Michelle returned to the graffiti on the side of the Hole in the Wall bar, but not with paint. Instead she chose another art form to practice today: collage. John of Arc was left back in his cell. She decided she had to do this on her own — for now.
![](https://bakerbloch.com/wp-content/uploads/2024/01/snapshot3066_126fff.jpg?w=500&h=375)
“What are you doing, Love?” spoke Sparrow in his smooth, pirate voice to her side, always peering down this direction from his perch in front of the bar. “You’ve dissected public property, Dearest.”
“I’ve *confiscated* public property. *Dearest,*” she spoke back harshly. And she almost had it before the interruption. She was mapping out the differences in the two treasure maps she had found this week, one here and one on the body of new prisoner Bermuda, aka Victor Ratt the owner of Parrots for Pirates, as we’ve already reviewed. Charged just yesterday for not charging customers for his/her goods.
“Almost all treasure maps have an “X” (at the end of a dotted line),” offered devil’s advocate Sparrow. “Almost all involve a pirate ship; almost all involve dragons or octopii or some strange watery creature.”
“*No*,” says Michelle to this. “The patterns are just too similar. You have the islands with the 2 palms trees in both. You have compasses in both, although I don’t think it centers on the compasses.”
“Again–” started to counter Sparrow once more.
“I know I know,” interrupted Officer Roundup. She exhaled deeply. She kept staring.
“Well let’s review, then,” Sparrow continued to help from his observing perch. “With — Triangle isn’t it?’
“Bermuda,” said still staring Michelle.
“Bermuda, right. Well, Ms. *Bermuda*’s treasure map began at the palms.”
“Right right,” cited impatient Roundup. If he’d just *shut* *up*, she thought… but still, he may be able to help, being a pirate and all. And what of silent Hook so far? Always peering into that *2d* version of the ending treasure. Nothing to add in the real world.
“And what part of the body, hmm?”
“The… calf. Yes the calf on the back of the leg. Then it winds up” — and here she traced the upper progression with her billy stick — “and passes the pirate ship; *first* in the graffiti, with the palms being second in that case. And then the dragon or whatever.”
“What part of the body are we up to?” spoke Sparrow.
“We’re circling around the rump, yes.”
“And the X at the end?” Sparrow’s eyes became wider in anticipation. Michelle caught the look.
“*Not* where you think, Perv.” Back to the map, back to the X. “At the ribs, actually,” she realized aloud.
“*Welll*,” said Sparrow to this, looking over at Hook in a knowing way. Hook just kept opening the chest, peering at the treasure, and then shutting it and repeating the action. Over and over. “I think we *both* know what that is.”
Michelle kept silent for a minute, brain wheels spinning. “Adam and Eve?” she finally outputted. “The *rib*.”
(to be continued)