definitely George.”

—–

In the past, Hucka Doobie was eating alone. But in this alternate version she had the guts to walk up to Marion Star Harding and ask him on a date. Just after this she continued her guttiness and told Ozzie Osbourne, another star, that his gig was up in Gaston and that he’d have to return to Meat City for future concerts like these. Still on an adrenaline rush she goes back to Marion at the bar and gives him a kiss full on the lips, saying that’s to tide him over until tonight. Just arrived Ketchup Tom, aka The Musician (aka *George*) walks into the club, wanting to check everything out while Marsha was unloading the car, especially the structure of the place, trying to determine if his music would collapse it like before with that huge piece of coal for a bar in West Virginie. Hucka Doobie assured him that all had been prepared and that a non-collapsing spell had been cast by a local wizard. Club Rhino: definitely at a crossroads between various dimensions. Why Hucka Doobie was here in the first place, she finally determined after much lamenting and gnashing of teeth about her “entrapment” in Gaston. “Damn you Tammy Whatammy!” she cursed aloud a lot at first. “Damn you evil, conniving Casey One Hole!”, the root person to blame since Tammy was just following orders when she pushed her through that imprisoning collage back in photo-novel 7. Such a long time ago. She knew alternate versions of herself existed elsewhere. But she only existed within the body, the *vessel* of this here one. And she’s tired of complaining about the darkness. “When in Rome,” and so on.


“When in Rome” (2018)

And so in this version she dines and drinks with Marion Harding instead of doing so alone. And other things have changed: no “Welcome to Mimosa” on the sign, you’ll notice in comparing the last photo of this here blog post with the one above, anything that was once golden having been lost in the transition. Silver now. Night. Dark. Welcome to Gaston.

“We better get to the gig,” Marion requested after 2 wines, hoping to move to his more standard pot soon. Levon would have some, he knew. And Levon liked his music over his money, women, anything else. He’d be at the gig for sure.

“Oh,” said disappointed Hucka to this, wishing they’d just skip to whole gig thing and move on to that other stuff she had in mind. Bases, although obviously safe at home still — home base is definitely off limits tonight. But 1st, maybe 2nd? In play, she envisioned in her mind. Was she still desirable? she couldn’t help wondering as Marion got up and she followed suit and then looked at the back of his suit as it made pleasing motions while he walked toward the Rhino.

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00400410 (the tall and short of it)

“Alright, alright. I’ll go over and talk to him. Just stop the screaming.”

Ozzie Osbourne walked out of Gaston’s Rhino Club with more information than when he came in. He had to go back to Meat City to perform. Wise if reluctant spiritual advisor Hucka Doobie told him why. Blocked!

Changing its color from gold to silver after going through the Mimosa portal, the VW bug pulled up on the sidewalk just outside. They spotted Osbourne and Osbourne spotted them but he just kept on walking. He had no need to talk to ones luckier than him. “A gig!” Ketchup Tom messaged Marsha “Pink” Krakow back in Big Sandy, who drove her car to get there since the punk was car-less, not even a drift conquering dune buggy to his name. The small vehicle was jammed full of guitars, speakers, drums, microphones, so on, with barely enough room left over for driver and passenger. They were talking all the time over of stardom and success and making it big. The sight of Ozzie Osbourne exiting the bar doubled this down.

—–

The noise of the resulting gig was too much for Hucka Doobie, who moved outside to stare at the bug they came in, wondering if it was the same she’d seen in (Meat City?) behind the strip mall. The mayor’s daughter, she recalled, busted for drugs and imprisoned in Rockaway Beach Prison for, what was it, 40 days? Or maybe 40 years? Anyway, they turned her into a doll and that was that so this couldn’t be the same gal. Could it? Hucka Doobie ponders possibilities and impossibilities while listening to the end of “Fire Ants,” transitioned expertly into the follow up but lesser hit “Water Uncles.” Then Marsha’s part of the gig kicked in, starting with a cover of “I will Survive” by 70s pop star artist Gloria Gaynor. Relieved the noise had died down, Hucka Doobie breaks her stare from the car and heads inside again. She needed to find out the truth (“Rockaway Beach” now). She’d made way for these up and comers by telling one of the biggest stars on the planet that his stint was cancelled here in Gaston — just walked out, huffing and puffing, blown away that some small fry, backwater place could do this to him (“Crazy Train”). And he was only here as a favor to an old friend, another “Oz” mate. A Daredevil some called him. Death of a cook. The gig was suppose to be for her. And, turned out, it was (transfigured “Jackie Blue”).

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00400316

At 11, Ketchup Tom came a knocking at the door. Serenity Lane crept in from the opposite direction while he did, wondering why the punk was here as well. Sleepy Eddie rouses himself, steps over still snoozing Dogg by the bed, answers the door. But there was nobody there. It was all because of what was spoken by Marsha and, er, Bethany, um, Ginger — Mrs. Ordinary — at the tiny cafe just across the Big Channel. Because they were figuring out stuff, enough to cause ghost realities to suddenly rez in, probabilities to come into the light which didn’t exist before. Ketchup and Serenity showing up at Marsha’s door at the same time. They had the same goal in mind was the symbolism. And Eddie was in the middle which was unfortunately in the way. But they didn’t get the chance to tell Eddie since the probable reality evaporated when Mrs. Ordinary paid the expensive bill, rum not being cheap in these here parts. Things like this happen more than you realize, folks. It’s all in the books. Eddie goes back to bed, writing off the knocks as part of a dream. A different kind of sleep, then, he’s in.

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great and powerful

When she got back from her trip to the Pleiades which wasn’t the Pleiades, Mrs. Ordinary found everything around her to be mundane, just *blah*. Sand sand sand from north to south in this here Big Sandy she called home, yellow, long and boring. She needed to spice up her life with a bit of extra, like she had while aboard the USS Galaxy, certainly not boring atall, although they had to get through that one giant meteor in the way by boring through it via a lasered out hole. Definitely excitement there!

She put down her boring book about Atlantis, Easter Island and such and rang up neighbor Marsha “Pink” Krakow, seeing if she wanted to get together for some tea, something different for her day. She’d heard of a tiny cafe opening up in Pugwash just across the Big Channel. She checked before she called — open at 7, the website stated. 7:05am now. Just in time for an early breakfast too since she saw they had flapjacks available, her favorite.

Marsha beside her Eddie in bed yawned before answering her cell phone. First thought: Mom has the shingles again and I have to come down and take care of her. But she checked the number before swiping. Unknown, the indicator indicated. Relief. She swiped.

“Hello, Marsha? It’s Bethany, er, Ginger. Listen, just wondering if you wanted to catch an early breakfast at that new place just across the Big Channel. I checked: open at 7. Seats are limited so figured I’d call now to see if you’re up for it.”

Marsha yawned again, glanced over at her Sleeping Beauty comfortably snoozing away, and said, “Sure. Just give me 15 minutes to change and I’ll meet you there.” She needed a friend to talk to as well. Life, Second or not, was getting more and more complicated, what with Ketchup Tom and now Serenity Lane entering the picture in this here section.

—–

“Oh the light’s just beautiful here. Isn’t it beautiful?” Different* from where I live, she ponders, looking up into the sky to see if she can spot the Pleiades before the harsh sun washes all the night time away. No luck.

“Sure thing, er, Ginger.” Was it Ginger? Marsha “Pink” Krakow still wasn’t sure. They had finished their flapjacks, 1 apiece since both were on some kind of diets. Look at her, Marsha was thinking prior to ordering; so trim! But Mrs. Ordinary was thinking the same thing about Marsha. And so the one flapjack apiece, easy on the syrup. Then afterwards, not tea but rum, Mrs. Ordinary decided, which Marsha went along with. Why not? She could sober up on whatever little drunkenness occurred before Eddie even stirs out of his slumber, 12 o’clock being the earliest he rises since his early retirement in March of last year. Lots of money in records management outside the public sector. And he worked for the rock industry, Ozmo Daredevils, Ozzie Osbourne and the like. For the former, he chronicled how “Jackie Pink” turned into “Jackie Blue” in the company blog, which brought him to the attention of curious Marsha wondering about her own “Pink” name and how it came to be. Through it she learned that boys and girls use to be dressed in pink and blue respectively back in the 50s 30s instead of visa versa. And so it began.

(to be continued)

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00400305

We he awoke, Marsha “Pink” Krakow was no longer floating with him, having been replaced by Dogg. The dissonant chords of a distant electric guitar roused him. Then shortly joining in with the deranged strumming: drums. Marsha had found a new partner of sorts.

He checked his phone messages. “Be back when we’re finished practicing.” Then skip several lines: “I have a new band!” Well great, he thinks. A rival for her attention for certain now.

“Realous?” said the great dane behind him, reading over his shoulder.

“You bet!”

“Ret’s take a ralk and talk.”

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“Hey Mickey”!

Channeling the music as inspiration instead of irritation, she starts…

Ketchup Tom thinks he has an easy trade with me. Not so much. I’m only here because of the typewriter. And the drums — I wish to play with him later on at least in *that* way. Tee hee. I laugh like a slut but I’m not. I talk and walk trash but I’m not. Sometimes I write science fiction when I’m in a future mode or mood. Silverberg went over Pork Chop Hill; didn’t make it back. The war took a lot of us. I don’t have to remind the reader about that. Threatened to turn civilization back to the Monkeys, pheh. Civilization Phaze III we could call it in Zappa-speak, if it even gets that far. Monkeys use bones for drumming after all. And how often do bones turn into starships? I should know all about it. Because I was in that one. Because… I am Frank’s long lost sister’s father’s granddaughter. Not Moon: Starr. Because I will be one. I am destined to be one, born to be one. A Starr is Born.

Mickey, put down your sticks and sit back and listen to what I’m saying while I dance on your Head. I’m speaking to you directly.

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