Category Archives: Novels

BoB(ylon) Investigations 02

Being reenergized without exactly knowing how, John Lockfry 02 continues down Lester’s Best’s main avenue after a right turn at the tower. He passes a cinema, but not much else — more empty stores. A solitary fig tree acts as the street’s only landscaping. He wonders how a basically deserted, sim sized town could still exist like this, but thinks back to Mystenopolis and the same quandry. Except LB is more large scale. It *must* be Lemon Lab taking back its own in some way.

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Passing between two larger rocks brings Mr. Lockfry to this interesting park tucked in the very northeast corner of the sim (and the town). He’s quite drawn to this glowing kinetic sculpture that appears to be morphing into different shapes before his eyes.

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But for some reason he doesn’t follow this up quite yet and returns to snapping photos of the residential area. He’s so use to filling in memory gaps that he takes it completely in stride.

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An airplane has crashed into a house on the western side of LB, but with no damage inflicted that he could tell. More virtual magic.

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And then here’s a photo from the fun fair occupying the northwest corner of town. If this is actually the namesake Lester of Lester’s Best, he reminds me of Jack Skellington from director Tim Burton’s “Nightmare Before Christmas”, except with an actual pumpkin for a head instead of a skeletal substitute. So this also brings in the resonance with Oz’s Jack Pumpkinhead, don’t you think.

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Finally returning to the park, the now meditating and focused Lockfry 02 finds that he only has to wave his arms and the glow recedes from the centerpiece sculpture, revealing its internal structure. He has power, yes. More than he knows for certain.

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As he keeps studying and staring at the sculpture from his cushion, he disappears inside it. His eyes becomes one focused pupil looking heavenward. He instantly also sees a choice. He can either keep the eye open, totally dilated and knowing the truth, or force it back into constriction and remain within his comfortable skin. Of course he has to pick the latter, but before moving away from this sacred space he takes a snapshot to remember it by. And he receives another name. This is *Bogota*.

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BoB(ylon) Investigations 01

John Lockfry 02 has come alive to this blog again. He’s made a new friend and received a message that his wife Dr. Mulholland sometimes visits the house below in an unspecified location, but directly linked to BoB(ylon) of the Nautilus continent nevertheless. The reason? Part of an attempt to resurrect the World of Lemons that came before the Limey Lindens. That’s apparently what BoB is all about — resurrection, resuscitation, renewal. But is this ultimately good? It’s a thing John Lockfry 02 wants to know as well.

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With the below photos we move directly into present day BoB, whats left of it, to find perhaps a training compound inhabited by JL2’s wife called Little Finland. To train (body, thoughts, etc.) is to dig a little deeper into the here and now of the past. Make enough traces on top of an overlying piece of paper and what lies beneath becomes perceptible. Record enough shadows on a wall from different angles and the maker, piece by piece, bit by bit, starts to be revealed. This is the BoBylon aspect of BoB.

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The below pictured beach is part of the compound. JL2 had to peer over a rock to get a clandestine photo. But still no signs of the wife, nor any other avatars.

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He then became bolder, moving from the south this time through a small forest of flowering trees to find a tell tale waterfall. “Isn’t this the falls blog editor Baker Bloch connected to Astra a while back?” he thought. Like me, JL2 uses synchronicities to channel his thinking in certain, focused directions. The two swans, almost two-headed from this angle, reflect the twinning of the cascades looming above and between them. Perspective.

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He returns to the forest, and spies the opening. His internal lemony goodness meter begins to sound off. Recent activity. The wife has been here (tremble). Falls resonate; falls indicate. He “receives” a certain name: Wilson. “Wilson?” JL2 understands he’ll need the right type of sewing machine to stitch proper pieces together in a crazy quilt situation. But he has an important piece now. Wilson-Wheeler is a two headed coin with no tails specified. He’s quite warm in a game of hide and seek, perhaps even hot. But, as usual, he backs off from the truth at the last possible moment. It’s all back and forth still with no Tom Kite middle game. Outfits, male and female alike, remain wrinkled and loopy.

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The well trained schultz sheep see/hear nothing.

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He then uses distant view to scan a larger house flying the Finland flag on adjacent, private property. Is it the residence of Wilson? Is this perhaps even his picture hanging on one of its walls? Turns out John Lockfry 02 is not as warm now.

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Next investigative stop: Lester’s Best, on the east side of Former BoB this time and not the west. LB could be called an old school Second Life village, since it’s been around since at least 2009 by my counting (when I first stumbled upon it). And that’s the advantage here, Lemony activity being more easily detectable due to age. Much like Mystenopolis before it. What did JL2 find here? Well, a good number of similar looking residential houses, all vacant as far as he could tell…

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… and then a downtown region with a lot of boarded up businesses but still with a certain, empty mainland style charm. Train tracks link all the different bits and pieces of the sim-sized berg. But the former train is now off the track. Microcosm.

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Afterwards he wouldn’t remember eating lunch at the rotating diner atop the town’s landmark tower, but he did anyway. And memories about a certain house have also disappeared down the rabbit hole. He *senses* them but cannot see/hear. He is Helen Keller unable to hear the new 1924 Wilson Dam Falls from her Tuscumbia home, let alone damn Wheeler considerably further off. But in a loopy plane, Wheeler could be just as close and Wilson just as far. Where’s that singing sewing machine!

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Chat 03

BBloch:

No, I really did have another party to attend. Well, a party period.

Hucka D.:

We know what’s going on [behind the scenes]. We know of the evil twin. We know of BoBylon.

BBloch:

Of course. I already told you.

Carr.:

This was all set up[ I’m afraid]. Yes, it was to protect you Baker Bloch, and baker b. through you. The famous or infamous Collagesity collagist up there and down here. You almost told Riverpearl that you were both a real life artist and a Second life artist at once.

BBloch:

It’s Pearl. Just Pearl.

Carr.:

You had so much to say and ask but your fingers limited you. Well, it’s actually this place. Imagine a place where the discourse is so limited. You type and erase, trying to take in what was said several exchanges back. In the end you get little results. Are you even a member of the group you asked to join?

BBloch (checking):

I don’t think so.

Carr.:

You wanted to discuss BoBylon with someone. Nautilus mainland. You are in the heart of the fire now, Baker Bloch. How does it feel?

BBloch:

Pretty good, actually. Speaking for my evil twin.

Carr.:

Well, let’s see how close [he and Chad Ghostal are] (reading):

“Voiced by Brad Abelle, Chad Ghostal is Space Ghost’s evil twin brother, distinguished from Space Ghost in physical appearance only by a crudely drawn Van Dyke beard. He is a beatnik, with a love for jazz music and outdated beatnik slang, and is both extremely cool and evil.” Sounds a bit like Chester. Chester, can you dig it!?

Chester (breaking off talking to Lisa):

I can!

Carr. (continuing):

“He is also quite the ladies’ man.” Well, well, well. (Carr. eyes Baker Bloch, then continues) “Chad is first mentioned in the episode Jerk where he calls in to the show to tell Space Ghost he has escaped from the asylum and will be there shortly. Chad’s first appearance onscreen is in “Switcheroo”,[citation needed] where he uses his resemblance to Space Ghost to switch places with him…” blah blah blah. Blah blah blah, Chester!

Chester:

Blah blah blah!

Carr.:

And so you wanted to speak to another about BoBylon. On the mainland. Nautilus. Completed book. The pieces stitched together that are BoBylon. BoBylon. And this is where your collage series will start?

BBloch:

I don’t know. (looking around) Hucka D. must have flown off to get more toast. Oh, drat, I can’t say he flew off now… no wings.

Carr.:

Or buzzed off. We’ll miss out on so many of those jokes.

BBloch:

I wonder what he’ll eventually decide to become?

Carr.:

Well, we know he’s a woman now and that’s a start. Endless possibilities. AC and DC. Highway to Hell and back [in black?].

BBloch:

That sounds like[ something of] a closer, Carrcassonne. Gotta get up in an hour or two… working slob you know.

Carr.:

Slob for sure.

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Chat 02

Carr.:

That really wasn’t necessary, Hucka Doobie. Now you’ve scared away Baker Bloch.

Hucka D.:

He had another party to attend.

Carr.:

Did he?

Hucka D.:

I suppose you know about the evil twin. Like Space Ghost had an evil twin. Brad wasn’t it? Let me check. I’ll have to go out of Second Life and come back in. I’ll make some toast for us while I’m there. *Toast* doesn’t change here. It’s always toasty time.

Carr.:

Suppose. What do you think of this whole BoBylon idea?

(but Hucka D. had already gone away. 3 hours later…)

Hucka D.:

I’m back. Wake up Carr. Psst. Wake up sleepy eye.

Carr. (rousing herself):

Oh hi Hucka Doobie. Where’s your… oh, I’m remembering now. You have declared yourself a bee-free zone. Yes, it’s all flooding back. Where’s the toast?

Hucka D.:

It was a metaphor.

Carr.:

So what now? Now that you’re not a bee?

Hucka D.:

When in BoBylon…

Carr.:

Have you met The Purse?

Hucka D.:

Really? Really, that’s what we’re going to call it?

Carr.:

Yes. Chester came up with it[the metaphor?] actually. Chester is wise in a pointy way, in that he went up to a peak, saw the past and future, and then came back down. It was all a race all around him. Zip zip.

Hucka D.:

I’ve put the [Chad] link in the post. I’m taking over for Baker Bloch. *You* asked me to. Remember?

Carr.:

Once more visions are faint. I know we have a Mulholland Dr. situation [going on]. This road to BoBylon. Where is it leading us? It’s so hot now. Imagine the temperature when we fully get there. What direction are we being led down to now? So hot.

Hucka D.:

It’s not Baker Bloch but his twin. We must conclude that BoBylon is hell. Correct?

Carr.:

Check.

Hucka D.:

Correct was named incorrectly. [It] should’ve been Comet.

Carr.:

That’s it! A well placed comet will take care of everything.

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Chat 01

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“Chester a permanent fixture in your gazebo here, Carrcassonnee?”

Carr.:

Yes. He is to remind you of reality. Real Life. The higher fiction.

bb;

The higher fiction. [I] like that, Carrcassonne.

Carr.:

Please. Call me Carr. It will save your fingers.

bb:

Ok Carr. I think you got mad at me one time when I shortened your name like that.

Carr.:

Must have been a bad day[ if so]. Maybe it’s that day I got soap in my eye after that wonderful shower and froze up in the woods, looking for a towel.

bb (nonplussed):

Maybe.

Carr.:

Lisa’s also a fixture. Aren’t you Lisa? Who’s a good girl? (answering herself) *I’m* a good girl. You see, I *am* Lisa. It’s not a ventriloquist act. (pause) But you have questions about Collagesity, about Second Life in general. My Second Lyfe.

bb:

Suppose so, but no new ones probably. Should I give up Collagesity in a week?

Carr. (after a short pause):

I would say yes except the answer is no. You know people visit now, even contribute to the town’s funds. And what are you doing with the funds?

bb:

Well…

Carr.:

You are spending them on something else.

bb:

Well, not really. I think people are contributing to help pay for the land tier. Everyone in Second Life knows it’s a little expensive to own even a 4096 or an 8192. An 8192 is a minimum base for one of my towns now. I’ve gotten it down to that. But on top of that I have a 768 rented from Markland where the Red Umbrella and Norum College are. If that goes — if I don’t pay rent in a week — then it’s all dominos, as the other [land pieces] fall one after another until only one remains.

Carr.:

Yes, one should remain.

bb:

And what of the 10×10 of 100 collages? It’s not even in Collagesity — hasn’t been there for 1/2 a year maybe. And the World of Collages, connecting Collagesity to the outer world of collages, let’s say, hasn’t been there for almost as long. If people visit Collagesity now, they don’t get the whole village. The Art 10×10 *should* be in Collagesity — it’s not really and fully Collagesity without it. And that gallery was very hard earned down through the years unlike, say, the most recent one — Boos — which formed quite quickly.

Carr.:

You’re ultimately wondering where Bogota[ the projected newest collage series] will take root. You’ve speculated BoB — [is it] still named that?

bb:

Yes. I think we should talk of BoB.

Carr.:

I heard you met another avatar for a change last night. Riverpearl?

bb:

Pearl Grey. She very nicely offered me a spot on her gallery wall in Quentin. She and some of her friends get together every so often and celebrate the wasteland. I mean, Mainland.

Carr.:

Waneland. (pause) So that brought up the new challenge… you go. Where’s Hucka D.?

bb:

I don’t know Carrcassonnee. Yes, does Collagesity live for another month or do I just pull the plug?

Carr.:

Getting back to BoB…

Hucka D.:

Hi! I was summoned.

Carr.:

Hi Hucka D.! Nice of you to buzz in.

Hucka D.:

Always with the bee jokes, hehe.

Carr.:

Har har.

bb:

Ho ho?

Carr.:

Back to the subject. Thanks for joining us Hucka.

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Hucka D.:

Baker, could you move this thing further away from me? As Clare Fischer might say: “hovering!”.

bb:

Sure, hold on. So you know of Claire Fisher, Hucka D.?

Hucka D.:

The musician? Sure.

bb:

I think she’s an artist on the show. Well, in fact I know she’s an artist, because we’re watching it now.

Hucka D.:

I know. (pause) It’s still there.

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bb:

Ok, I moved it over there so it — Chester — can talk to Lisa the Vegetarian, most likely about real life concerns. Isn’t that right, Carrcassonnee?

Carr.:

Isn’t what right? Reality?

Hucka D.:

Thank you. I enjoy spinach.

bb:

Is that relative?

Hucka D.:

Yes, in real life I relish spinach. I hate it down here in this hell hole.

Carr.:

I have a pistachio ice cream fetish up there. Here it just all melts before it gets to my mouth even. What *is* this place you’ve brought us to, Baker Bloch?

bb:

BoBylon?

Hucka D.:

I’m roasting. I’m going to take off these hot wings. (after checking) Well, it seems I can’t. What’s all that Space Ghost stuff doing in my avatar, Baker Bloch? I didn’t know I was part Space Ghost as well!

bb:

You’ve forgotten. *I’ve* forgotten. [8/3/16 note: *both* didn’t realize during the moment that they were looking at Baker Bloch’s outfit profile, not Hucka Doobie’s]

Hucka D.:

Simply roasting. See, my palms are wet. My hair is getting wet.

bb:

Why don’t you just come back when it cools off later tonight.

Hucka D.:

Night, day, what’s the difference here? And you wonder why I don’t show up much any more. Even the White Palace up there in purgatory can get a bit warm. You still hang up there without me?

bb:

No, it was just basically you and me there. Now I have Carrcassonnee to chat with. Down here.

Hucka D:

Ugh. So f’ing hot.

(then Hucka D. did the unthinkable)

Hucka D.:

I hereby declare myself *not* a bee any longer.

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Afterwards

Lily finds that old rowboat in her inventory and promptly rezzes it on the newborn ocean in front of *their* cottage. She tells Jack to hop in and starts to row for them, being the considerably stronger of the two and in better shape. “I promise in a month’s time we’ll be switching places,” he adds while plopping down in the boat’s passenger seat, rocking it forward. Destination: Jack’s work shed at the other pole, to see what needs to be moved to the cottage. And for another reason Lily and Jack aren’t telling their “children”.

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Bendy, Prissy and visiting Tony Tiger see them off as they sail past Peter’s submerged grave. Seems like months ago that Peter used his own burial spot as a portal into the celestial sphere then *inside* the moon (as well as outside, of course) to merge with Dr. Mulholland at the Blue Feather cube. The world ocean became stable after that, not fluctuating in level and remaining translucent. But it was only 4 days ago. Time’s indeed a peculiar thing.

Halfway to their destination they also pass a waving Tilie and his new assistant Molly. “Don’t worry about us getting in your way,” the wise parrot says, knowing more of what’s going on than at least Bendy and Prissy. “And happy honeymoon!” she added. Both Jack and Lily blush slightly. “Take care, Molly,” says Jack in parting. “We’ll see you in a bit.” She and Tilie head away from the ocean bank to parts unknown.

They arrive at their destination. The new world sea ends here in this direction, filling up Big Crevice separating the work shed and Cardinal Tree, Molly’s former fixed place of residence.

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“She’s made sure no one bothers us here, you know,” Lily states as she gets out of the beached boat and stares toward the dead tree with its now empty limbs. “This is *our* spot presently, our private area.” Jack rubs his chin knowingly. “She’s a sharp bird indeed. She’ll help Tilie greatly in continuing to maintain our moon. Gravity’s omni-directional now. Much easier task than before. Molly may even have time to attend night school at Crabwoo University, since all that’s opened up again. That would be exciting for her.”

“Cool,” says Lily. “I’m sure she’ll do well.”

They enter the shed. “Do you think it will fit?” Jack queries.

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“Well, we’ll obviously have to move your globe out of the way,” Lily responds. They both stare at the red pins marking the limits of what Jack could see of the celestial sphere from this pole. “And then your thinking chair and the books,” Lily says, as she continues to look around. “Everything, really, *including* the cat.” She and Jack turn toward it.

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“I’m not having that thing stare down on us while we’re…”

“… completing our world?” Jack finishes.

“Exactly!” exclaims Lily, joyously leaping upon his back and seeing the whole ball of wax now.

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Dr. Mulholland

The fake moon erased, the now whole Dr. Mulholland floated away toward the blue cube-world in the sky that had transformed somewhat in design. She was free! No more crippling transformations into that former husband of hers. All that was behind her now. Moon destroyed… chair and former lover destroyed. They were one and the same.

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She saw what she knew was her *true* husband appear from behind the cube, about the same distance from it as herself. A new and better mirror. It was Jack and Lily’s Peter, freshly immersed into his own grave, and with his real face locked in now.

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It wasn’t quite Peter Gabriel, which would especially be to Lily’s disappointment. But this particular version of Peter Soso would still do the trick.

Dr. Mulholland shouted at him from around the cube. “Peter?” She waited for an answer.

“Yes,” a weaker voice finally responded. “It’s me.”

“I’m going to move close to the Blue Feather now. Do you have the key?”

Peter had to think hard, but then remembered the answer. “Yes.”

“Okay, good. I can see your face clearly now. And what a lovely face, sweetie. You *do* know who I am?” Both were close enough to the cube now to almost reach out and touch it.

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Peter looked at her face. Another whole set of memories tumbled into place. “Yes,” he answered again. “You are The Doctor.”

“We are each other,” Dr. Mulholland completed. They were upon it. “Go ahead and open the cube, my dearest. It’s time.”

“Time is a funny thing.” He placed the key into the Blue Feather.

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“After you… my dearest.”

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Karoz Blogger…

… awakens in the middle of the night to find a number of startling changes. To begin, he notices the “moon of the moon” is no longer revolving below his perch on the edge of fake moon. Turning around and walking inward, he next discovers the Collagesity diner had also been complete removed, along with the encircling railroad and attached vegetable garden. He wonders what happened to the crazily joined John Lockfry/Dr. Mulholland within, and their Selenite butler. Erased as well? Then, lastly and most importantly for Karoz, the Boos gallery had now fully manifested on the western edge of fake moon, with the prickly cactus formerly guarding the door from premature visitations also gone.

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Karoz can finally move forward… back to Collagesity. Once he walks through that open door, this travesty of a moon will no longer have the energy to exist; nothing left alive on it. His period of servitude is near its end.

He looks around one last time at the surface: the glowing entrance to the underground he never got to visit; his crashed, embedded spaceship he worked so hard on to design and build; the oh so blue Second Life cube of a world rotating slowly to the right which he now also knew was fake. He was done with all this. He can build another ship, better and stronger. He can find other worlds to explore. But first he has to get back home.

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He turns around and passes between framing craters to walk across the threshold.

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Looking back through the door, he sees the moon gradually turn darker…

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… and then just wink out of existence, leaving only the starry sky behind.

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Karoz takes the time to study each of Baker B.’s collages on the first floor of the gallery. He reviews what he remembers of the interpretations Baker (me) wrote about them at the end of this past year: the start in rural Missouri, the introduction of Second Life’s Nautilus City images, and then the portal into the tiny, artistic hamlet of Tungaske, Canada, whose energy would entice and grab firm to the series beginning with collages 9 and 10 that finish off this floor.

By the time he circles the walls back around to collage 10 (“Goodwater Goodland 02”) Collagesity had appeared through the gallery door, replacing the stars.

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“Thank the Lord God Almighty,” he declared, tears in his eyes. Home at last.

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Lily

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“I think I’ve decided is my favorite spot on the South Pole, Lily. In the middle of your labyrinth.”

“Yes, it was designed as a man trap.” She smiles at him. “We’ve got to have you running it inside and out at least 3 times a day to get you back in shape. I can turn you small beforehand to quadruple the effect.” She shook her head. “You live such a sedentary life, Jack.”

“Yeah, I know. I’ll get back into fighting form, I promise. If we could just solve the problem of merger.”

“Well, as I’ve told you, I can’t double the moon through a magic spell to combine the two poles. You can forget about it.”

Jack hadn’t quite given up the fight. “I’ve showed you the plans. The topography of the North Pole and South Pole fit into each other in unexpected, beneficial ways. Your cottage would slot into my Big Crevice. My shed on one side and Molly’s Cardinal Tree on the other side.”

“It would be too risky,” Lily says firmly, trying to end it. “Our moon friends might be thrown off into space. It could mess up all the side gravities.”

“I just thought a powerful enough spell could protect us.”

“No,” Lily says flatly. “The ancient physics of our moon should not be monkeyed around with. Spells should work side by side with natural laws, not attempt to override or replace them. You listen to me. That’s *that*.”

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“And then the other plan: we can’t drag my shed up here through East Pole.”

“I really don’t have room for it even if we could mustard up enough manpower, which I don’t think is possible. So: no. No go.”

“Ketchup,” he cussed. He had given up again. “So there really is only one way out.”

“Yes,” Lily agrees. She stands up and walks over to the edge of the labyrinth, carefully peering down at the grave on West Pole. Jack joins her.

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“He has both our genes in him this time. He’s programmed differently from Prissy, a slight but important upgrade. And he’s triggered Project Pope in Bendy. Those two should be fine together, now. This should work. We’ll just have to see what happens.”

“The moon is a square that needs rounding, true,” says Jack, looking into her eyes. He loves her so much, he realizes. She is the center now, not the hole in the sky. But he *can* finish his task since he’ll be living here if all goes as scheduled. The sky will be whole and without hole, and the completed sphere can manifest on earth in theory, according to Lily. As above so below. It’s all up to Peter.

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Later that day, with the whale and squid conjoined in the sky again, Peter approaches.

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The pole opens as planned.

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It worked!! The square was circled, with space both inside and out.

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Pope Gabriel Solo (Peter)

popecountyar01
Arkansas

https://en.wikipedia.org/wiki/Solsbury_Hill_%28song%29

“Solsbury Hill” is a song by English musician Peter Gabriel about a spiritual experience atop Solsbury Hill in Somerset, England. Gabriel wrote the song after his departure from the progressive rock band Genesis, of which he had been the lead singer since its inception. The song was his debut single. The single was a Top 20 hit in the UK and reached #68 on the Billboard Hot 100 chart in 1977.[1] The song has often been used in film trailers for romantic comedies.[2]

Gabriel has said of the song’s meaning, “It’s about being prepared to lose what you have for what you might get… It’s about letting go.”[3] Former bandmate Tony Banks acknowledges that the song reflects Gabriel’s decision to break ties with Genesis, but it can be also applied in a broader sense.

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