Tag Archives: Shelley Struthers^^++

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She doesn’t think about it much these days except perhaps when she’s on the john, with a better view of the thing. F/A-18C Hornet BA v. 2.2-8, she learned and memorized for those who’d inevitably ask about it upon hearing where she lived. “No, no one was hurt,” also usually had to be said after a follow-up question, those that didn’t remember the details of the crash. “Yes, we’re fine,” sometimes had to be added.

They were on vacation at the time, more properly, a “staycation” — 1/2 and 1/2 (here we go). Chet stayed home at night to look after the dogs while Phyllis spread all her creative stuff out at the Holiday Begin motel in Myrtle. Chet drove back and forth each day. Chet was always dressed for the holidays so it didn’t have to be a full time thing for him, or at least that was his rationale for the 1/2 and 1/2 deal instead of just staying put with her at the beech, a 35 minute drive. Plus the dogs, he’d always say. But, in truth, he was delving deep down into the mythology of Willy Wonka, strangely called Willa Wonky in those days in late August Mays, before the advent of videotapes and widespread distribution. “It almost wasn’t made,” he said after arriving one fine morning — well, all days, she recalled, were superb during her stay. 70s for a high; not too hot, not too chilly.  Nary a rain cloud in sight. Just perfect. Room temperature.

Shortly after the staycation was over and all were back home together again (happy dogs!), he found the virtual chocolate factory, not come across before because it wasn’t attached to the search word “Wonka” he had been using in his Our Second Lyfe research. Then he found more in the same sim: an ode to a TV series called “Once Upon a Time” he’d strangely not heard of, despite its relative popularity as well as being created by some of the same writers involved in “LOST’, one of his favorites. He, per usual these days, sent Shelley in to explore further.

Upon teleporting into Chet’s earmarked spot, Shelley thought she saw a giant rat’s tail quickly slither into the hole in front of her. She had to follow; rules of the explorer.

She walked past the thing (just a *mouse*, she tried to calm herself, despite its enormity), trying to hide her fear and staying away from it and its food as much as possible.

Just by it, the walk turned into a sprint to finish. She was inside.

“I have a tale to tell, I have a tale to tell!” the mouse called after her. But didn’t follow. He smelled a reptile in that direction: danger.

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I’m going to figure this out.

Why was he painting the roses red? It should have been white to cover up his mistakes. Yet Willa Wonky died and he has blood on his hands… and arms and chest and face and so on. No going back. He ate the chocolate.

An image flashed in his mind from the past. Wheeler did too! Or was it Shelley?

Anyway, suddenly everything switches with this and he’s painting red roses white instead of the other way around. Willy Wonka lives!

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Pitch eventually found Wheeler in another one of those Hana Lei lands, specifically designed for kids this go around. And that’s how our Shelley Struthers, now reverted to a child — at least temporarily — got involved.

“What happened to her face?” Pitch asked Shelley after they were able to separate away from Wheeler for some private talk. “It’s like, I don’t know, 2 things superimposed on each other that don’t belong.”

“Yeah, the blonde hair,” Shelley agreed. Then she explained that it went back to when Wheeler was underneath the chocolate all that time, lapping it up like some kind of deranged dog. “Must have done something to her complexion.”

“Hmm,” Pitch said to this. “Shouldn’t she, then, I don’t know, turn *brown* or something?” Not blonde, he additionally thought.

“Might not work like that,” quickly answered small Shelley, already wise way beyond her age. For she wasn’t really she in the hallucination. This is kind of combining several layers into one, smooshing them altogether like a club sandwich in a vise. Thus the picture of the faces in the carnival poseboard, I believe they call them. To illustrate or symbolize the change (another flattening).

But this might be better: Wheeler preparing to take a ride on the Olympia Looping roller coaster, drawn in by the 4 colors of TILE displayed all around. “TILE” she said to the attendant after he asked for her ticket. Jim Crochet Wedding Dress let her ride anyway, little voice in his ear telling him so. The Big Boss, or at least one of the Big Bosses, Wonka I believe. Or Wonky. Wonky like Willa, ha ha. OK, I’ll stop, Wheeler. So getting back to her (always her, never me it seems lately), she takes a ride, but she also calls over a companion. “Arthur, I need you Arthur,” she said in the message accompanying the teleport offer. “I need you more than ever.” Take in what happens when I trip the light fantastic, she added to herself. Because she knew she’d see stars; they were just that bonded by this point. She’d write all this up from the perspective of Edward later on, about 2:01 in the morning, she’s guessing. Always seems to be that or around that.

“What happened to your face?” he asked upon showing up.

“Never mind that, I’ll change before we start looping.” And he got in beside her, ready for a start. With her deformed mug still in place, she kissed.

“I love you Wheeler!” he shouted before the TILE colors even came into play: still on orange. All Orange, as it turned out. The rest was mere refraction from the whole.

Pitch just stood there at the bottom beside Jim, wondering what happened to Shelley as he watched blue turn into red turn into green turn into yellow to end the looping. All grown up again and gone? he wondered. He’d find out soon enough (here come the cars).

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Pitch woke up on the other side of the Heart of the Island forest in a mess. His head hurt. He didn’t remember what happened. Wheeler, he then recalled. She ate the wrong kind. She won’t be getting out as easily as me. He raises up a bit and looks around at the big pink doughnut he sits in, he *escaped* in. He dares to look over at the police box through the trees, envisions the girl entering it and encountering whiteness inside. *That* was his salvation. Little Shelley Struthers from Hooktip just up or down the lane. Uncorrupted. Able to resist chocolate and other sweets, no chewy gum for example. Just as pure as golden ticket Charlie before her. But what now? He can’t leave without Wheeler, he understands. She is still a part of him, despite the, erm, evil. No: misjudgment. He’ll have to go back inside. To the beginning!

“Let’s actually switch, Wheeler,” he says over when getting there just before the first bite, thanks to Shelley’s help once more. “I think I can handle chocolate a little better than you.”

“Heartburn, yeah,” Wheeler said, remembering her once in a while condition and withdrawing the object from her salivating mouth — just a bit.

“Here,” Pitch said, extending the pink one in her direction and ready to grasp the brown with the other. Can she?

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Filed under **VIRTUAL SL, 0039, 0507, Constantynople, Nautilus, Rank & File

chocolate

“Oh for goodness sake, Wheeler. Raise yourself out of that stuff. You’re going to drown doing that!”

“Mmmmmph… mmmmph,” she gurgled, mouth continuing to be full of goodness and sunshine. No more going back! “Mmmmmph. Mmmph.”

“*Here*. Let me help you.”

—–

“Gee Wheeler. You’re really stuck in there!”

“Mmmph. MmmMMMMMmmmph.”

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Filed under **VIRTUAL SL, 0039, 0506, HANA LEI

heart of the island trail

They left their familiars behind at the campfire, Mary and the 88s. We may catch up with them later. But first…

“Okay, all together with the magic donuts,” Wheeler commanded with the chocolate, Baker the strawberry. “One… two…”

Didn’t take long before she was somewhere else, being someone else. “Baker, w-where’d you go? Baker!? Suddenly she had to go, she couldn’t help herself. She couldn’t shut the door for privacy. A little girl passed by.

“A little privacy?” she asked, making her stop and stare. Uncomfortably. “A little help?” She wanted the girl to shut the door and go away, because going away then shutting the door was impossible. “Little girl… your name please, little girl.” But then she recognized her. Shelley Struthers. From Hooktip. Just down the lane from her. Or up.


Shelley wasn’t suppose to talk to strangers, especially ones with long green noses and who smelled bad in the moment. Through the hat — different than the one Wheeler wore upon entering the woods in the heart of the island — she gathered she was confronting a witch. And it was strangely satisfying to see her obviously doing the thing that outhouses were made for. Gratifying indeed. She took in all the various, accompanying facial expressions. Why was this so fascinating?; like getting a mustard and ketchup laden hot dog with relish ta boot, she thought. So odd. The situation lasted a very long time indeed, probably much longer than possible actually. The witch had been saving it up for just this special moment, it seemed.

“*Thanks* little girl, er, *Shelley*. Thanks a *lot*,” she managed after it was finally over, door still open all this time. Then she realized she could have just “touched” it and shut it all along. In the heat of the moment, she forgot how Our Second Lyfe worked. “I’m *not* real here,” she muttered as a reinforcement. “I *didn’t* have to go to the bathroom — especially like that. I *could* have shut the door all the time. Heck, I didn’t even have to get seated. How’d *that* happen?” She looked up; Shelley was still there. “Well, move along… or speak or something. Don’t just keep standing there staring. Show’s over anyway.” She stands and finds she is clean down there, despite the lack of paper. Things were kind of getting back to “normal” in a virtual sense. And then her new hat was gone, replaced by the old. The girl extended her hand.

“You haven’t been here before, have you?” Wheeler shook her head and then grasped.

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“Okay, I’m heading to the other side of the island now, Dancing Chuck, love of my eye, apple of my life.” No answer per usual. Chuck didn’t have a speaking part in this here photo-novel, 39 in a series. Philip didn’t expect one of course. As long as he did his job in the way he was manufactured to do. “And take care of Flip Flop Fish up on the second floor and the roof, will ya.” Philip always used both locations to describe FFF’s whereabouts, since he was stuck between the two, tail projecting above the roof and head and main part of the body below. Caught as much as a fish in a net, ready for filleting with an appropriate knife. But this never happened. Philip needed his energy and knowledge too much. Or maybe it was a she; he’d have to check sometime. His (or her) name I believe was… Limey. Very interesting: because quite similar to Bart’s handy tree outside his bedroom window he used to escape the house and watch the cow film in downtown NWES City, the one he reviewed in what turned out to be his now world famous addendum to the TILE Manifesto. But Philip was probably aware of this connection too, what with being a world famous figure himself, a world *creating* figure, actually. 1/2 lemon and 1/2 lime, hmm (if so). The plot thickens.

On his way up to Constantynople and the library he intended to visit to see what had been written about him within, he stops by the town’s assimilated airfield for a drink at an attached bar. This was the same establishment fully formed and approved alternate or doppelganger Shelley first met her original self and compared notes, desired eating habits to begin. “I’ll have what she’s having,” the doppelganger tested, finding it good but she would have added a bit more salt to the fries and ketchup to the chicken. Her first real meal, though. How exciting!

“I’ll have what *he’s* having.” It is happening again.

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Filed under **VIRTUAL SL, 0039, 0410, Constantynople, Nautilus, Rank & File

the coming of the robots

1st: Robert Matthew. Or Matthew Robert, whichever. Like Shelley and her horse before him, came down from Beatrice, via a rowboat in his case but, later, some say a duck to match his yellow. Or a yellow horse, whatever. Anyway, here he is, arriving from the north. Invited by Constantynople Prime Minister Baker Bloch himself to solve some obvious town issues. Too much human stuff going on; it’s becoming a weakness, maybe even part of a curse. Like Robert’s old Soap swampland he fortunately sold to a gullible man from Mark Twain, Florida.

“Town hall, please.”

“Right, then left through the tree, hehe, huhu, hooo.”

He watched him walk away, then: “Did — did I do well, Tom?”

Reply in head.

“A white aggie, eh? Best one yet!”

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sunrise

Something weird was found the next morning. A wave that wouldn’t crash, and on the other side of the beach from the surfing ones. What gives? Al thinks.

Suddenly 2 killers appear from down the road. “Bang!” he shouts while trying to shoot them dead, quickly followed by “Dang! Forgot to bring the real one.” He’ll have to fight them by hand. Then the immense rolling noise stops and he instead stares straight ahead, wave gone. Mirage?

The killers wink out too. Killed the wave instead? Perhaps he needs more rest. Yes, that’s it. Head back to bed, Al. Back to the beach. You’re dreaming. Head back into yourself and then you can wake up properly. Tom in his head now, he realized. He’d had a rough night of sleeping.

He dreamed that child Shelley owned a rocking horse she loved more than anything else in the world besides her cats and maybe *maybe* her Mom. Made by the same people, by the way, that created that TILE towel rack positioned beside the grown up version of her in that earlier post here. TILE rack, then, like Al had a ball. The mystery continues…

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TILEist bathroom

When she grew up, bad influences started popping up in her life. Like horn rim glassed, blue haired Sally here, obviously a witch. They even played a game in high school where one took the other’s name, just to confuse the lot of ’em, the rest of the class. The *dunces*, Sally called them.

“Why do you have to sit on that seat when you talk to me in here, Sally? It’s *disgusting*.”

“I’m not using it,” Sally defended her evil self. “Anyway, what if I was? I’m certainly being discreet. You can’t see what’s under this big black dress of mine. No one can, not even (local legendary mill worker) Wilbur on his shinyest, most glistenyest day in the month of May. I reserve that for personal use.”

Shelley ignored the lewdness; kept combing her hair, trying to get it perfect again. Last Thursday, yes. That was the last time it lay upon her head just in the right spots. She was becoming vain, and Sally was egging her on, comparing her, in an inferior way, to, say, pretty girl Ginger Granite who lives down the lane. Whose lane? Certainly not Shelley’s. Maybe Jennifer the novelist who lives inside the novels she creates later on. But those days were far ahead of her still. 29 combs, she counts. 30. *Still* not right. And 30 is her lucky, magic number. Unless it’s 31, it’s changed. She combs again. “Dangit!” she curses. 32, maybe. “Dammit!” she doubles down after this, giving up with the bird’s nest mess.

“When you grow up, Shelley, when you *really* grow up, what do you want to be? A novelist? You said that at one time. You’ll have to go from dairy writing (Sally purposely said diary wrong here) to actual writing. A woman of letters is traditional if unpublishable. Maybe (she gleans), maybe you can start your own publishing company someday. That way you can publish your own! (the insinuation being that no one else would publish it)

Shelley stops staring into the mirror, looks over at Sally still spread out on the toilet. What *is* she doing underneath that dress? She’s never seen Sally take it off — ever — although she doesn’t follow her home, say, and watch her undress. Even though that would be interesting, hmm. What kind of bra does she wear, what type panties? Hanes like mine? This makes her think of Michael Jordan and the Hanes commercials, which brings her back to Grant. Grant Hill. The Sprite guy. He should have been as big as Jordan, Shelley laments not for the first time, and certainly not the last. She imagines, yes, kissing him on the lips to say she’s sorry, the least she can do. Even if it is only a sports poster she hangs above her bed, just in case she needs it. But black, others blabber, is taboo. Redbirds and Blue Jays, some put it. Dunces, true. *Idiots*. Shelley and Sally can certainly agree to that. Why they bonded in the first place — two 1st class dolts for boyfriend or boyfriend wannabes, actually. And the girls circling all around them like demented crows or ravens aren’t much better; cut from the same cloth; unkind to say the least, murderous at the extreme. Look at poor Tiffany Jabber, dead through the head in her bed beside Jed. Tragic. And just because Molly thought he was cute enough to be her stud, no one else as suitable.

She puts down the comb, picks up the mascara stick and starts messing with that, more successfully, she feels. Maybe she can be a cosmetologist when she grows up. But, no, destiny calls. “I’ll (apply mascara) *start* my own publishing company true (apply). But *only* (apply) after I turn down all the other publishers who flock around me, begging me to print through them. I’ll be a success, Sally. A star. Bigger than anything you’ve seen before. Bigger than, well (apply) *Rowling*!”

Absurd, Sally thinks, but nods her head. Shelley’s falling further into her web, making grandiose plans she absolutely can’t fulfill. Trouble is… well, we’ll save some of the success and/or failure story for later.

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