Tag Archives: Spongeberg Resident^*+++++@%

Whitehead Crossing, 12/31/15 01

The first shot comes not from Whitehead Crossing but Ashville, where I hiked around about 2 weeks ago. I won’t say exactly where — oh yes, I do have a fake name for the hill I trekked up and down. It’s called Hemp Hill, a potential center for an Ashville mythology. I’ll have more on this knob soon enough; just didn’t want to lose track of the particular photo of it below in the meantime. More on Ashville in this blog here. And I haven’t written about it in so long I forgot *its* true fake name, which is Middletown. Maybe a talk with Carrcassonnee about Middletown is in order. I seemed to have summarized my interactions with it through the Embarras collage series of Jan/Feb *last* year (can’t believe it’s 2016 already!), which contains many images from that city.

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Back to Whitehead Crossing, which I visited both Thursday (12/31) and Friday (1/1) for several hours apiece. And I might even return today and Sun. Of course, this particular area is heavily documented in both the present blog and the old Baker Blinker Blog, starting back in 2010 when I first explored it in general. There is little in the present pictures that hasn’t been documented before in terms of just photographing objects. But it seems when I go back I see things from a different angle, or, better, things *change*, almost of their own volition.

The first photo comes from the Korean Channel just south of Whitehead Crossing proper, depicting some bulbous weeds I thought interesting.

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Then we move to the two giant, dead hemlock trees that mark a sort of gateway into the area, acting like Boaz and Jachin pillars in their dark and light coloring respectively, and positioned on opposite sides of The Crossing’s central Green Stream. This would be in the middle of about a 100 foot straight run of the stream I call, simply enough, The Straightway, which traditionally begins and ends with two islands (Rocky I. and Cresent I.). I say “traditionally” here because the composition, shape, and even locations of the islands can change over time.

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The depression below Crocodile Rock is filled with water. It’s rained quite heavily in Blue Mountain at times during the past week. But often when I visit Whitehead Crossing, it’s dry around this rock.

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Another shot of the dark and light hemlock trees surrounding Green Stream.

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The Welcome Matt stone, which acts as a set with Crocodile Rock, along with another stone bordering Green Stream called Eagle Rock (I think). All 3 are about equal in terms of surface size, and also lie on the same general line approximately equidistant from each other. I’ll have to remember to take a measuring tape out there sometime to find exact distances.

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We step up from Welcome Matt, and what’s called Matland in general at the top of the Korean Channel, to revisit Whitehead Crossing’s stick teepee next, something built by the hands of unknown others just this past June. I don’t think the structure been used for much of anything since it was constructed, and certainly it was never weatherproofed. I initially feared that someone, perhaps a student at the local collage, would simply move in the teepee for the summer and perhaps longer. But it never happened, and now we just have a useless shell of a thing. I’ve even contemplated knocking the teepee down, but that might bring some kind of bad karma. You have to be careful about altering the nature of the area. The *builders* of the teepee might have “sinned”, but I didn’t want to compound their errors by making judgements of my own.

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Second Life’s Spongeberg Resident, crazily enough, claims to have lived in this teepee for a period of time as well. In fact, I think he might still believe he stays there. Is it true? Again I’ll have to ask Carrcassonnee the next time we speak, perhaps later on tonight. She’s back from her trip to Nautilus City, as I understand.

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If Spongeberg in fact lives there, this would be his view across Matland from just outside the teepee. The 3 rocks mentioned before are basically in line with each other in this view, with Welcome Matt at the bottom of the photo, Crocodile Rock beneath the small, dead hemlock near the picture’s center, and Eagle Rock unseen beneath a stream bank in the background. I suppose this could be called Three Rock Line or The Line of Three Rocks, then.

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Stepping up from Matland and Welcome Matt into the teepee and Whitehead Crossing proper would symbolically be very similar to Elton John stepping up into the yellow brick road on the cover of his Goodbye Yellow Brick Road album.

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Baker Bloch’s Letter

Dear Spongeberg,

Please don’t destroy Collagesity. It has taken me a considerable amount of time and effort (and a *little* bit of money!) to get to this point in my virtual town creation. I am still able to exhibit all of my collages in various galleries within the town, even though I’ve produced over 150 more in the last 3 years to add to the 100 in the Art 10×10. There’s more a one to one match between series and gallery structure, almost right off the bat, with Fal Mouth Moon and its 61 piece Falmouth series being a prime example. I anticipate more collages to come in the next year, two, three. I need this town for future exhibits. I cannot just start over.

Pietmond, my first virtual village, came during a period in Second Life when object return times on abandoned land could still be set to zero. That meant I could abandon land and retain the objects I had created on it. Through this, I was able to line Pietmond in the Otaki Gorge sinkhole with protective parcels containing structures and vegetation — really, a small forest surrounded the bottom of the sink and the town. I could also move objects onto this land after abandonment except for linden vegetation. It was a unique situation. It has been a struggle to re-create towns that I am pleased about *without* resorting to a jump up in Linden tier since then. Sometime in the first part of 2013 I believe, the rules for abandoned land were changed. Objects left behind were now automatically returned to the owner after a certain period of time expired, usually a week at most. This means that you have to own land in order to retain objects on it. You can still place objects on abandoned land but they could not be part of the parcel prims. They had to be prims assigned to your own land, slyly placed in an adjacent property. There are still a certain amount of objects now in Collagesity that actually lie on abandoned land, but they count against my prim allotments.

On the other side is the really handy prim to convex hull conversion for Second Life objects that’s come along in the meantime, saving a lot on land impact. I would estimate that the prims needed to create the present state of Collagesity might have to be increased by 1/4 or even more without this new option. So advantages have been taken away, but new advantages have been put in place.

In order to create an actual living, breathing Collagesity, I feel I need, at minimum, 8704 square meters of land, maxing out a 40 dollar monthly tier payment. I have that in Minoa. This might be hard to find in another spot in Second Life. In addition to this, I find it really handy to have just a *bit* over this, and in Minoa’s case I rent the land for the row of structures that include the Red Umbrella gallery and the old Norum gallery. I’m not sure if I *have* to have this rental for it all to work, but it’s certainly convenient that it’s adjacent to my Minoa land and available for use.

Then there’s the Rubi Woods. You have to look far and wide to find a similarly protected woodland of Linden design. The pine oriented Kerchel Forest is one, but that’s on the oldest continent and I haven’t seen land for sale directly bordering it in a number of years. Then there’s the Punic Woods, recently reinvestigated by Baker Bloch of course. You know this option. But I would point out, in that case, the disadvantage of Nautilus City properties. True, you have double the prims on any 1024 you rent, but that’s not as necessary now with the prim to convex hull option. And you still have to pay double what you would for an ordinary 1024. What might be better is a *larger* parcel with *half* the allotted land impact at *half* the cost. In this scenario, a 4096 with half the prim allotment would cost the same as a 1024 with double the prim allotment. You would have space to spread out.

So with all this in mind, let me beg of you to not destroy Collagesity in the coming month at least. Give me a little more time to figure out the next big step beyond the Boos gallery. The town is still progressing, still developing. I will rouse the townspeople to action. Let me outline some plans; more will be added later:

* expansion of the town library to include books generated from the Baker Blinker and Frank and Herman Einstein blogs.
* continued expansion of the World of Collage gallery.
* development of the town museum now housed in Castle Jack.
* reinstatement of the TILE Temple.

These are just things off the top of my head. Collagesity has great possibilities for growth. Currently I have over 300 prims freed up to work with. The town should not die at this point. You still get great bang for the bucks.

Respectfully,
Baker Bloch (baker b.)

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Sic(k)

On Friday night, December 31st, Spongeberg Resident was standing before the townspeople of Collagesity, imploring them to give reasons for him to *not* destroy it and them with it. It was slightly in the future, but I saw it through the vortex that had been opened in the meantime.

“The tower of Shiny Hare is a reason for the town to keep existing,” he continued. “Baker Bloch’s ‘Uncle Meatwad’ is a reason. The budding love of youngsters Cardboard Derek Jones and Lisa The Vegetarian Simpson is as good a reason as any. I’m all for true love. But in my heart of hearts, I still think the cons outweigh the pros. The town is too expensive to run. Even with the oh so handy prim to convex hull conversion to decrease land impact.”

“Who are you?” raised a voice in the back of the crowd. It was Furry Karl, who had arrived late for the meeting due to his longer walk from the Hole in the Wall bar.

“I am called Spongeberg Resident, and I am a destroyer by nature. There are hundreds upon hundreds of residents in this Second Life, but I am *The* Resident. Carrcassonnee is unique as well. I stand in for her at this meeting, as I explained earlier Fuzzy Jim (Spongeberg attaches a wrong name to Furry Karl here). She is meeting with forest representatives at Nautilus City, and I’ll go ahead and tell you that she’s making plans to move *some* of you — along with *some* of the town — back over there if I make the choice I think I’ll make. So it’s up to you, the citizens of Collagesity, to make a difference. Send me your essays (earlier, Spongeberg had asked each person at the meeting to send him at least a two page report on why Collagesity should be saved). Send in the reasons. I’ll debate. The chance of destruction is 70-30 right now. Carrcassonnee has allowed me to do what I wish here. She actually can’t keep me from my job even if she thought otherwise. Yet I am not a mean deity. I am a kind destroyer. I usually nibble around the edges — a church here, a gazebo there. But I feel in this case it is best for all of you to enter another life together. A life that doesn’t involve Second Life.”

“I haven’t seen the required film,” chipped in flatty Fox Mulder, who, as usual, was standing side by side with partner Dana Skully. “Can we still see it? That might make us, as a town, feel better about where we’re going, where it’s all heading.”

“You had your chance,” replied Spongeberg levelly. “Baker Bloch was at the beach all last week and you all just sat around doing nothing. You are so lazy. I’m asking you to work now for your town. Okay, okay, I’ll allow you to see the film if you wish. “Uncle Meatwad” is currently loaded up at the Collagesity Theatre but I’ll ask Baker Bloch to reload the Grand Theft Auto video from Tube World [sic].” He tapped his face, as if deciding on something. “You sicken me,” he then tacked on to end his speech. He stepped down from the podium on the second floor of the town diner and made his way through the grumbling crowd toward the teleporter. But when reaching it, he just disappeared in that cloud of black particles again.

I pulled back from the vortex. Carrcassonnee was by my side. “You have only 1 day to change things,” she said. “I have to leave for Nautilus City. Things are pretty much set in stone, but stone can be molded in time as well. A bit. It’s all pretty plastic given enough time. Which you have little of. Goodbye and good luck!”

Carrcassonnee teleported to Nautilus City, leaving me with Spider and Lisa. I knew Lisa wouldn’t be making that date in the diner tomorrow, since Carr. animates her. Poor Cardboard Derek Jones. He won’t understand any of this.

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Dancer

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“The Church of the Red Doors is gone,” he began in his slightly metallic, echo-y voice. He was standing uncomfortably close to me, but I stood my ground.

“Yes”, I said. “Cardboard Derek Jones claims it was eaten by a blackbird in the middle of the night.”

“Jasper?” asked Spongeberg, surprising me.

“Oh yeah, Jasper the Rook wasn’t it?” I recalled something far far back when I had a gallery next to the Lemon sim of the Sansara continent. It was called “Something to CHRO About”. A giant rook named Jasper visited the balcony one night. Let me see if I can dig up a picture.

“Pardon me,” I said to Spongeberg. “I’m digging something up in my inventory for the blog reader… and for you.”

“I’ve seen it,” he came back. “I am that bird,” he then followed calmly. He walked over to the place that the church once occupied in Collagesity Heights. “Tasted like chicken,” he added flatly. “I was going to eat Cardboard himself but backed off at the last moment, thinking about Lisa. Poor dear Lisa. She needs him, if only for a giggle. And Carrcassonnee has said he needs to write that book about Pennsylvania.”

“Corisca”, I corrected. “The Second Life continent of Corsica, which I have compared to Pennsylvania, or at least its main island.

“Pennsylvania is an island? I thought that was New Jersey.” I didn’t correct Spongeberg this round. I thought I’d just let him roll. Spongeberg is the blackbird! But I knew he was telling the truth. He’s some kind of shapeshifter!

“Would you like to see?” Spongeberg came back. I assumed he meant witnessing a transition into a bird.

“Are you a rook, then?” I asked.

“I’m technically a rook, yes, but you can call me crow, blackbird, raven, whatever turns you on. But you’re here probably to talk about Uncle Meatwad. I have digested that as well.”

“What did you think? What’s your verdict?”

“The Egypt thing is pretty profound. I’ve been thinking about that. And I think we need to re-create that hole, that vortex, in Collagesity. Carrcassonnee agrees — I spoke briefly with her before you came up. Lisa has a date, I understand. Really glad I didn’t eat her date now.” He smiled and then blew me a kiss. Then started dancing crazily. This went on for about 30 seconds. I was tempted to join in but didn’t. After all, Baker Bloch was a top notch dancer. Everyone can dance really swell in Second Life, it seems.

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He stopped. I waited. He disappeared in a spray of black particles, and, I repeat, right where the Church of the Red Doors sat.

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Was this the place he wanted to set up the vortex? Had he, I don’t know, created some kind of hole into another dimension there?

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Blackbird Tells

There were so many things going on related to Collagesity. I have been researching the whole of the Baker Blinker Blog and also the Frank and Herman Einstein blog that followed it, a big project. I will release both the first part of the BB Blog and also the Corsica Continent supplement book early in the coming year, hopefully. More on that soon.

Carrcassonnee has charged Cardboard Derek Jones to write the Corsica book, but of course it will be me doing the work behind the scenes, as it were. Bracket is, I repeat, dead to Second Life, and he comes from the Corsica continent. I read all the related posts at the beach last week. It looks pretty solid as is.

Cardboard DJ not only flirted with Lisa The Vegetarian upon exiting Carr.’s gazebo last night but they actually have a date together. CDJ proposed that he pick up Lisa at the gazebo at 8 on Friday and they dine at the town diner. When he asked me a bit later (through Baker Bloch) about the state of the diner, I told them that they could serve hamburgers for sure, and I think there was some sushi and other fish dishes that I could round up. He seemed pleased enough with that.

I asked him if he felt slighted by Carr. referring to him (and Lisa) as “flatties”, meaning they’re “mere” two-dimensional cutouts in Second Life. He said that, well, he didn’t really answer that come to think of it. I haven’t talked to Lisa about the subject. *Can* I talk to Lisa?

A mysterious giant rook or raven alighted at Collagesity Heights and *ate* the Church with the Red Doors, along with the collage featuring Ray Davies inside. CDJ also told me this. I asked when this happened, and he said, the dead of night. He had to personally shoo it away from the lemon at the door of Carr.’s gazebo, he also said. I wondered why the rook or raven would hone in on that particular object next. Maybe it was the fire that attracted him or her.

CDJ said the raven/rook then strutted back and forth in front of him, obviously in a threatening position. “I was afraid he was going to eat *me* instead,” he admitted. But eventually, CDJ explained further, the blackbird gathered his wings and flew again into the night, skirting past the cat atop the Shiny Hare tower on his way upwards. CDJ believes the bird was testing how secure the cat was held to the tower’s top. “I know in my heart of hearts that this bird will return,” he finished up.

We didn’t even get a chance to talk about “Uncle Meatwad”. I don’t think he quite got the whole thing. But Spongeberg did in the main, and he’s the important one to convince on this particular item. I, through Baker Bloch again, am on my way to meet with him now. Talk soon!

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Uncle Meatwad Too

Spongeberg wanted to hear the involved album, so we figured out a way to pipe it into the gazebo. I told him it was my favorite Firesign Theatre album. “Everything You Know Is Wrong” is the name. He listened intently. I was hoping he was remembering the parts I used in “Uncle Meatwad”. Everything hinges on this, I repeat to myself. Don’t goof it up!

He was disappointed that the “Egypt” segment wasn’t on this album. I told him it was on one of their earlier works, called “How Can You Be In 2 Places…” He didn’t seem to want to hear that particular album, and I was relieved. I told him *all* the middle part used “Everything” instead. It was only the 1st and 3rd parts of “Uncle Meatwad”, the *mirrored* parts, that used a little of “2 Places”. He nodded his head. “So this is the important one,” he stated. “I suppose so,” I replied. “This is the middle, the hole in the middle.”

“It’s what we have to discuss,” Carrcassonnee then adds. “This zero, this null. What to plant within. Because there is work to be done still.”

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Uncle Meatwad Won

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1st 27 or so minutes of what we eventually saw:

https://www.dropbox.com/s/sk1rf2df5mflb34/VTS_01_1.VOB?dl=0

—–

Afterwards we reconvened at Carrcassonnee’s gazebo to discuss the viewing. Spongeberg wanted to see the first part again to take notes, so Furry Karl and I walked around town some more. Carrcassonnee simply teleported back to her position in the gazebo. I knew it was ultra important that I correctly sell what I would consider the true status of “Uncle Meatwad”. To save the town. To save my reputation as an artist. So the questions began…

“I have made a short list of matches now,” began Spongeberg Resident. “What I saw was 15 minutes of what could be considered random pieces of music, dominated by John Lennon.”

“We call him Lemon here in virtual-land, Spongeberg,” I tried to joke.

“But I also know,” continued Spongeberg, “that this is all real in some way, some fashion… because of ‘Shiny Hare’.”

“Because of ‘Shiny Hare’, yes,” I reinforced. This was about our walk in Frank Park around the Bunny Trail. We talked of “Shiny Hare”. I convinced Spongeberg, his real life counterpart, about the legitimacy of “Shiny Hare”.

“This is an earlier work,” stated Spongeberg.

“Yes,” I said. “From 2007.”

“And it is a double itself.”

“Yes,” I said again. “Twin to [delete name]. I made “Uncle Meatwad” public for a brief period because [delete name] sits hidden behind it, protecting.”

“This is the tajitu,” chips in Furry Karl.

“Yes, I guess it is,” I said, “like the interview with the other Karl, Karl. The trapped Wheeler is [delete name]. The exposed white side of the tajitu is “Uncle Meatwad”. But in another way, “Uncle Meatwad” is trapped, like the Wheeler. Can you help me free him?”

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Spongeberg jotted down some more notes. Carrcassonnee was staring at him with her one, big eye.

“Carrcassonnee,” I asked, “What is your opinion? How do I free “Uncle Meatwad” and save the village?”

“Me,” she answered simply.

—–

Spongeberg then says the “Egypt” cue is where it starts to really kick in or “sync”, as he put it. He understood the magic, once more. “Shiny Hare” style magic. “And”, he said, “you work backwards from there to understand the first part. which mirrors the 3rd.”

“Yes,” I said.

“Then the middle part, the last one, is where it all goes down… the hole.”

“Absolutely.” Had I just saved Collagesity?

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3rd Audience

It was a busier night for Carrcassonnee. Spongeberg saw the telltale lemon burning in the bowl outside the gazebo on his way to examine Shiny Hare. He took advantage of the being’s presence. He still had some issues.

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I, baker b., was not privy to the actual conversation, but I heard what happened second-hand through Furry Karl, who was also on his way to see the new town tower when he spied Spongeberg within the temple and sneaked around the back to listen. I immediately reprimanded him for doing so, but I was also oh so ever curious about what they talked about. So when Furry Karl spilled some of the beans, I made a cup of instant coffee in place of a real one. What could I do? I was the one actually in charge of the town, I felt. These were *my* creations. I of course didn’t tell Furry Karl this. I remembered how he used to just say “Merry Fucking Summer, have a beer”, and so on. Merry Fall, Merry Easter, Merry this and that. What changed? Does he have memory of those muter times? Anyway, to the spilled beans and improvised coffee making…

“Spongeberg still desires to kill the town,” says Karl to me as we enter the palm grove of Collagesity East. “The Hare statue didn’t change his mind.” We both look up. It was towering above us. “It’s a *tower*,” I want to say to Karl.

“I know the taijitu,” he then says, surprising me. “I know of Uncle Meatwad. Things have changed. I am not mute because I have shifted somewhat. Just now, actually. That memory just locked into place. Funny.”

I looked at Furry Karl. His *double* was *in* Uncle Meatwad. “Show me Uncle Meatwad”, he almost demanded. “We can go up to Collagesity to view it. Where the Church of the Red Door is.”

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Spongeberg and Carrcassonnee talked about “Uncle Meatwad” most of the time, as it turned out. Me (Baker Bloch), Baker Blinker, Hucka Doobie, and Uncle Meatwad and Shakenstein and such.

“What happened?” Spongeberg asked cooly (says Karl). I imagined Carrcassonnee’s eye rolling upwards.

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Shiny Hare in Collagesity…

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… but for how long? I can’t see it staying. What does that mean for the future of the town, though, if I removed it. Spongeberg has found its weak spot at Head-of-Stream, now unprotected due to prim trims. Shiny Hare was inserted into the village to pacify the same. Maybe I should send Baker Bloch over to Carrcassonnee for possible aid.

—–

Carr.:

Greetings baker b. How was your beach trip? I heard it was superb — wait for it — *weather* har har har.

bb:

Yeah, the weather was great. Me… not so great, at least the 4th day.

Carr.:

4th, for you, is always bad. You are removed from your comfort zone. You are removed, kind of, from your blog. From Carrcassonnee. From Collagesity, I mean there meant. And then me, Carrcassonnee. And Spider. You missed Spider didn’t you?

bb (turning to Spider):

Of course.

Carr.:

But I hear you are about to produce books. The continent of Corsica is first.

—–

Carr.:

There, that’s better! I can see you now with my gigantic orb, hee hee.

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bb:

About the books…

Carr.:

Yes?

bb:

Yes, Corsica will be first. I’m not sure if anyone will understand these books, which, after all, constitute my interaction with these continents as recorded in the blog, and…

Carr.:

They’re not travel guides. Did I tell you I’m going to get up and start moving around Collagesity sometimes? My Dr. — Blood; you may know him — recommends it. Says a totally sedentary life is bad for the old bones, which I don’t have any of. But he made his point. I’ll turn into goo eventually, he reinforces. By the other day — you may know of his wife Wanda. Or is it Linda? Gerta?

bb:

What did he look like?

Carr.:

Metallic. Not green. Exterior beating heart. Pointed head. Had a cat assistant who preferred to stay hidden or not present. Might be the same as your Shiny Hare — dunno. What say you Spider? Is Dr. Blood’s cat Shiny Hare way up there hidden in the air? (Spider does not answer) Anyway, he was here, he gave recommendations, he left. Said he was making his rounds. Was in the area anyway. Asked if there was any other citizens of the community to examine while he was here. What was I suppose to tell him, baker b.?

bb:

What did you tell him?

Carr.:

I told him about Spongeberg. And your father [Space Ghost]. And Bracket, but I said Bracket was dead and a ghost now. No examining needed there, ha ha.

bb:

That was just a shame. And it brings back the point about the Corsica book. I’m doing this partly for Bracket. He was a native, after all, and was poised to write the history book himself upon his return. But he couldn’t return.

Carr.:

How about that bastard Cardboard Diesel Rose, his sidekick for a while in old VWX Town?

bb:

Cardboard Derek Jones[ you mean]?

Carr.:

The flat fellow. One of the flat fellows. The monkey in a [space] suit.

—–

Just then, on cue, Cardboard Derek Jones comes to the door of Carrcassonnee’s gazebo, his presence an automatic request for an audience with the great olive being. I don’t know if CDJ was eavesdroping or it was all coincidence, but he was here now, and I left the two to talk together, perhaps get to know each other better, even. I went around town trying to figure out other stuff I could delete to make room for the Shiny Hare tower. I really wanted to keep it. Soon I was up in Collagesity Heights, eyeing the Church of the Red Doors and its 36 prims. Hungrily.

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Collagesity Report

I’m heading to the beach tomorrow where I probably won’t be looking at Second Life and thought I’d give a report of the town before I leave.

First off, I’m having great fun revamping the World of Collage in the northwest corner of Collagesity. I’ll talk about that more when I get back.

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The top floor of the diner is probably where town meetings will take place. Unless some other structure rises up in the meantime. Will such a meeting be held before the new year? Could be. Cardboard Derek Jones, for instance, is bugging me about returning House Greenup and its namesake collage series to the village. I’m not sure that’s the best idea, but it is an example of a topic we could debate.

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I don’t think there’s any debate, however, that Baker’s new home is this one on the western edge of the town. He sits in his small study, taking in an angle of his beloved Rubi Woods. Will he rewrite the “8×5” at this location? But what about Home Orange? Will his father Space Ghost take his spot there? After all, it’s his original homestead according to Collagesity lore, at least when it was in Noru. So that’s something else the townspeople could talk about.

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Baker sits on Meditation Knoll in the woods:

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The House of Truth hasn’t yet been filled with information, like it was originally, I suppose, in Noru once more. But an older version of Noru — pre-Collagesity. Baker has more decisions to make concerning the interpenetration of Noru and Rubi mythologies, both going back quite a ways by now. Once again, the townspeople can help with decisions, and are probably required to do so.

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Baker tests out his old table in Home Orange.

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His view there. Hmmm….

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To remind myself and also others, this was Baker’s home going back to Pietmond in 2010, I believe. LINK

Baker ponders what to put at the supposed weakspot of Collagesity, pointed out by Spongeberg, to stop up the energy leak. He thought of placing the de-eyed red-violet version of Carrcassonnee there, like it was before. LINK But maybe that’s what Spongeberg wants. Hmmm, again. Baker realizes he’ll probably have to do *something* about it before I go to the beach. He can’t place anything there without my help, can he?

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He sits on the rock, thinking about this and enjoying the interesting shadows on the Red Umbrella gallery. He also hasn’t made a decision about what to put in the old Norum gallery beside it (to our right). There’s still lots to mull over concerning Collagesity’s future.

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The bottom of the Kidd Tower needs working on.

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—–

Hucka D.:

I’m back baker b.

bb:

Hi Hucka! Oh yes, it’s almost Christmas. I was suppose to ring you up on the 25th.

Hucka D.:

You will be indisposed, however. Did you enjoy analyzing the Boos series on your own? You did a great job. I told you you could do it. I stood out of the way because we’re… we are too familiar with each other by now. The reader, while perhaps still amused, had trouble cracking our secret language. [Delete name] was right about that, at least. But mainly he was a control freak. A smart control freak. There were many such people at the time, near the beginning of the Internet. He would freely admit this now too. If he had to do it over, he would accept other people’s opinion without question at times; let it stand. So there’s regrets there too. Like what he said about your Greenup series interpretation, which you also did on your own. I understand you’re taking that to the beach with you. Good choice. It is a good interpretation that needs more work. This is the Lime section of “Floydada”; I’m telling that for the reader.

bb:

Thank you for that. Yeah, I don’t know what to do with all those old [interpretation sections], beginning with “Floydada”.

Hucka D.:

Maybe you could hand it over to Cardboard Derek Jones. Let him work on it.

bb:

Possibility. But what of this weak spot found by Spongeberg?

Hucka D.:

He’s determined a place that the town could be destroyed. In the bigger picture, he doesn’t see the worth in it. He would point to not the *violence*, the misogeny, the *overlay* of Grand Theft Auto but, removing all that, just the *landscape*. Second Life is beyond dated. Yet you can still create galleries here. Once you can create galleries in another spot and build up another mythology you can begin to exit. But only at that point. When you die from Second Life, however, you die, because you can’t take it with you, and that includes Baker Bloch and all the rest of the avatars. Including me.

bb:

If I didn’t have the blog, it wouldn’t be worth it.

Hucka D.:

You must think about the next step. Spongeberg is right about that. Place the 2 hour plus film about the Grand Theft Auto landscape in the theatre at Collagesity Heights. Require the townspeople to view it before the meeting; take notes. Then we can make some initial remarks about the eventuality of moving Collagesity to another platform. You have to have a town, right?

bb:

Right.

Hucka D.:

It has to be tangible in a virtual sense.

bb:

Okay.

Hucka D.:

Then start planning. Not as much the particular *buildings* as what you would want from such a town, perhaps what you can’t have in the Second Life version of that town. Beyond the Rubi Woods. Beyond its attachment to the more ancient Sylver Forest. But write about that as well. Write about all of it before you leave. Because eventually, sometime, you will leave. Okay?

bb:

Alright Hucka D. That’s the biggest question of all right now for Collagesity, I guess. Where is it all heading?

Hucka D.:

Right. Goodnight to you. And Merry Christmas and Happy Holidays! I’ll see you more in the coming year.

bb:

Thanks again. Talk to you soon.

Snapshot2130_025
“This will have to do for now.”

Snapshot2132_001
3:35 AM: Insurance.

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Filed under **VIRTUAL SL, 0001, GTA, Heterocera, Rubi^