Tag Archives: Biff Carter^*++&

Pepper

Shelley was in trouble because she had the key but couldn’t use it, like Rump before. Couldn’t get it off her neck; hung there like an useless, object-less necklace, product of The Void obviously. The Venus Cage had manifest for real, one of its dark powers.

“And *stay* there until I return,” George called back unnecessarily, walking away from the scene — as The Musician — to a local gig at the Pink Think bar, first in a series of such, he hoped. “Great Gig in the Sky” he wanted to title it, thinking of another Pink. The beanstalk to the 3700m high joint broke off like a collapsed tornado, falling falling falling in the far distance. He’d put that into a song as well, maybe the one about Money — Cash — he’d been working on. He’d heard about red cash for the first time from a man at the bar at the same time as him, a man in black, he recalls. Tall. He was with another guy who goes by Biff — remembered his name because of the detergent. The other guy — yes, Able. *Albert*. Both seemed to be stalking someone: different people, he gathered, but both leading them to here, this Gemini retconned from Mercury (get to that in a bit again). “If you turn totally green,” the man called Albert said to him, shared martinis all around, “then you’re done — *cooked*. “You have to keep a bit of red about you or else… (not) here.”

“Amen,” said Biff sitting across from him, to the left side of me. He was reading a small, wine red book, which I guess counted for his protecting talisman. I wondered what Albert had on about him of the same color. Perhaps a pen? Or a scarlet handkerchief in his lapel pocket that he could whip out at any time for a sneezing damsel in distress? But I daydream (within the daydream). Back to Albert…

(to be continued)

Leave a comment

Filed under **VIRTUAL SL, 0035, 0505, Gemini, HANA LEI

nailed it

It was her father, Newt, and her mother, Wheeler, with herself in the middle. All dead, all ended, the Ur family complete.

It was her brother, it was her sister.

It was herself.

Next was a church with red doors, a cross over them and at the top of course. This was The Cross itself. Who should lay beside Shelley in her grave to be with her forever and ever and ever. Was it George? Arthur? Even that new stalker prevert Biff Carter, perhaps named after a detergent but perhaps not? This was the place they get married. This is the place they get buried.

Next: It was a long way up; another ladder.

Many spirits requested her presence.

The Void has spoken.

Leave a comment

Filed under **VIRTUAL SL, 0035, 0417, HANA LEI, Sand Springs

00350414

“I’m telling you, Kurt, we’ve gone too far with this horse shit.” She looks back. “A *tail*?”

Softly, offstage: “We have to make it realistic.”

“What’s that, Hybrid?” Janet Zzyzx’s new nickman for Kurt Strawb was Hybrid, because of the whole fruit-vegetable thing he’s got going on.

Less softly, less offstage: “I said, it’s the White Horse Inn and Bar, or so it says in the new script. We’re setting a scene (to use one of her favorite phrases, he thinks).”

“I look like a *showgirl*. *No*. Make that a *show horse*.”

Kurt: “Debbie (wardrobe manager) put a lot of work into these costumes. And this way we leave the door open for a Black Horse Bar and Inn, an opposite. It has to be this way, Janet. We can talk offstage more if you wish.”

“No no. No no. I don’t want to hold up production again.” Janet Zzyzx felt she was acquiring a reputation for being difficult, a no no in the film industry. You have to be there, you have to say your lines, you have to *show* up. In this case she has to show up as a “show horse.” She bends her head and says nay to her inner doubts. Kurt probably knows best. After all, he has a way with animals as demonstrated by “Black Jack in Hell,” about its only redeeming quality. The hounds of such turned out to be very obedient beasts thanks to his training and influence, working well in every scene. Contrast this to contemporary Tim Spellwell’s “Tortures of Satan” which had the Hades dogs running amok and even attacking the cast and crew. He never even made it to freshman class, film directing career almost literally going up in flames with that one. *Show* a little respect to Hybrid, Janet thought here. At least he had “Studio 342” under his belt, perhaps representing a one hit wonder but maybe not. The critics will reassess after this one; they always do.

“Okay, send in the first loser,” Janet requests, and then starts to get into character. Lichen Roosevelt, Lichen Roosevelt, she says in her mind. Not the first bar, not the last. She’s a bar hopper but not the way you typically think of the term. She’s *experienced*, and she answers to Fern, despite being better at comedy, which is saying a lot, especially in her mind. Could Fern be a successful opening act for the Comedy Pouch in Possum Ridge, Arkansas? She thinks not.

“Alright, is everyone *ready*?” Now he speaks up, Janet thinks. Darn — out of character again.

“Aaaaaaaaand ACTION.”

—–

“Biff?” she repeats his name from the end of Take 42. “Like the detergent?”

“Annnnnnnd CUT.”

Leave a comment

Filed under **VIRTUAL SL, 0035, 0414, HANA LEI, Sand Springs

00350412

“Ever been to Franklin, Kentucky?” asked Biff Carter to Claude Cash, outer facing inner. “Do you want to?”

Leave a comment

Filed under **VIRTUAL SL, 0035, 0412, HANA LEI, Kentucky, Mountain Lake, Omega

00350411

Actress Janet Zzyzx heads to the haystack for fresh straw to suck on before her shoot. “Okay,” she said, satisfied after moving it around in her mouth, testing for texture, width, etc. “Ready.”

—–

“Today,” said director Kurt Strawb, a fruit-vegetable hybrid, “we’ll be returning to The Void for more North-South action. Hurrah, thinks Janet, believing she’d be going back to the bar that provided her free drinks after her last shoot there. But, alas, that place has been shut down, as Kurt alluded to next. “*Instead*,” he said, “we’ll be returning to the same place as the Cash-Carter cell shoot from yesterday.” Janet hadn’t been there, visiting Bermuda on a short break at the time. She was familiar with Claude Cash — who wasn’t? — but the Biff Carter character was unknown to her, having only appeared in the film for 1 scene before this. She said this to Kurt; she asked what happened. “Set the scene,” she requested from her sophomore director, involved in only 1 previous film before this outside of student work. “Blackjack in Hell” doesn’t count except as a big fat Zero, as wide as it is high.

“Welll,” started Kurt again, reviewing it in his mind at the same time. “Claude — you remember *Claude* don’t you?”

“Of course.” Don’t patronize me you sophomore, she thought.

“He shows up mysteriously in this police cell guarded by our Clubb — which is a double entendre since Clubb is also club, add in Carter’s reference to Kitty Kat Klub, which is, in turn, reference to the KKK and also Krazy Kooky Kentucky from Act I. Then we also have mention of Klancasterians from Act II.”

Way too much detail, thinks Janet.

“So when our Biff Carter, back on the force, at least for a handful of hours a week thanks to giving Phil that pill…”

Filburt, or Philburt, thinks Janet. Wondered when he was going to rear his ugly head.

“… shows up, it’s not previously seen Arthur Kill in the cell — or Kill van Kull or maybe even Lampton, all being part of one entity that was killed and then raised from the dead in the last photo-novel…”

*Please* don’t go back to that, thinks Janet. The current one was confusing enough.

“… he is able to, ahem, *fill* in for him, ha, and thus use his old squad car, which has fallen into disrepair in the meantime — as opposed to *being* repaired…”

Pu-lease, thinks Janet.

“… anyway, he uses this to track down the girl, he hoped.”

Another stalker, thinks Janet here, suddenly getting interested again. Just like — what was his name? — the guy in black, the *prevert* who stalked that other girl, the one who also always wore black, as in bikini, as if they were joined at the hip in some way. Or someplace else, hmm.

Kurt Strawb had stopped here, waiting for Janet to complete her reverie signaled by her glassy eyed nature. She looked at him and then looked around at the crew, all ready to start, all waiting for Kurt to finish his spiel. Too much talk! most were thinking around him. He’ll never get a third try at these things the way he’s going, thought some even. Sophomore he would remain.

(to be continued)

Leave a comment

Filed under **VIRTUAL SL, 0035, 0411, HANA LEI, Heterocera, Mountain Lake, Omega

00350410

As soon as he logged back in, Biff Carter, former police officer now just out on loan, drove his old, battered patrol car — maintenance not kept up after his retirement much to his lament — over to the cell where they were *suppose* to be keeping Arthur Kill. Or Kill van Kull — whatever. He’d know the shape if not the name fer sure. And this wasn’t him.

“Where is he?” he barked to Policeman Clubb in terse greeting. Clubb and he go way back, had their hands in the old style beatings of ’73, miracle year indeed. It was all in the book that Shelley at the tavern somewhere below — beyond — just put down in favor of her tablet and dream related material. “Big Red Machine.”

“Dunno. This guy just appeared in his place while I was looking away for a moment. Said he’s a Receiver.”

“*Receiver*. What’s *that*?” Biff Carter was feeling the pressure of the beat again, the anxiety of not knowing what’s around any corner. Like this. He purposely fed Filburt those pills so he could get him ill and take his place back on the force, so it was all his doing. He had to keep up with the girl. He asked about her next.

“Missed her by a day and a 1/2,” replied Clubb.

“Darn,” cussed Carter. But maybe he said “damn” or even “f-ck” here. Then to this “Receiver”: “Who are you? What did you do with Kill? Did you *kill* him?” Carter might have emitted a small smile here but couldn’t manage it through the anger.

“Kill van Kull?” replied our Claude, who we met back in Section 01 and last appeared in this photo-novel (don’t say what # in the series) at the beginning post of Section 02. Seems like so long ago. “Lampton?” Claude recites another name this killer of the film went by, kill or be killed being one of his mottoes. He’s working on some more.

“Whatever he goes by,” replies Biff Carter bitingly. “I know *you’re* not him. Despite being a [delete name] too… sometimes hard to tell you f-ers apart.

Ah, the f- word n- word, thinks Claude here. Another one due for a visit to The Void. He’ll see to it asap. “He turned… into the Receiver that I am,” spoke Claude, knowing this wouldn’t make any sense to Carter, Clubb. He dare not mention the dog.

Carter finally emitted that smile, which turned into a laugh, which turned into a doubled over guffaw. Surreal truths sometimes do this to people. Witness George Washington Carver exclaiming that he invented a phonograph needle made out of peanuts to a world wide audience in ’84. Not a dry eye on the planet. Hmm, Carver… Carter.

Finally he recovered. “Bring him down to the station,” he barked at Clubb while dabbing his face with a handkerchief. “I’m going to the Kitty Kat Klub,” which Clubb knew was one of their old hangouts while on the beat. Wasn’t even invited. Who was in charge here after all? His old boss Carter or his new boss? Maybe, deep down, they’re both the same.

“Sure, sure,” he relented, not wanting a beating himself. Because he knew what was going to happen to Claude BOOF!

Leave a comment

Filed under **VIRTUAL SL, 0035, 0410, HANA LEI, Mountain Lake, Omega

new angle

“So you see, babydoll. You *can’t* leave The Cross right now. Right there in the contract you signed. You’re part of the club now.”

Shelley studied and studied the thing but couldn’t find a way out. Biff Carter was the same age as her or older than her by 2 decades. If the former, then *they* may be destined to be married — Biff — Mr. Carter — must know this too. If the latter, Mr. Carter — Biff — could be her father.

But she has a father. Newt, yes. And a mother: Wheeler. She tells Biff/Mr. Carter this, along with being engaged to George already, who, turns out, he knows by another name.

“Oh I know about Arthur,” he says in response to all this. “I don’t think you’re really engaged to this… *Musician*.”

“Am too,” Shelley tried to defend, but knew it was hopeless. Says right here: Shelley Struthers will be stuck on The Cross until the end of novel 35, where she’ll make a choice between 3 lovers. She knows two. Here could be the 3rd — has to be, I suppose.

Biff knew she couldn’t weasel out of this. The Umbrella Club has spoken. “Satisfied?” he ended.

Leave a comment

Filed under **VIRTUAL SL, 0035, 0401, Omega, The Cross

book tree

Select one. Sit a spell.

Agent 47 has already perused Frank Herbert’s “Dune” and found it applicable to Fordham’s Collagesity. The movement of the town from Rubi to a lifeless ridge of Nautilus is like the movement of Paul, Atreides, from lush Caladan, his home world, to the brave new world of Dune, ultra rich in spice but ultra harsh in environment. No Rubi Woods here to protect and balance. There’s a small park owned by the neighbor to the immediate east but it’s not quite the same. Fake green. Beige landscape dominates underneath it all.


park next door/fake green/library in background right

New book: Well, it seems to be about a man who grew up in coal country Virginia and became a Tennessee detective. Biff Carter. Now recently retired and off the force but still acting like a private dick. Teresa, hmm. Who are you? Did that cause the breakup, like the separation of McMillan from Wife? Rock was gay — couldn’t help it. But what about Biff?

Getting sleepy, he thinks. Better put the book down and go find a bed or at least a floor.

Leave a comment

Filed under **VIRTUAL SL, 0032, 0405, Collagesity Fordham-, Lower Austra, Nautilus

more black and white 02

https://bakerbloch.com/2021/11/10/00300110/

https://bakerbloch.com/2022/03/22/00320212/

“Who are you?”

1 Comment

Filed under **VIRTUAL SL, 0032, 0218, Blue Mountain, Country Park, Jeogeot, Newtown+

00320214

A triangle of rocks before Fern Wall, before reaching the Delta, even further before the Mystery Cave, as we’ll still call it. I had the impression that 3 “tribes” meet here to talk of differences and similarities. Some kind of wood entities I’m talking about here. Just up the path from another rock I call Guidance which marks the boundary between known and unknown for most. Not me, though. Not any more. I’ve gotten *that* far.


Deeper into what most still call the Unknown but which I’m dubbing Newfound Lands. That tent on the Delta owned by Erik or Erik’s son, who knows Stan who knows Jim who knows Tom. Interesting colors — blue and yellow. 2 colors which are on a lot of people’s minds these days. And Baker Bloch last night purchased a freebie blue and yellow tent in the game that is Our Second Lyfe, along with a similarly 2 toned balloon and, let’s see, I think I got a Ukrainian sleeping bag as well in the deals. A lot of the world — and the unknown — is about coordination of symbols through space and time. Maybe all of it. Whatever we call him (or her), this Erik *did* camp  at the relatively remote Delta and left his tent behind as a marker. I just happen to find it during a conflict between Ukraine and a bullying neighbor, cities and towns left in shambles just like this tent. The Delta represents an obvious center to my Newfound Lands and one I’ll keep going back to for more symbol gathering I’m sure. Most likely.


Mystery Cave now, perched high on a cliff above Delta. To my surprise a bit, there’s an actual opening here that, oh say a man (or woman) just shorter than high grass could amble through without stooping his (or her) head. Just saying. Really, it was a remarkable crevasse — again I’ll come back to it soon with more pics and stories. This little person who went inside the mouth — name was Carter, like our Biff. We have that much.

At Mystery Cave looking down on the Delta. You can see almost its whole triangular surface from this pic, River to left,  South Branch at top, and then North Branch just hidden by the downslope in the foreground. Branch (feeding both North and South at western point of the triad) just off picture to the right. Another glorious day in the mtns. by the way, with temps in the lower to mid 60s. Again this is a pretty remote location. Quiet except for the highway about two miles off to the south. I’m so curious about the Delta camper now, but all I have are symbols and signs. No way to know who it actually is, and perhaps that’s the point. Filling in the picture of the unknowable.

And I’ve saved the best for last: more photos of that Monolith thingie just up the hill from the cave. It’s not quite as big as I expected up front and close, but it’s certainly still Monolith-y with its jutting position, rectangular appearance, and thin depth. I still believe it’s, let’s say, “man-made”. More on that soon too.

https://en.wikipedia.org/wiki/Monolith_(Space_Odyssey)

1 Comment

Filed under *REALITY, 0032, 0214, Blue Mountain, Country Park