Tag Archives: EXTRAORDINARY++++

great and powerful

When she got back from her trip to the Pleiades which wasn’t the Pleiades, Mrs. Ordinary found everything around her to be mundane, just *blah*. Sand sand sand from north to south in this here Big Sandy she called home, yellow, long and boring. She needed to spice up her life with a bit of extra, like she had while aboard the USS Galaxy, certainly not boring atall, although they had to get through that one giant meteor in the way by boring through it via a lasered out hole. Definitely excitement there!

She put down her boring book about Atlantis, Easter Island and such and rang up neighbor Marsha “Pink” Krakow, seeing if she wanted to get together for some tea, something different for her day. She’d heard of a tiny cafe opening up in Pugwash just across the Big Channel. She checked before she called — open at 7, the website stated. 7:05am now. Just in time for an early breakfast too since she saw they had flapjacks available, her favorite.

Marsha beside her Eddie in bed yawned before answering her cell phone. First thought: Mom has the shingles again and I have to come down and take care of her. But she checked the number before swiping. Unknown, the indicator indicated. Relief. She swiped.

“Hello, Marsha? It’s Bethany, er, Ginger. Listen, just wondering if you wanted to catch an early breakfast at that new place just across the Big Channel. I checked: open at 7. Seats are limited so figured I’d call now to see if you’re up for it.”

Marsha yawned again, glanced over at her Sleeping Beauty comfortably snoozing away, and said, “Sure. Just give me 15 minutes to change and I’ll meet you there.” She needed a friend to talk to as well. Life, Second or not, was getting more and more complicated, what with Ketchup Tom and now Serenity Lane entering the picture in this here section.

—–

“Oh the light’s just beautiful here. Isn’t it beautiful?” Different* from where I live, she ponders, looking up into the sky to see if she can spot the Pleiades before the harsh sun washes all the night time away. No luck.

“Sure thing, er, Ginger.” Was it Ginger? Marsha “Pink” Krakow still wasn’t sure. They had finished their flapjacks, 1 apiece since both were on some kind of diets. Look at her, Marsha was thinking prior to ordering; so trim! But Mrs. Ordinary was thinking the same thing about Marsha. And so the one flapjack apiece, easy on the syrup. Then afterwards, not tea but rum, Mrs. Ordinary decided, which Marsha went along with. Why not? She could sober up on whatever little drunkenness occurred before Eddie even stirs out of his slumber, 12 o’clock being the earliest he rises since his early retirement in March of last year. Lots of money in records management outside the public sector. And he worked for the rock industry, Ozmo Daredevils, Ozzie Osbourne and the like. For the former, he chronicled how “Jackie Pink” turned into “Jackie Blue” in the company blog, which brought him to the attention of curious Marsha wondering about her own “Pink” name and how it came to be. Through it she learned that boys and girls use to be dressed in pink and blue respectively back in the 50s 30s instead of visa versa. And so it began.

(to be continued)

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from star to shining star

“How far to the Pleiades star constellation formation, Helmsman Pickard?”

“Um, just checking,” replied the red uniformed man to the right, hands all over the controls with much accompanying typing noises. Finally he answered: “About 150 parsecs still, mum.”

Cpt. Extra Ordinary knew that *Earth*, their origin point, was less than 150 parsecs from the Pleiades. She makes a note to replace Pickard with promising jr. officer Lulu U. Hooroo, a black woman from Silver City, New Mexico in the 1950s. She’s certainly capable for the position, plus it will add much needed diversity to the bridge. Not a black, yellow, red, or brown person in sight here, although Helmsman Speck opposite Pickard is half Vulcan. Or so everyone is telling her — she has her doubts still; looks like another white thoroughbred male actor to her from Cookie Cutter California.

Afterwards:

“That was soo much fun! I can’t wait to get to the Pleiades to see what they’ve set up there.”

“Soo… you really think you’re going to the Pleiades, to that distant star constellation formation?” said the woman opposite her, readying to reprise her role as Helmsman Hooroo from the original Star Team series.

“Well, sure. Don’t you?”

“Oh sure, sure. It’s all real. If Dolores Cannon says it’s real then it must be real.”

“Dolores who?”

“The Big Sandy woman. She’s not a channeler after all. She’s a reporter, an investigator. The spirits do not speak through her just *to* her. From various sources, filtered through various human vessels.”

“*We’re* on a vessel,” spoke Mrs. Ordinary, the Extra removed from her name immediately upon exiting the holographic bridge. Yet the unreality lingers. “The USS Galaxy,” she recites. “Class 4a starship, which replaced the class 3b Ararat which replaced the class 2f Cuthand. I know my Star Team stuff. And I knew the distance to the Pleiades. Inept Helmsman Pickard will be replaced the next time we step up on the bridge. *You’ll* be there with me instead. And maybe I’ll keep Speck there, maybe not. Depends on what the blood tests I ordered show up with. If thoroughbred white like I suspect — outta there too. We’ll replace him, yes, with someone Asian, maybe an Indian.”

“Back to the Pleiades,” steered “Hooroo” toward the main problem again, the main sticking point. There was no stage set up for them in the 7 star star constellation formation. Despite what Cannon relayed in Book 1.

I can feel her laughing behind the scenes. I think she may be part of my “council”, perhaps as a counsel.

(to be continued)

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512 and counting

I’ve made a map of the age of avatars owning property around Rocky Comfort (RC in the middle, in turn the perceived center of Sandfly Big Sandy) in terms of years and then months. Seems like a lot of old folks here, with age 15 predominating, throw in a couple of 16s even. Maybe they did come here as some sort of group, like Mrs. Ordinary reinforced to Marsha in that last post of this blog and attached photo-novel. Speaking of which…

“Oh it’s right out there in the ocean, just beyond the lighthouse. Can’t you see?” Then Mrs. Ordinary remembered she was wearing her new, custom-made eyes which gave her extraordinary sight indeed. Kill her: she indulged herself. She works hard up there in the real world, she wants to play hard down here during her off time, relatively effortless 20/5 vision, supersonic hearing, the works. She doesn’t want to miss *anything*.

“I can’t see it,” says suddenly shivering Marsha, not daring to extend her normal 128 meter draw due to local lag. She crashes too much as it is. “Cold out here: let’s go back. We can go to the boat another day when I can get a proper rest. Just arrived you know.” River’s still strong in her mind. And what happened there.

“Oh it’s beautiful,” Mrs. Ordinary went on about the thing. “3 sims and the truth. Galaxy is a good name for the craft it’s so big. Milky Way would have been another.”

“Universe?” jokes tired Marsha, who then gets up from the barrel she’s sitting on and starts heading inland again. Back to Rocky Comfort and thereabouts. Back to the sand she feels more at home in. Big Sandy.

“Everything’s banned around here anyway,” she throws back to trailing Bethany, er, Ginger.

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Minnesota to Louisiana, the mighty river rolls on

He visited the residence nearest the center of Chum and found another tiger laying on a couch. The more things change the more they stay the same, he contemplated, also looking across the deck at a dancing bear.

If I said he wasn’t perturbed at this new development I would be Lion.

Yes, there I am below, a Batta-lion to be specific. Ready for battal. But it was all a dream about the war again and the loss of Chet. They poured into the sea looking for the real me. I wake up.

—–

Later, much later, I revisited the scene and found 3 girls, probably sisters, all peering round the corner of a neighboring houseboat down the pier at… me again I assume. Wondering what went wrong. Their lives had unfolded perfectly: 3 beautiful children spaced about 2 1/2 to 3 years apart. The golden family. “Golly gee,” the pigtailed middle one said to the others. “Do you think he’ll *ever* make anything of his life?” “Yes,” agreed the younger also coming around like the others before her, also watching me flounder around the end like a lost seal puppy. She was my junior by close to 15 years but was already enrolled in special classes for the gifted and damned, although I just added the second word in jest. This must have been before I enlisted and made something of myself. Finally. My family would beam down smiles instead of rain frowns. The war was the best thing that could have happened. The girls grew up to be successful women in their fields of archeology, anthropology, and astronology from top to bottom, although the youngest had a tough time choosing between astronomy and astrology in her junior year of college and decided to combine them into one to create something new. Since she was special, perhaps special special, the instructors granted this wish. She became the most interesting one to me later, after the war, after all the death and destruction was over. Because she had the most insight into herself, being a kind of split being like myself, although obviously not as fractured. I sat down with her one day and talked away, although this was not part of the dream. This was reality. I told her about TILE. I told her about the renegade treatises by two other children, without a third this time. I was looking for them. I wanted to find out… what they knew. How they channeled such important documents at such a young age. And why that milk for that bread, that (peanut) butter? Was it really needed to make the whole thing palatable to others at least in part?

—–

She still wasn’t allowed to eat with him, despite the changes. “Dear, why don’t you take off your mask. *I* have.”

That is just a wig you put on to give the appearance of a beauty and not a beast, he thinks. You’re still a white faced cow. He stared over, looked at her black vacant eyes. Yes, cow. Nothing to be desired at all. He imagines the heat again, the flies again. He remembers the military.

“I wear this, *cow*,” he answered aloud, “because I don’t want to forget who I am, how I got here. If it wasn’t for Chet–”

“Oh Chet Chet Chet,” she cut in, tired of the name. “Watermelons and cantaloupes, right. You have to get *over* it dear.”

“Stop saying that,” he protested. “Stop calling me that.”

“*Dear*,” she insisted. “Just take off the helmet — not the cape. Let me take a peek. It’s only fair.”

If he took off the helmet he would no longer be one with Chet. He refused, adding another “cow” or two to rub it in. We are different still, you over there and me over here, he thinks. He will not succumb.

(to be continued)

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triptych interpretation 02 of 02

Hucka D.: In 4b, like we said before, the boy at the tree with the Tintown sign looks down at the missing letter, the missing Y that makes it Tinytown, which it is. I should also say that Tinytown no longer exists, another victim of the pandemic. Like Sissy’s most likely.

Baker B.: Good. Mortons Gap is emptying of meaning.

Hucka D.: I think you want to bring up the 2 PLACEs.

Baker B.: I think that’s taken care of in the text of the photo-novel before, Hucka D.

Hucka D.: 2 PLACEs at once (Hucka D. presses). This is another pointer leading to the triptych. It all leads there.

Baker B.: Okay, good.

“Adventures in Tintown Part 4b of Tin”

Hucka D.: 4b, then. The people with the narrow woman from 4a, most likely her family, have their faces covered by white ovals. To their right we have a ring of ghosts, also with oval white faces or heads. You made the association, thus the triptych continues to the right and not the left at first. You insert the smallest Tintown sign in the darkness behind the ghosts and the whited out face people (in 4a), a mother and her child perhaps. Maybe the narrow girl is the same woman’s daughter.

Baker B.: One of the faces is round and not ovoid. Can you comment on that?

Hucka D.: This is the middle of another simple 2 part collage that you prepared in anticipation of the triptych, although you didn’t know it at the time. The middle head becomes round, and with two oranges eyes, it appears. That’s about all I can say about it for now.

Baker B.: Thank you. Then moving on, we shift from Mortons Gap Kentucky to Tin Town Missouri, from a batch of old photos by, let me see, Russell Lee, who is famous for such things.

https://en.wikipedia.org/wiki/Russell_Lee_(photographer)

Hucka D.: Pie Town, New Mexico, I note in the article. Pietmond.

Baker B.: Right. Blast from the past.

Hucka D.: Lets move to 4c, the last panel which will bring us back to the first.

“Adventures in Tintown Part 4c of Tin”

Hucka D.: Selves, you’ll notice, in the collage, not Self. There is more that one Self. There are 3 in this collage, according to size. The second is 61/100ths the size of the first. The third and last is 61/100ths the size of the second. Although these 3 come in 5 bodies, there are only 3 heads, matching the 3 Selves. Two have been cut off. You sure that Shelley is okay? She’s very important.

Baker B.: I know — extraordinary. She’s okay.

Hucka D.: What are these Selves, then? You find them in Tin Town MO which originally was named Gold. Ronnie Self the rockabilly wannabe star who didn’t quite get there. But he lends his name to the Triptych. He too is part of this (process).

Baker B. (after a pause): The ratios seem important. If we assume a steady reduction, the first is 100, then the second is 61, then the 3rd would be 37.21 almost exactly (checks). No: *exactly*.

Hucka D.: Extraordinary.

Baker B.: Then the simple 2-n-1 collage Barry Deboy holds in the last post before you showed up for our interpretation, Hucka D. (Mortons Gap sign/ “Does this look square to you?”), is the last element inserted here, cutting off 2 of the 5 heads…

Hucka D.: But adding 2 of its own heads (nutcrackers on sign). One obviously truncated (pause). You sure?…

Baker B. (guessing what the bee-man was going to say): Yeah, she’s all right. Anything else?

Hucka D.: I was going to ask you the same thing. Oh — Bat Boy. Zebrasil. Very important. Only the ZE remains (in 4c). Flying toward the First, the largest Self, the most immediate. You.

Baker B.: Thank you, Hucka D. And we’ll work on…

Hucka D.: … Amagon, yes.

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triptych interpretation 01 of 02

Hucka D.: I will forgive you for Amagon. The three lights. Wheeler.

Baker B.: Thank you, Hucka. So you are ready to begin?

Hucka D.: Yes.

“Adventures in Tintown Part 4a of Tin”

Hucka D.: Tinytown changed to Tintown. The missing Y is spotted by a boy in 4b. This is 4a.

Baker B. (clarifying): The boy at the largest of 3 such altered Tinytown signs. The one whose head is slightly cut off in the editing process as he looks down.

Hucka D.: Yes. The blade in the background? You didn’t get to that yet. Has Shelley regained her head?

Baker B.: Dunno, Hucka D. I would assume so. Since I have her active in another window opened up right now.

Hucka D.: What’s she doing?

Baker B. (checking): She’s in the middle of Extraordinary.

Hucka D.: Ahh, appropriate. Have you figured out what she is?

Baker B. (thinking back to 4a and the altered sign): Gold?

Hucka D.: Gold and silver. And platinum. There’s something else coming up.

Baker B. (after a pause; he’s looking in Extraordinary): Okay.

Hucka D.: Are the 3 lights there?

Baker B.: Yes.

Hucka D.: Can you close the window? (Baker B. closes the window) Back to 4a (pause). Obviously Spider has returned. He’s inside the collages now. For real. He’s alive (inside of them).

Baker B.: Yes. Fascinating.

Hucka D.: So that’s one thing predicted in these photos. Can I say these photos are all taken from Tinytown or thereabouts, on the outskirts of Mortons Gap?

Baker B.: I think you just did.

Hucka D.: Kentucky, the actual one, the real one. Not Mortons Gully in Our Second Lyfe. That’s just a 1:1 match from the Oracle.

Baker B.: Good to say (again).

Hucka D.: Not much there otherwise. Sissy’s is closed. Shame. She just wanted to fit in.

Baker B.: Or, alternately, she just wanted to be included.

Hucka D.: Put a picture up of what we’re talking about.

“she just wanted to fit in”

Hucka D.: Another simple collage — 2 part. Like all of them are. Until we reach the triptych which goes round and round… and round.

Baker B.: This is (in) Mortons Gap again, just to clarify.

Hucka D.: Right. (he pauses to look down at his hands; just yellow pollen covered balls, like at the beginning; he had regressed that far) Back to Tinytown which was changed or altered to Tintown. The narrow woman is interesting: one eyed, like Leela.

Baker B.: We call her Eyela.

Hucka D.: Right. She was set up as well (by the powers that bee). That led from the original altered photo, a simple 2-n-1, with the Y dropped out of Tinytown, into the triptych. The triptych was the goal all along. Another altered sign, I’ll note, in the dark backdrop behind her — less obvious; could be missed.

Baker B.: Yes.

Hucka D.: And the bat boy… but we’ll get to him in part 2. Or part 3.

(to be continued)

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looking toward BoShek again

“Vast swaths of abandoned land in the middle of continents, Hucka D. I’m not sure the study of Peakology is even valid any longer.”

“Better stick with Nautilus,” said the Hucka D. who was not Hucka D. if still yellow. Square. “Bahahahahaha.”

—–

One of the people at the bar lit up. One of the people at the bar spoke. “I know I’m not your type.” (long pause). “I realize the kids may be involved.” (long pause) “You’d give that up for me?” (long pause) “Sally doesn’t have to know.” (long pause) “Eliminate the middle man, right.”

She gets up, this Mrs. Ordinary, and moves 10 feet down the bar, which is further than anyone else here could.

“I have a house and home, you see.” (long pause) “I’m a better person than you.”

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in the most-least obvious place

“Oh, we’ve looked everywhere for Franklin. Franklin Hollow here. Hootin Holler just a holler away to the north. Nothing.”

“I’m sorry.”

“We’ll find her.”

“Absorption.”

“Yes.”

Afterwards, Baker Bloch, in whatever guise he’s in at the moment, thinks that he needs to set up extra protection around Shelley, convince her of her supreme long term worth, her *extraordinary* nature. He didn’t think Franklin could emerge back out of her but also might be wrong. Small chance, but there. Roberts cannot be underestimated.

—–

meanwhile, in *Fordham*:

“You stay here with me and play backwards-forwards guitar, Franklin. Us greenies gotta stick together. Right Unch?” she calls up, then pretends to hear a, “right Apples,” from the tree behind her in place of “mere” leaf rustling.

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0024(0403)

Kick-Ass Bogota wonders where his brother Kick-Ass Boos ran off to — for several weeks! It’s like he has a secret life as a superhero or something, ha, laughs Bogota inwardly, knowing the reverse is true. Because he’s right over there, just up over the street edge at the bar he forgot he owned and had to be reminded by his employee. I know this is happening. I sawed him off (last Thursday’s Tuesday).

If only it had worked out better over at Four Corners on the Bellisaria continent, he thinks. Maybe he could balance the ordinary and extraordinary better. But as he is, he’s totally unfit to replace Baker Bloch as Sunklands leader, pheh. I’ll testify against him if it comes to that.

Bogota looks out, trying to spot his sometimes bodiless dog in the yard. 3 more trailers align themselves out into the distance, ending with the dumpster where Bogota found that book which told the whole story, 4 Corners, NWES City, everything. In fact, he should get back to reading it. He’s up to where he’s sitting in front of his trailer and staring off at the distance and then remembering to pick up the book from his lap. He picks up the book from his lap.

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Filed under **VIRTUAL, 0024, 0403, Apple's Orchard, NWES Island^

merging tracks

It *was* extraordinary. This track leading into the heart of the 4 sim wilderness. Not since Azure Islands…

Jeffrie Phillips shakes his head here. In wonder. He knew they were hiding out in there somewhere. Better recruit some help on his side of things. Cunning Poetry, good with a steal and a lie, came to mind, but that would alert Charlene. Charlene? Too busy. Plus that was the whole point. To bag this Knob Noster and bring him home to mama.

How about… Sammie Parr. He could run into her accidentally, say, at the Consignment store. Or down on the docks somewhere — he knew she liked to hang there sometime with devoted boyfriend Richmond Petersburg from Norfolk Virginia, currently *not* on leave from the navy. That was important too. Extraordinarily so.

A smile developed on his face as he kept looking ahead at the straight as an arrow railroad, aimed like Cupid.

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