Tag Archives: Duncan Avocado^*+++++%%&

00480607 (Jeogeot continuation)

He was in the cemetery again or perhaps just outside, Linden-Linwood-Lime all arranged around an edge that =s the county of Genesee in the state of New York in the country of Our US of A. “A linden in England is called a lime,” he recites again while standing amongst the limbs of the small tree, his head dangling there like a low hanging yellow-ish or green-ish fruit or something. Primed for a fall if he didn’t watch out.

(It was) an old mantra dating from his days as a Greta Gaeta bartender in what I dubbed the sim of Clemscott but is really, actually, just Clewis in a name change I can’t even recall the rationale for now, more (heretical) mythology imposing on HIS (Our Second Lyfe) reality. “Who was that shadowy figure?” he also said at the time about the African-American boy who left the overgrown lime on his bar counter and then mysteriously disappeared down the stairs never to be seen again by him until the Omega times.

He also remembers a monk entering the sim of Rookwood — true name this time — looking for the place he would be buried among all the dense growth of linden trees and plants, perhaps representing the burial of Linden Lab created Our Second Lyfe itself. Right now it is in its “gracefully aging” stage.

Moreover, in the top photo of the present post we’ve returned to another cemetery in Virginia like this one. More Lime.

Parallel stones.

Careful, Philip Linden. Careful. Avoid the trap of Vertigo; don’t fall in quite yet. We need you still. All of us, the Bakers, Wheeler, all the core figures. Don’t go right now. Wait a spell. Your time has not yet come. Hang in there baby, etc. TBC

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00480202

“Investigation?”

“Yeah, like Perry Mason. We… probably have to bring back Duncan A. if so.” I hesitated because I knew [baker b.] would be uncomfortable with this. The Green Dude was suppose to be dead, like that guy in the blue and yellow teepee also initialed A. But yet he lives. And so, probably, does Duncan. A way to remember him by.

—–

“I know this man!” says Martell Mandell out loud. She couldn’t help it. “Tom!”

“Harry, actually,” Abby Abdominator across from her mildly corrected. “Harry the Bartender. Projection,” he tried to explain the confusion as best as possible.

“We’ve got to send him back. We’ve got to go back inside!”

“Indeed,” responded the grey alien who doubled as her boss at Star Team Interplanetary located in the southern part of the Omega continent. One of the higher ups but not the highest. That would be Dick.

(to be continued)

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00470412 (the great 100,000 book library in de skies)

“Lou, dearest,” he whispered over. “Buy your old man a can of soda while he’s busy studying will ya?”

“Sure thing Daddy. What’ll it be? Kolya? Pepi? Maybe even a bottle instead of a can?”

“Shhh, babydoll,” he said to her louder voice, finger over lips to reinforce his point. “Keep it down. Other people are studying here besides me.”

“And me — just sitting here twiddling my thumbs,” she responded in turn, tone not much softer than before. “Wishing there was an actual town again to visit while you read these old dusty things.” She became curious. “What’d you finding anyway? You mentioned a MOA or something or another.”

“Most Ancient One, yes,” he hissed, finger pressed against lips again. “Right underneath the library here, I’m speculating. That *whole town* you’re after. Files within!” Oh GOD. He shouted he was so excited. And now the whole rest of the library is staring. He waves at all of them, trying to indicate he’s sorry and that the outburst was just a slip-up.

Right through that Big Red Machine there it is, though. The secret passage. ‘Nother one.

He could walk through…

… and be in a different world altogether. And so it was.

“Ahh yes, thanks Lou,” he said after carefully popping the top and taking a sip. “Hits the spot.”

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00450414 (a new high and low of it all)

Welp, there she goes again, thinks Newt, sipping on a recently procured nice cool lemonade drink courtesy of a boy named Bart. Back into the tunnel. Guess I better get back to the home base myself, start working on that skybox and maybe the rezzing of that larger version of Howl’s Moving Castle I have in my inventory. Must not forget the Yellow Guy. Or the Red Man or the Green Dude or the Blue Boy for that matter. “Frank’s Moving Mountain” which is kind of the same as “Howl’s Moving Castle” is a way to keep moving forward on that subject.

—–

On Wheeler’s (Shelley’s) part, when she’d finished with her jog, she went to visit the bar that inspired her own over at Conejo Island, which she hadn’t returned to in a while.

Things seemed different. Curious. She copies all copyable objects and brings them back home again to roost.

—–

“Yes!” she says to the bar underwater.

“Yes!” he exclaims to the castle in the sky.

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00450315

It was time for yellow to finally shine. And shine he did (!). He helped me more than anyone else on this list because he observed my creativity in action more than any of the others. Yellow Guy, as we’ll call him (Jack Yellow?) was quite the character. He went by a name that indicated he spoke more with action than words, or spoke his words quietly. We bonded originally, as the Green Dude coming after him, through a particular band/musician, in this case the enigmatic yet eternally relevant, jack-of-all-styles Frank Zappa. I can’t remember exact stuff we spoke about but it was just a general resonance with a lot centered around this 3rd, absent figure, just like with the Green Dude and The Kinks and Bowie later on, almost 10 years later on if I’m counting correctly. And like Green Dude with Bowie in particular, this Yellow Guy, who I’ll keep calling that for convenience sake, knew more about Zappa than I did. I was learning, I was grokking. Now by this time I’d done at least one larger, what I call audiovisual synchronicity with Zappa as a major player, this being “Head Trip” from late 2004. Then “Frank’s Moving Mtn.” where he was also heavily involved came along in 2005 or 2006 — I’m having a hard time pinning down the exact year according to my records. And I’m not sure if I knew Yellow Guy at the time or if he was a direct influence on it. I suppose that would make sense. Anyway, so we have this bond. He was our office’s recycling guy, also serving a lot of the campus as I recall. But when he stopped by he’d always make time to talk. Then lo and behold a vacancy occurred in our office for a part time helper for me. He just happened to be good friends with the person who’d filled that spot for the prior 1/2 year, and, by that time, he’d also befriended my boss who was mainly responsible for the decision to hire him. Took him out of recycling, gave him his own desk and computer, and put us squarely as team moving forward. This arrangement continued for almost a year’s time. We were still friends at the end, but working so closely together in the morning had taken its toll — too many flaws uncovered in both directions, a relationship damaged enough that we haven’t kept in strong contact through the years, although I hear from him every Blue Moon still. I miss the guy.

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00450216 (end (430 (words)))

“This would have probably been Fall 2015, or maybe even back to Spring 2015. But probably Fall 2015. Or even Winter 2015, or at least before the death of Bowie in Jan. 2016. This started several things. It, in a way, started the photo-novels themselves. Bowie *came* to Our Second Life and its Collagesity for a visit on his way to other destinations. This happened right after his death. He flirted with Baker Blinker, even propositioned her to go with him to the stars and leave Collagesity. This would have, of course, null and voided her relationship with Karoz Blogger (occurring just afterwards), so crucial not only to photo-novel 01 but all the photo-novels to come. They may *not* have come, you see.”

“I see.”

“Your double played a part in this. You synchronize further over the death of Bowie and the release of his last album, ‘Black Star’. Playing it right after Bowie’s death, you were amazed at its depth, how good the music was. You’d only known Bowie through his singles before this. Thus the can was opened to explore his oeuvre in a much more thorough way, which you did over the next several years. And your double went right along with you in a way, reliving his own appreciation of the Thin White Duke. After ‘Black Star’, you then moved to ‘The Next Day’, his previous album. As you told your double, there’s not a weak song on the album, which he agreed with. You also gave him a copy of ‘Black Star’ which he didn’t have. More synchronization. You were kind of moving as one. Or at least so you thought.”

“I thought?”

“Even at the start, you were not as synchronized as you thought at the time. You were a damaged soul by then. Your double represented a light in relative darkness, someone you connected to. You, in a way, in a strong way maybe, needed him more than he needed you. He had enough friends. Maybe he had *too* many friends, too many connections. You didn’t have enough, he had too many. And he had ambitions in the library, desired to be a major player there, which finally worked out for him by the time of your retirement in 3/1/22. The date is significant. It represents a place you separate from the double, are born *away* from him and back into your own sphere. You are on your own after that, just in terms of male friends. You thought you could continue that friendship beyond the library. But a wall was built at 3/1. (Photo-novel) 31 — remember that.”

“I will.”

(to be continued)

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00450215 (beginning)

“So let’s start with the doppelganger, the green one.”

“Fern.”

“Welll.”

—–

“We first have to get to rhythm and pitch. Opposites. Remove pitch and you still have rhythm. Remove rhythm and you still have pitch. Keyboards (which I play) are pitch. Drums (which he plays) are rhythm.”

“Okay. Good start.”

“These are the musical differences, stark right up front. But then dig just a little deeper and you have similarities within these differences. The Kinks represented the first bonding point, before Bowie.”

“Right.”

“And we liked the same albums by The Kinks. Unlike the guy who worked for Norwegian.”

“Yes, he liked ‘Arthur’ and ‘Muswell Hillbillies.’ You liked ‘Village Green Preservation Society’ and ‘Lola Vs. Powerman’. These albums all line up 4 in a row from ’68 to ’71 (their ‘golden years’, along with ‘Face to Face’ from ’67), subtract the ’70 soundtrack ‘Percy,’ which was considered a more minor work.”

“Right. And my doppelganger also liked ‘Village’ and ‘Lola’. And he expressed difficulty getting into ‘Arthur’ without my prompting. *I* had difficulty getting into ‘Arthur.’ And as I recall we both really dug ‘Village.’ Hard to say they made a better album, although I perhaps like some of the individual songs more on ‘Lola’ than any on ‘Village.’ ‘Village’ is, in a way, a perfect rock album. Better than ‘Sgt. Pepper’s’ I would venture.”

“Yes, so that was kind of an original link. Now you must ask: why? Why the mutual attraction to The Kinks and even the same albums, unlike that dude who worked for Norwegian?”

“The guy who worked for Norwegian represented a contrast. To instead show the similarities between my doppelganger and myself, and how it could be different. We *speak* very easily.”

“Yes, so we have a foothold. Now move to Bowie (and others).”

(to be continued)

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00420307 (failed (no dance))

“I’m going to give you something at the end of your trial run that will seal the deal,” spoke Pot-D Sub Vice Regional Deputy of Internal External Affairs Buster Damm sometime during their meeting in the southern part of VHC City, probably more towards its end rather than the beginning. “It’s a skele-heart pendant. You wear it around your neck and we can monitor you at all times, know your whereabouts, what you’ve been eating, how your bowel movements are going, so on. Not creepy at all, right?” he tried to lighten the mood on the very serious situation. Crack Pot-D agent Duncan had been gone for weeks, maybe years. Buster had finally caved in to getting a replacement. But not without some serious study. His plan is that there will be *2* agents this time backing up each other, one black, as it were (like Duncan), and one white. Damm had strong suspicions that Duncan had disappeared because of the color of his skin. The southern part of the Omega continent where he was last seen — the so-called Dixie of Our Second Lyfe — remains in a quite primitive state in terms of racial justice. People like that could vanish into the night and not be heard of again. Buster said a lot of these same things to Karl, who graduated top of his class at Marydel State University of Connecticut’s Massachusetts. Nick, his potential new partner, did the same at another prestigious if traditionally rival college. Buster arranged a meeting between the two that morning. He had to split, he said, anxiously eyeing the light continuing to wash across the table they sat at as the sun rose on another hateful day. But not before saying, “take away the skin color and you guys have a lot in common. I think you’ll get along swell.” If you don’t try to kill each other, Buster also thought while he walked away but kept to himself. Worth a try. Results could swing wildly either way.

10:15:

“Hi, I’m Nick. You must be Karl. Putter there partner, he he.”

He couldn’t shake back because the matching animation in his inventory didn’t work for some reason. Nick was insulted that the shaking gesture wasn’t reciprocated. Karl was offended by Nick grazing his uneaten croissant with his extended hand — rude, he thought. The awkwardness continued when Nick said, “Hey if you’re not going to eat that croissant mind if I do? I’m starving.” He ended up eating his soup as well since his rather dirty looking shirtsleeve grazed the top of that in reaching to grab the croissant. Things had gotten off to a rocky start, Buster’s fears instead of hopes beginning to be realized. Maybe, he considered later, he should have just tried harder to find Duncan, find out what the real story is behind his disappearance. Maybe Dixie is not as bad as it use to be, hmm. One way to find out.

He left them trading punches behind the SoSo Bakery after yet another argument over a meal and went on his way.

“Get that nasty ass hand outta here you cretin!”

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warden

Some of the orange trees had leaves over there and some did not, but she didn’t have time to figure all that out. Pace rapid, she was on a mission. To find X at his Rockaway Beach mansion and tell him to release her daughter or pseudo-daughter and that she had learned her lesson well enough. She was the mayor after all. Surely he would listen to her, despite being one of those uppity upper men she so detested. Golden Goddess had taught her a valuable lesson yesterday. Surface appearances are often deceiving.

She’d heard he was tall but she couldn’t have guessed *how* tall. A true Slenderman he was during the Halloween season. Duncan Avocado was sitting with him when she entered. She thought Duncan was dead, oh well. That’s the way of characters in these here photo-novels, she realized, staring at his familiar red skeleheart necklace and red hands, as if ripe from a kill. They disappear, they reappear just as quickly sometimes. But sometimes it takes a while too. Like with Avocado. She thought back to kissing the orange on the navel — or the naval on the Orange. Navelencia, the act of.

Which one to approach first? It was as if X was expecting her and had sent for Duncan. Yes, that must be it. Maybe Golden Goddess even warned him of her visit. Or maybe Golden as Roy Coy, not remembering again what she did. One way to find out. She chooses left over right, familiar over strange.

“Duncan *Avocado*,” she cried, and even was tempted to hug the black man as he rose from the ottoman. And so she did.

(to be continued)

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time doesn’t exist

His attached mohawk was more pink than red before but obviously the same otherwise. Ketchup Tom = The Musician fer sure.

“I *lived* here.” Yes, Musician. You were Duncan Avocado as well, breaking the cycle of 10 to 13 to 10 to 13 over and over and over. You glimpsed sunnier 18 and you ran with it. All the way down the street to the car and outta here. But now you’re back. “But now I’m back,” the character said in the present to reinforce this idea.

Mokum, he also thinks in the present, reading the writing on the wall. He remembers that too. Red again.

“My mohawk!” he cries, also realizing the small but still significant color shift.

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