Tag Archives: John Lemon^*+++!$

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It was a beautiful house, but quite prim heavy at 195li. And that’s unfurnished. Impractical, most likely, to set up in present day Collagesity except on a temporary basis. And Mabel wasn’t going to go *back* without it, I don’t think. So it looks like they’re stuck in Heartsdale for a while longer.

Although well beyond its glory days, the town still retained some interesting landmarks. There was the coffee and sweets shop on the corner of Blown Apart and West Anglia. This is Mabel and Buurb’s favorite table within they’re sitting at here, with the great view toward their house (their house??). Mabel usually only drinks coffee. Buurb sometimes gets a whole wheat danish roll, like today. Mabel knew there wasn’t any use in trying to change Buurb’s mind over leaving, so she instead talked about New Island and how they got here. She sometimes read her associated diaries to Buurb late at night while they, let’s say, sipped cognac and munched on taffy popcorn.

It all revolved around the vinyl version of “Sometime in New York City” and the void in the center of Lennon’s solo career it represented. Slavery? That’s what they often discussed, and, yes, occasionally argued about. Very occasionally. For Mabel was against slavery of any kind in any fashion. Buurb made some qualified exceptions.

“Take the South after the Civil War,” he said today after taking the first bite of his roll and then setting it back on the small plate.

“No, don’t go there,” his wife demanded, also wishing her husband wouldn’t speak with his mouth full.

He chewed and swallowed; lightly smacked his lips. “Given 5, 7, 8 years, don’t you think President Lee would have freed the slaves himself? And the South might have been better going that route. Take carpetbaggers…”

“I *said*, I don’t want to hear it.” She ‘d have nothing negative spoken about Stove Top Lincoln. Andrew The Tailor Johnson, however, was often open for potshots. But she wasn’t in the mood this morning. She kept thinking about the house across the street. It was and wasn’t their house; another quandary. They were married there, true. But they also still lived in the trashy alley that followed from Old Church Street beside it across St. George Street at its front. The sale hadn’t been finalized. And the yearly mortgage would be 2 full months’ wages between them (!). Could they really afford it? Were they digging a financial grave they would never emerge from? But the house! So perfect. If I could just get it to Collagesity, Mabel thought, we’d have a piece of property with no attached tax, no attached anything; that’s how things work there.

“Look at Pitch Darkly,” she said to Buurb another time on this subject. “Look at Woody (Woodmanson). Refuges… like us. The Bakers take them in, make sure they’re wanted and provided for. You’d like The Bakers, Buurb.”

“I knew Baker Blinker,” he corrected. “Or I at least knew someone who claimed to be her.”

“Oh yes,” Mable said, a pang of jealousy crossing her heart. Her Heartsdale heart. “Precious Snowflake.”

Because she was still around. We’ll revisit her soon and find out more of her story.

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Table Meeting 02

For Table Meeting No. 2, Baker Bloch arrived at the Blue Feather in his self named Spookmobile, almost running over Old Mabel and Hucka Doobie while humming down Old Cannon Road from his attic home in the western part of town. Baker apologized to the two while they were walking up behind him, nerves rattled.

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“You know it’s only about 100 yards from your place to the Blue Feather,” says Hucka Doobie, still dusting herself off from diving behind Major Stone to avoid being hit. “You don’t really need to drive. What is that thing anyway? Where’d you get it?”

Baker Bloch realized Hucka Doobie wasn’t inworld all that much and hadn’t caught up with the news. So he caught her up.

“Fascinating,” says Hucka Doobie afterwards. Anson and Anton. Yet another one. *Must* be the work of Mid Hazel.”

“And we further speculate that Wheeler is trapped on New Island now, unable to escape. I’d take you there to see the broken bridge but the meeting’s starting up in a moment.”

“Without Wheeler?” Hucka Doobie scratches her bee head in confusion.

“I’m taking Wheeler’s place,” Baker declared. “Let’s head inside and get this thing started.”

“Cool, I suppose,” says Hucka Doobie, still a bit in the dark on things. Old Mabel remained silent, not liking where this was, er, heading.

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—–

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“As most of you know,” Baker began, “Wheeler’s wishes were to move forward instead of backwards. Toward ‘Pumpkintwisters’ and the future instead of ‘Billfork’ and its Northfork and Billville in the past. *But*… Wheeler isn’t here.”

Old Mabel suddenly perked up. Could it be? Could it be?

“So we’re going to talk about ‘Billfork’ tonight.”

Old Mabel actually jumped out of her chair a bit in joy. She had been preparing to discuss ‘Billfork’ for weeks now, listening to all the pertinent John Lennon solo efforts and reading up about the Ono debacle and so forth.

“Now I’m sorry Tin S. Man. I know this was your time to shine.”

“‘T’is okay, Baker Bloch. The Ray Davies inside of me can wait. I am sympathetic to the plight of Northfork and Billville both. Both flooded, both moved. A moving tale each.” He smiled.

“Yes,” agreed Baker. “So since we’re backing up from ‘3 Friends of Belleville’ instead of going forward, we can point out that *Belle*ville camed from *Bill*ville — and also visa versa since time really doesn’t exist. This is part of the overarching complexity of the Piera. Old Mabel, do you want to help me out and pull up some pertinent videos on the interwebs? Try ‘Northfork + Polish’.”

“Sure thing, Wilson.” Everyone stared at her. “I mean, Baker Bloch, tee hee. Slip of the tongue.” She went over to the suave chair she had sat in so many times now and did the appropriate search.

“So what is ‘Billfork’ you might be asking?” then said Baker Bloch. “Well, on the audio side it’s primarily ‘Boom Dot Bust’ by Firesign Theatre. On the video side it’s the movie ‘Northfork’ by the Polish twins, Michael and Mark. As Tin S. Man alluded to, both feature towns that have to be moved in order to be saved. The town of Northfork is being flooded by a new lake. Billville is threatened by tornadoes, and also, strangely and syncily, a flood at the end, where the mayor has to turn into a fish and ‘swim, swim, swim’ to stay alive. Tonight, to begin, we’re going to look at a number of clips from ‘Northfork’ which are available on the Youtubes. We’re just going to look at them as they appear in Old Mabel’s hit list here, and I’ll talk about the relationship with ‘Billfork’ afterwards — I don’t think we need to do them in order. So if you would just start at the top of your list, Old Mabel, and work down.”

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“Yes *sir*”.

—–

2 1/2 hours later they had gone through innumerable Youtube videos featuring not only ‘Northfork’, but Firesign Theatre, Pink Floyd, and John Lennon and his Beetles. Even Old Mabel was getting a little tired. But they had learned a lot. They knew ‘Billfork’ contained some kind of code which Baker Bloch simply dubbed the Billfork Code during the meeting, having come up with that name several hours prior. Baker had passed out most of the 8 oranges Old Mabel dreamt about to participants at The Table this night, setting the remainder at empty seats while saying that each represented a whole track from ‘Boom Dot Bust’ used in ‘Billfork’. Old Mabel grasped hers tightly as Baker handed it to her, making sure she didn’t drop it this time (unlike in the dream). “Now I know we’re all tired,” Baker continued, “but we need to also talk about the 9th tonight. The 9th is ‘Doom Bot Dust’, the opposite of ‘Boom Dot Bust’. And that’s where we think the code comes from. A south by southwest direction.” Old Mabel nodded her head in agreement as she looked past Hucka Doobie in that direction.

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Slide ‘n’ Glide

“Dutch has appeared to me several times in reality. None in dreams. That’s kind of odd in itself.”

“Maybe,” returns Baker Bloch. He was nursing a bottle of Honey Brown lager. Old Mabel was trying out the bar’s green tea and finding it acceptable. Rhoda was subbing in for an under-the-weather Furry Karl tonight, which was surprising to Baker. “Rhoda?” he said, drawing the cyan ovoid flattie toward him.

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“Yes sir. What’ll it be?”

“No, I’m fine with my lager still. I’m just wondering.” He paused, thinking about how to put it, and then just blurting the idea out. “I… I though you were dead.”

“No sir. Just working in another town. Bennington… ever heard of it?”

“Through Furry Karl, yeah. But weren’t you kind of, um, merged with the ballerina and Starbucaneer and then killed by that airplane crashing into the latter’s establishment about 3 months back?”

Rhoda thought hard. He did remember dying now. Several times. Many times. “I’ve been shot, stabbed, burned, crushed. Yes, I now recall that part of my existence. It all started back in Bennington with my head being sliced in two by Old Kent. You know, the shark. The thing with the fin on his back. The one who has trouble walking around on land. Has to slide and all.”

“Yes,” replies Baker. “I remember Old Kent. So you’re…” He paused again.

Rhoda helped him out once more. “I’m also peculiar because I’m a true flattie in reality and also here in this Second Lyfe of yours. Unlike, say, your Tin S. Man, your Spongebub or, um, well Furry Karl, although he doesn’t have fur in the real world.” Rhoda thought of a better example. “And like, say, Lisa Simpson.”

Baker thought back to how many other “12 Oz Mouse” characters had appeared in Collagesity, and how they compared to Rhoda’s appearance in same. There’s Old Kent, obviously, although he’s more actual shark-like here. Then Carrcassonee herself claims to be Fitz Mouse, the star of the show. And she says that her Spider is another incarnation of Fitz’s sidekick Skillet, although Spider is a chihuahua and Skillet is a squirrel. He thought. Baker then just posed the question to Rhoda.

“You remember Fitz Mouse, Skillet, and others at the, er, Cardboard City?” Baker took another sip of lager.

“Bennington, yeah,” replied Rhoda, who had begun moving away from Baker and Old Mabel but then returned.

“Well, if you’ll excuse me,” Old Mabel said. “I’ve got to run over to the Bodega market across the way and get some bread before I return home.” In truth, she was getting a little frustrated by Baker’s lack of focus tonight. She had important things to mull over about Dutch before starting to dream tonight, which was inevitable. Could she truly pass through the eastern gates of her home later tonight in dreams and find out what Dutch had been calling a “secret society”?

“Alright Old Mabel,” responded Baker. I’ll walk you home afterwards.” He again noticed the headphones around her neck. “How’s the Beetles listening going?”

Old Mabel was glad to have the attention shift back to her. “Fine, fine. I’m up to ‘Walls and Bridges’ now in my circumnavigation of John Lennon’s solo material. “Then it’ll be back to ‘Plastic Ono Band’ for another pass. Per your recommendation I skipped over the Ono tainted ‘Some Time in New York,’ despite the flattie recently appearing in the Blue Feather having that t-shirt.”

“The New York City t-shirt, yeah,” clarifies Baker. He was there when the Mykall Skall flattie appeared basically out of nowhere, matching the manifestation of Lennon and the rest of the Beetles walking Abbey Road on the wall into the Table Room. “Lennon knows about us.”

“I *know*,” states Old Mabel, getting excited about that idea again.

Rhoda had moved away now. Talk about Bennington and his fellow citizens could wait for another night. Plus: how to even explain it all? “Anything else for you bud?” he asked the back of Curled Paper’s Heineken loving nephew Raymond while passing by. No answer. “Guess not.” Rhoda continued gliding toward the far corner of the bar to start locking up for the night.

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Jiffy friendship

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Old Mabel took a break from studying about The Beetles upstairs at The Table to hang with Jiff again. “Did you know John Lemon hated the sound of his own voice and asked his producer to smother it with ketchup?” she asked at one point.

“No I didn’t know that,” Jiff replied in his high pitched, wavering voice from the vase he put in place yesterday. “My turn in the chair again.”

“Why don’t we just sit together.” She was feeling more comfortable around him all the time. Peculiar: she doesn’t usually take to people like this. But there was something familiar about Jiff the Minoan, who could be both man or woman by the way, depending on the week.

“Alright,” he agreed, and joined Old Mabel in the blue retro seat. “Ahh,” he exclaimed as his little body sank back into the upholstery.

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“There. That’s better,” said Old Mabel. “Best we both sit in this comfy chair, eh?” The proximity seemed familiar again — what was it about Jiff? Certainly not a physical attraction.

Seeming to pick up on Old Mabel’s thinking, Jiff said in a playful manner: “You couldn’t possibly fall for another refuge half your size?” His eyes gained a devious twinkle.

“No. I’m already taken, if not exactly in the present. Baker Bloch is my friend in the here and now but soon to be more, I feel. We will eventually become man and wife. I sense this. I *see* this.”

“Oh,” Jiff simply said back, expression changed.

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“Here, let me brush your hair again,” Old Mabel then spoke, trying to smooth over the awkward moment. “Such beautiful hair. You say this is a traditional Minoan style? Tell me about your people again — if it’s not too painful.”

“It’s like I said before,” he started, quickly getting over the disappointment and remembering who he *really* was. Deep inside. “The portal opened up and we came through. Demos, I mean, *demons* were already there. Holiday demons mainly. Satan Santa and Snowmanster. Cookie the Crumbler. Mean dudes. But we outnumbered them, by a great margin. More and more of us poured through. Eventually a truce was made — Unch the Walky Tree wrote up the contract. The line between Rubi and Minoa was drawn.”

“What happened to the Rubi demons?” Old Mabel then asked. But Jiff was looking at the Blue Feather’s front door, mouth agape.

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“What’s wrong?” She stared with Jiff toward the door.

“Nothing. Just thought I saw something pass by. Couldn’t be, though.”

“Who or what do you think it was?”

“Hold on,” he said and walked to the door, then peered down Old Cannon Road toward the woods. Just as he suspected.

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He crossed the line again.

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No stopping now.

Baker walks out of that mysteriously appearing door in the Blue Feather again from the Table Room and notices another opening he hasn’t paid much attention to, down through the years now: the double iron gates into the property of his never seen neighbor Clarity Dagostino. The two neglected openings become linked in his brain. No stopping now, I suppose.

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Just after that, he goes back into the Blue Feather to find what he originally thought was *another* “intruding” avatar like the one encountered the day before — get to that in a moment — but what turned out to be a mere 2-d flattie placed there by unknown hands.

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The flattie holds a guitar with the name Mykall Skall scrawled on it. I quickly discovered this was the fellow who founded the Virtual Hotel Chelsea (or Virtual Chelsea Hotel), located in a sprawling Heterocera continent municipality I simply call VHC Town in this blog after its dominating, centerpiece structure. This could be significant for several reasons. But what next caught my eye was the t-shirt the flattie was wearing: it’s obviously suppose to double as the one John Lennon famously posed in during a promotional shoot for his “Walls and Bridges” album. And then the flattie’s army jacket is also a Lennon inspired garb.

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Back to the intruder from the day before. Baker Bloch had decided to open up the formerly banned property of the Blue Feather so that visitors could take a look around the recently upgrade Table Room and its mysterious door (etc.) if they wished. Very soon after that, Baker found a male avatar appearing by his side as he positioned a representation of the 4 Beatles walking Abbey Road on the wall of the room, just at the top of its stairs. Seeing only a naked (male) human torso for the avatar’s profile picture, Baker decides to quickly delete the Beatles cutout and temporarily log out of Second Life. 10 minutes later he returned, with no avatar in sight. He quickly reinstated the ban on the property. He didn’t return the Beatles to the wall — until the second intruder showed up the next day. Because, of course, both involved *Lennon* now. And Lennon was and is a major player at The Table itself, projected to sit there under the guise of Salad Bar Jack LINK.

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I must be forthcoming here to fully explain the oddness of the juxtaposition. Through Baker Bloch, I actually *did* rezz the Mykall Skall flattie in that corner of the Blue Feather but it was a spontaneous action on my part. I didn’t know the flattie would be projecting a strong image of Lennon. And I didn’t make the avatar from the day before show up just as I was positioning Lennon and the rest of the Beatles on the wall just up the stairs from him. I was merely rezzing stuff spontaneously here and there, going through my inventory. It was, as one could say, an *accidental* juxtaposition. But we know in the Blue Feather that such accidents are too frequent to be called chance. This is synchronicity again.

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I’m going to perhaps shock the reader by stating that I believe Lennon himself (or an official representative thereof) wanted to make his presence known in the Blue Feather. He knows I’m working on The Table and he is to sit there. He is, broadly speaking, the gateway figure into (“Billfork”) and out of (“Uncle Meatwad”) my peak grouping of audiovisual synchronicities created during the Pierre Schaeffer era of 2004 through 2007. He knows this is important to protect and eventually disseminate. The organization goes beyond the Oz/Floyd Paradox.

I imagine Wheeler will be super pleased to find out about this turn of events when I next catch up with her.

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Hillbilly

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“You here for the Table interview as well?” Mmmmmm Salad Bar Jack asked, fresh from the new portal Wheeler installed just yesterday in Carrcassonnee’s *former* gazebo. John Lemon utters complete gibberish back to Mmmmm, but he understands and interprets.

“I see. First to interview. Luckey you.”

More incoherent speech from Lemon.

“Well, it will be a pleasure to serve with you sir on The Table. If I’m chosen. I don’t have much hope, actually. I worked with Baker Bloch over in Jonesborough.”

Gibberish from Lemon.

“No, not Heterocera. The Real World. TILE Creek. Ever heard of it?”

Gibberish. Salad Bar interprets that John Lemon doesn’t know where this is. Lemon asks (again only Salad Bar can hear this, if anyone was listening in — like us) if he was in a carrcass either positive or negative.

“No,” came Salad Bar Jack’s reply.

After Lemon’s next round of static, Salad Bar proclaims: “Instant disqualification, eh. Well, maybe it’s best I don’t show up for the interview. This Wheeler lady may have misinterpreted my resume. I play in *my* movies. Action adventure ones in the main, although we’ve branched out a bit lately, Gene and I. Don’t suppose you’ve ever hear of actor/director Gene Fade either, my close associate and colleague?”

We can understand from Salad Bar’s next reply that Lemon hasn’t. He begins listing out his filmography. “‘Salad Bar Jack in the River of TILE’? ‘Salad Bar Jack Be Nimble’? ‘Salad Bar Jack of All Trades’?” Lemon shakes his head. “Nothing?” It’s difficult for SBJ to comprehend this lack of recognition, but Lemon shakes his head again.

Lemon goes on a bit now with his incoherent talk, explaining something important to Salad Bar.

“Child, eh?” he replies after a pause. Lemon shakes his head again and corrects Salad Bar Jack. “Chilbo? Then we *do* know each other!”

Salad Bar Jack and John Lemon embrace.

—–

15 minutes later he also receives a chair at The Table. Wheeler remembers him as well. Curled Paper puts a check mark beside his name. On his way out he talks again to fellow Mmmmmm King Bill. “See you later you complete bastard, hehe.” But Bill is still worried about time and getting back to The Hill.

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It seems it is too late. Bill Hill is no more.

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Neverending Story, The

“Good *morning* John Lemon. Is Carrcassonnee in, hehe? I know she is. Good day!”

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“So which seat do I take Carr.?” Baker Bloch asks. “Is anyone else joining us today? Baker Blinker perhaps?”

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“No you can take the hot seat,” Carrcassonnee responds. “No one else is here. No one but this beer.” But Carrcassonnee doesn’t produce a beer from within, unlike Fitz. She has no hands. Baker Bloch knows what she is talking about still. More 12 Oz Mouse references, pheh. Will they never stop? Doesn’t matter. 1/2 and 1/2.

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“Just checking in while rezzed to make sure you’re alright, Carr.”

“I’m okay. Why wouldn’t I be?”

“Just the whole Wheeler incident. *Incidents*. Have you turned recently? You’re okay now, correct?”

“I said I already am. So I am. Don’t worry. Collagesity is safe now. We’ve been stoned! Not boned, as Liquor was in…”

“… I know, I know. (together): 12 Oz Mouse.”

“But to continue, Carrcassonnee, Furry Karl is obviously Rhoda.”

“Wrong,” Roostre interrupts.

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“Who said that?” Baker, asks, head twirling. Then he swings back to Carr. and turns thoughtful again. “So, let’s see, Furry Karl is Liquor.”

“Maybe.”

“Was that you this time, Carr.? Voice throwing again?”

“Possibly.”

“Good one [then]. And then Rhoda is Rhoda obviously.”

“We need to talk about other things today. I don’t mean to rush you, but don’t get hung up too much on the parallel bars[ in both Collagesity and 12 Oz Mouse]. Let *me* worry about The Mouse. To your other questions or concerns today, then. Go ahead…”

“Well,” says Baker. “How about Middletown, then? I’m heading there tomorrow. My user is, I mean. Baker B.”

“Middletown is in the future, in the middle of the future. It is where all is heading, where all came from. You have chosen the name wisely. Yes, Blue Mountain originally came from Middletown, and is heading back[ to the womb?]. It’s like Pietmond bourne from Chilbo. “‘Cept this time it’s all gonna work out. You will go home. Tomb.”

“Do you mean womb, Carrcassonnee?”

“No. I mean: yes. 1/2 and 1/2.”

“Never ends does it.”

“No. Mouse never ends. Liquor knows.”

“I’m sure he does.”

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Collagesity Gets Stoned 01

As of yesterday, 10 large stones with Celtic type designs on ’em have arrived in Collagesity, practically dividable into 2 sets of 5. Stones within each set are basically aligned with one another east to west across the town, 5 on the north side and 5 to the south. Successive rocks are also approximately equidistant to each other in both sets.

We start with the last stone placed by Baker Bloch yesterday, which turns out to be Stone 01 according to town terminology. This would be near the bottom center of Castle Jack in the southwest corner of Collagesity. We already learn much from this placement. Before Castle Jack, this site might have held a traditional 7 circuit labyrinth, such as we’ve seen in the Temple of TILE before, as well as on Second Lyfe’s Moon of the Moon. The rock and its own depiction of said labyrinth commemorates this history — according to town legends again.

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The spinning Tyle Cube is perched on top.

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Stone 02 fronts Carrcassonnee’s Gazebo Temple, about at the same place the burning Lennon lemon was before. It’s one of the bigger of the 10, and might be individually named Big Stone or Major Stone (Biggie?). We’ll see.

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All that remains of the firey lemon is its containing dish or bowl.

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Baker walks toward Stone 03 and Stone 04.

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Stone 03 (front of Bodega Market).

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Stone 04 (center of town “plaza”).

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Stone 05 is placed on the eastern edge of town next to SoSo, near the border of Art Oluja’s land.

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Stones 03, 04, and 05 in a row across Collagesity East.

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Reveal

Carr.:

Ahem, remind me what he likes to call himself now?

Baker Blinker:

Bogota. Like the projected collage series.

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“Hmmm.”

Carr.:

Ah yes. Bogota, Bogota. Got a sort of ring to it I suppose. Is this related to Boos-gota? (Bogota enters the gazebo) Ahhh… here he is now, fresh from a power nap. Hello David Bowie. Drat! I mean: Bogota.

Bogota:

Bogota is my name, while I’m here. Do you like it? Baker B. chose it for me. It’s one of his future collage series, hm-mm.

Carr.:

Yes, we know. But you are also S-y-d or S-I-D from the woods.

Bogota:

Um, yes, I am recalling that now, sir. Just now, though.

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Carr.:

You can reveal yourself for who you are here. No need for a mask.

Bogota:

Oh, okay. (Bogota fades out the mask)

Carr.:

So what is your true business here in Collagesity? We are honored to host such a distinguished guest. We are collectively a bit awestruck, actually.

Bogota:

Yeah (sniff). I do that to people. Actually I’m just here to read one book in particular and then leave. It’s the book by — Blood Curdling isn’t it? I’ve read the early chapters and am up to the one about, well, me again. (He smiles at both Baker Blinker and Carr.)

Carr.:

Yes, I’m sorry Blood Curdling is not one of our better town writers. Pete has a nice set of fictional detective stories if you’d like to read those instead. (turns to Baker Blinker) Pete… isn’t that his name? Pete Good… Pete Best… something. (Baker Blinker just shrugs.)

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Bogota:

Um, sure, thanks. I’ll take them with me.

Baker Blinker:

Where will you go next?

Bogota:

Out there. Mars. Saturn. Uranus. The universe beckons.

Carr:

Baker Blinker is wondering if the woods will still be haunted.

Bogota:

Well, that’s what I’m trying to determine. We’re trying to figure out what those, er, woods are about. This Collagesity depends on it for energy. A fire burning.

Carr.:

“We’re?”

Bogota:

Me and my mates. My mates and I. I’ve finally got to meet Syd now. We’re catching up. Planning the future. The skies the limit. (turning to Baker Blinker) Next life I might be Pink!

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