Tag Archives: The Musician^*++

Still in Gemini…

“Yeah, I don’t actually *live* in a receiver or am the *same* as a receiver. I don’t know what got that notion into your head. And I even have a pretty modern (phone), cell and all. I can even look up things on the Interwebs with it, like the difference between a mouse and a dormouse. Just doing that–”

“Fascinating,” Marilyn playing Lichen Roosevelt said on the other end, a word she just heard on TV. “I only thought,” she defended her logic, “you know, like Paul Warfield.”

“Paul Whatfield?”

“Never mind.” She backed out of Miami back into Cleveland. “Jim Brown,” she blurted out to her surprise. “Jim *L.* Brown, not the other one, the twin.”

“What about James?” replied Claude the Receiver. This was old school talk, like high school. He’d left all that behind in joining the University of Life here in 1000 City, or so it was advertised. 4 more years to go, a long long 4 years, with debt mounting up each semester he stays. He’s learning about the birds and bees this morning from old Ms. Crumplebottom, facing away from him and preparing to add information about flowers and trees and the Moon up above into the overall equation, like work clothes. Whatever, it all ends with Love. He wonders how she can remember back that far; all the parts must be long broken down there. But I suppose there’s always heart.

“Cartoons,” said Marilyn, surprising herself again. “Jem. Jemini.”

“Jemilly Johnson? What about *her*?” Claude was getting impatient. He didn’t want to miss any nuances from the lessons. One flower appears as the chalk dust starts to fly again, then another and another. A tree with a massive trunk shoots up from their midst. And between the boughs near the top as the stars come out: The Moon. Where did The Sun go? he had to ask himself.

“Um, uh,” delayed Marilyn. “We have a situation,” she decided to say instead of answering Claude directly. “Just get down here. On your lunch break if needed. What time is school over, actually?”

Claude mentally checked his schedule. 1 o’clock: Mixing Business with Pleasure, 2: The Overarching Problems of Time and Money Inevitably Leading to Brain Damage, then at 3, oh he’s finished at 3. He says this to Marilyn. The Musician is paying his bill and about ready to leave. Marilyn looks at the wonky grandfather clock on the far wall between Biff and Albert. 4 more hours! How is she going to keep them all here together until the Receiver comes. Alcohol of course, for The Musician at least. And free tea for the teetotalers over there at the crazy table. She offers George another one on the house.

“Gee thanks!” he says, sitting back down. His gig is not till 7. He has the time and the money to kill more brain cells.

(to be continued)

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beasts

With her super sharp ears, one of her superpowers, not-so-ditzy blonde Lichen Roosevelt, who was currently masquerading again as ditzy blonde Marilyn the traveling bartender, overheard it all. The bidding, the threats. Albert was driven to have the girl he couldn’t possess — none of them could, not Biff Carter, not George The Musician sitting at the bar with her and oblivious to the subject matter being spoken about behind him. Because his ears were more between his legs; that’s how he composes, how he creates. It deafens him to other realities at times, a lot of times, heck, about all of the time, she surmises in the moment. They spoke about it earlier, before Albert and Biff showed back up again, sipping their crazy tea and talking about absurdities. Shelley was free — for the moment.

“She requested she go down to the beach every day at 2, so I let her.”

“Damn, Musician, that’s not good enough!” she protested, yelling because no one else was around. Boss Herbert Done had the day off, cruising for boys on the back lot, despite already having a man and 2 girls at home. George had already told her about the decision to use the powers of the Venus Cage to trap her. “She was as much here that way as any of us,” he said. “We’re all in the same boat.”

“Don’t you see, Musician?” she tried to explain. “*Shelley’s* the boat! That’s why you’re all here in the first place.”

George knew that Albert was obsessed with a girl named Darla, a black haired and black clad beauty as he described her. And Biff — well, he hadn’t really talked to him about why he was here as well. That would come a bit later. He didn’t know about the overlap is what I’m saying here.

“She’s not your pet, your slave.”

“I know that.”

Devil instead of Lover, Shelley thought here, contemplating The Tarot. Gemini rules The Lovers, the 6th Major Arcana card of the deck, attached to the specific planet Mercury. That’s why Mercury-Gemilly, France is involved, a suburb of *Albert*ville of all names. The Devil, Major Arcana card 15, has the same two nude figures but chained instead of free, torch lit instead of outside in the sun. It’s good George lets her sunbathe but, my God man, just because she was going to *jilt* you at the alter? *This*? Men, PHEH.

“I’m going to let her totally free soon,” George said. “As soon as I figure out how to take Arthur out of the picture. That way we can get properly married instead of those two.”

“After all this…” Marilyn said, then stopped because of the futility of it all.

And now, listening to Albert and Biff bicker, Marilyn decides to lay down all the cards. She senses a Helen of Troy situation and didn’t want it to fester any further. She had an aunt and uncle that had to live through all the atrocities of the Trojan-Durexian Wars over on the Omega continent. She wasn’t going to allow another seed to be planted like that.

The Receiver, she then thinks. I have to pick up the phone — wherever it is — and call him. That’s the solution.

She finally finds it behind the coke machine.

“Hallo? Claude?”

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Pepper

Shelley was in trouble because she had the key but couldn’t use it, like Rump before. Couldn’t get it off her neck; hung there like an useless, object-less necklace, product of The Void obviously. The Venus Cage had manifest for real, one of its dark powers.

“And *stay* there until I return,” George called back unnecessarily, walking away from the scene — as The Musician — to a local gig at the Pink Think bar, first in a series of such, he hoped. “Great Gig in the Sky” he wanted to title it, thinking of another Pink. The beanstalk to the 3700m high joint broke off like a collapsed tornado, falling falling falling in the far distance. He’d put that into a song as well, maybe the one about Money — Cash — he’d been working on. He’d heard about red cash for the first time from a man at the bar at the same time as him, a man in black, he recalls. Tall. He was with another guy who goes by Biff — remembered his name because of the detergent. The other guy — yes, Able. *Albert*. Both seemed to be stalking someone: different people, he gathered, but both leading them to here, this Gemini retconned from Mercury (get to that in a bit again). “If you turn totally green,” the man called Albert said to him, shared martinis all around, “then you’re done — *cooked*. “You have to keep a bit of red about you or else… (not) here.”

“Amen,” said Biff sitting across from him, to the left side of me. He was reading a small, wine red book, which I guess counted for his protecting talisman. I wondered what Albert had on about him of the same color. Perhaps a pen? Or a scarlet handkerchief in his lapel pocket that he could whip out at any time for a sneezing damsel in distress? But I daydream (within the daydream). Back to Albert…

(to be continued)

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nailed it

It was her father, Newt, and her mother, Wheeler, with herself in the middle. All dead, all ended, the Ur family complete.

It was her brother, it was her sister.

It was herself.

Next was a church with red doors, a cross over them and at the top of course. This was The Cross itself. Who should lay beside Shelley in her grave to be with her forever and ever and ever. Was it George? Arthur? Even that new stalker prevert Biff Carter, perhaps named after a detergent but perhaps not? This was the place they get married. This is the place they get buried.

Next: It was a long way up; another ladder.

Many spirits requested her presence.

The Void has spoken.

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new angle

“So you see, babydoll. You *can’t* leave The Cross right now. Right there in the contract you signed. You’re part of the club now.”

Shelley studied and studied the thing but couldn’t find a way out. Biff Carter was the same age as her or older than her by 2 decades. If the former, then *they* may be destined to be married — Biff — Mr. Carter — must know this too. If the latter, Mr. Carter — Biff — could be her father.

But she has a father. Newt, yes. And a mother: Wheeler. She tells Biff/Mr. Carter this, along with being engaged to George already, who, turns out, he knows by another name.

“Oh I know about Arthur,” he says in response to all this. “I don’t think you’re really engaged to this… *Musician*.”

“Am too,” Shelley tried to defend, but knew it was hopeless. Says right here: Shelley Struthers will be stuck on The Cross until the end of novel 35, where she’ll make a choice between 3 lovers. She knows two. Here could be the 3rd — has to be, I suppose.

Biff knew she couldn’t weasel out of this. The Umbrella Club has spoken. “Satisfied?” he ended.

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00350312

“Thanks for coming to rescue me, *Lemont*.”

“You’re very welcome dearest. But you can *really* thank your Venus Cage necklace, or at least the photo of it.”

“Right. Didn’t remember anything about the Umbrella Club until I pulled it out of my purse and took a look. Angles aren’t right in the black and white photograph. Can’t figure out where it is taken on the body.”

“It’s not a body.”

“Yeah, I know that now. But just the studying, the trying to figure it out, changed me. I can never go back now. I remain under the Umbrella. Figuratively, of course, because here we’re out in the sun still. Where is our umbrella anyway?”

“Stashed away for a rainy day,” he said.

She turned on her side. “And… I don’t think I desire to wear purple any more. That must go along with (the change). Or when I do it’s *my* choice. She shaked her index finger to reinforce her point. Shelley she was through and through, she thought.

But Lemont knew the situation could change. Good now for them. But George/The Musician was still out there somewhere.

And Roberts remained just around the corner.

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00350214

She tried to get back to the center of Linesville (ORACLE term) but instead landed here, a new place apparently. No more blue highlighted boulder but the location was still certainly blue, like Aunt Esther’s offstage act as Page. She had a new outfit that she just tried out here to success — suspenders — colored such, reinforcing the situation. She’d taken to buying men’s clothing because the women’s stuff didn’t seem to fit her. Darn weight gain during COVID times! But new lover Lemont Sanford, also offstage, didn’t seem to mind. They had a common goal. The creation and then overseeing of Liz — destiny. They were having fun with it on the dark side, opposite of what most consider The Cross to be. Yes, The Cross needs to be in the center of Life, the middle of the passage between cradle and grave. But this is certainly not what The Preacher envisioned. Or did he? (we’re similar in other ways — like the *ORACLE*)

This is the middle now. Is the wedding with George actually off, though? Despite this new, erm, complication? She keeps staring out as if trying to find the answers in the great beyond, past the buildings in the distance, past this Life itself.

She contemplates buying some weights or joining a gym to bulk up her upper body, because that’s where the fitting is looser on the new garb. Waist and hips — perfect. COVID, pheh. The changes it wrought seem to lie around every corner. People must adapt to the times or else be lost. Lemont is helping.

“It looks great, baby, don’t change a thing,” he said just yesterday here. She stares out again. Where *is* my costar in this film?

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thorns and roses

“Okay, Liz is your kid. I get it. Whether factually or fictionally — doesn’t matter.”

“I am Arthur Kill,” states actor Lemont Sanford beside her, also staring at the “Break the chain” statue by Eva, “but I am also me. We made love in both ways.”

“How do I approach *Liz* with this is what I’m wondering?”

“Tell her we have a common aunt that convinced you to go with me over George — The Musician if you will.”

“Oh, he will,” replies Shelley to this. “I’m kind of sick of the ambiguity.”

“Then tell him.”

“No,” she stands firm. “I’m done with it. The wedding is off. We will get married instead. Just like in the film.”

“What film?”

“Stop it, you know what film.”

“The film of our life?”

She sighs. “We have the same aunt. We are already married in a way, future moved to present. We have a child, 1/2 black and 1/2 white, just like us. *No* ambiguities. We are a couple, a team. I, I mean, *they* brought you back to play Kill van Kull, the sophisticated twin cousin of Arthur. You did swell — too much so, as character became reality, bringing Esther in the picture as well.”

“Act I, scene 7. How could I forget.”

“Cut back to the Inky Man from the Boulder Scene still hiding in the rocks, head in the sand — *cringing* (recoiling) instead of Fred. But it *wasn’t* Chaplin. Instead…”

“Keaton, Buster Keaton,” Arthur, I mean, Lemont finished the thought.

“They were heading for the church. I know where this is now!”

“Let’s go,” he deadpanned. No ambiguities any more. The Cross has spoken.

In this “joke” above, Buster recoils after realizing the potential bride he approached from behind is actually an African-American. Although this joke is overtly racial (one of the few in Keaton’s oeuvre), modern audiences may not realize that at the time it would have been illegal for Buster to marry this woman.

“I’ve watched it over and over,” Shelley says about the scene. “This is overt, *period*; this is a line drawn in the sand. No going back! Save the boulder sequence the rest is trite garbage.”

Lemont Sanford mostly agreed. They’d have to edit, they settled. He had a new role. Let’s begin again; technicolor; picket fences.

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00350209

“I really like your giraffe, George. So soft — just like our kiss, tee hee. Say you rode in on it?”

“No, I never said that.” George also enjoyed the kiss but he remembers more a gap, a lack. Something had happened and he can’t quite figure out what. A confusing day, actually. First the thing about the dads and then this.

“So you flew in on that bird thingy you’re sitting on, right?”

“Also incorrect.” How *did* George, I mean, The Musician, get here? And was this an actual rehearsal for their wedding? Or were they just checking out the location, perhaps not even convinced yet this is the right place for their super important event?

“I mean, you look like you’re 1/2 bird yourself mounted on the thing like you are, a *bird* yourself.” She tried to laugh but found the utterances couldn’t quite reach her lips, her still warm lips, but cooling quickly, the memory of the softness fading.

“Oz,” he then said, remembering. 1/2 man 1/2 bird indeed. He flew in from his imagination. We’ll go there soon, but first the couple need to pay a little trip to Dr. Rabbid Baumbeer via his Rabbid Rabbits group. The Musician (George) explained it was necessary because of the gap he felt, which Shelley was also now experiencing. They had to resolve that before the wedding fer sure. The Musician was convinced that the doctor could fix their issues, family stuff as well.

They spent half the night arguing who Aunt Bernice belonged to, his side of the family or hers. This could not continue; something had to be done.

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00350208

“Isn’t it beautiful, George?”

“Musician here,” requests George, who goes by that around other people generally. “Until we’re properly married anyway and tied the knot between us.”

“Oh George,” she said, and kissed him in front of the vanilla layer cake also tied with a knot, anticipating the big event. There’s no doubt they like each other a whole lot, probably a whole whole lot. But do they love each other? Now is the time to find out if ever.

“Now your turn, George.”

“Your turn, *Musician*, what? Your father is standing right over there.”

“My father has been dead for 10 years. That’s *your* father. Newt, remember?”

“Newt, right.” He remembered. He thought.

“And he’s been calling you George for I don’t know how long. Probably since we started dating. *Anyways*, kiss me again. Put on that new hud you got and let me have it. Newt’s too busy trying out the tea to pay attention. Plant a good one right on the kisser.”

Wait… that *was* her father. He said this to her as she puckered in front of him, making her think as well.

“Oh George,” she decided, “let’s not argue about relatives right here, right now. Let’s focus on us. Whatever family issues remain to be solved, we’ll be the stable point in the middle of it all — that’s the important thing. ” She then made the first move herself right when Newt — whoever’s father he was — put his own thing to his lips, synchronicity noted.

And let’s go with Shelley’s father. Too much lead up text to change if I don’t. It’ll work out.

(to be continued of course)

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